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AT  THE 

AMERICAN  ART  GALLERIES 

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BEGINNING  SATURDAY,   FEBRUARY  12th,  1916 

(LINCOLN'S  BIRTHDAY) 

AND  CONTINUING  UNTIL  THE  MORNING  OF 
THE  DATE  OF  SALE.  INCLUSIVE 


THE  FAMOUS 

Catholina  Lambert 

COLLECTION 


TO  BE  SOLD  AT  UNRESTRICTED  PUBLIC  SALE 
IN  THE  GRAND  BALLROOM  OF 

THE  PLAZA  HOTEL 

FIFTH  AVENUE.  58th  TO  59th  STREET.  NEW  YORK 

ON  MONDAY.  TUESDAY,  WEDNESDAY  AND  THURSDAY  EVENINGS 
FEBRUARY  21st,  22nci  (Washington's  Birthday).  23rd  AND  24th 

BEGINNING  PROMPTLY  AT  8  O'CLOCK 


Subscriber's  Copy  Xo.,JJ^. 

EDITION    LIMITED    TO    SIX    HUNDRED    COPIES 


yitti 


{LmaA}^ 


("UC/  UC-^t-JtO 


V 


ILLUSTRATED  CATALOGl  t 

OF 

MABLE  PAP^' 
SCULPT  ^ 

BY 

U  '    OLD  AND  MODERN  MA5TE 
THt  PAMOUS 

T..,  ^NA    I    ^ 

COLLECTION 

Rf  MO\  ED  FROM  BELLE  VI5TA  CASTLE, 
PATER50N.  NEW  JERSEY 


TO  Bb  50. 


NkESTRICTED  PUBl  h 


:  R  OF  THF. 
PATERV'N  ->-\i  L  I'LU'-M     \MJ   .Ki  3.   lOMPAN^   OF  PATER50N.  NtW  JERSEY, 

TRU5TEF  AND  MORTGAGEE 

IN  THE  GRANin  RM  !  ROOM  OF  THF 

!  1 STREtT 

ON  THE  EVENINGS  HEREIN  STATFO 


Df.SCRIPllUN^  ,\M>  ATTRIBUTIONS  OF  THE  PAINTINGS  BY  THi 
THE  OLD  MASTERS  BY  WILLIAM  ROBERTS.  LONDON 
AUTHORITATIVE  ART  PUBLICATIONS.  ANI 
MODERN  PICTURES  BY  WILLIAM 


SI  ,1  i>ii  I'AINTtRS  AND 
OF  SEVERAL 

'It 


T.HR  SALE  WILL  BE  CONDUCTED  B  ( 

MR.  THOMAS  E.  KIRBY 

Ant)  his  Assistant,  MR.  OTTO  Bf  RNEl,  ol 

:^  A550» 

NEW  YORK 

1916 


No.  328 
THE    HOLY    FAMILY, 


BY 


ANDREA  DEL  SARTO 


d.J4xMjLt  C^O-^O-^^ 


ILLUSTRATED  CATALOGUE 

OF 

THE  VALUABLE  PAINTINGS  AND 

SCULPTURES 

BY 

THE  OLD  AND  MODERN  MASTERS 

FORMING 

THE  FAMOUS 

Catholina  Lambert 

COLLECTION 

REMOVED  FROM  BELLE  VISTA  CASTLE. 
PATERSON,  NEW  JERSEY 

TO  BE  SOLD  AT  UNRESTRICTED  PUBLIC  SALE 

BY  ORDER  OF  THE 
PATERSON  SAFE  DEPOSIT  AND  TRUST  COMPANY  OF  PATERSON,  NEW  JERSEY, 

TRUSTEE  AND  MORTGAGEE 

IN  THE  GRAND  BALLROOM  OF  THE 

PLAZA  HOTEL 

riFTH  AVENUF.  5S(h  TO  59ih  STREET 

ON  THE  EVENINGS  HEREIN  STATED 

DESCRIPTIONS  AND  ATTRIBUTIONS  OF  THE  PAINTINGS  BY  THE  EARLY  ENGLISH  PAINTERS  AND 
THE  OLD  MASTERS  BY  WILLIAM  ROBERTS,  LONDON.  AUTHOR  OF  SEVERAL 
AUTHORITATIVE  ART  PUBLICATIONS.  AND  DESCRIPTIONS  OF  THE 
MODERN  PICTURES  BY  WILLIAM  A.  COFFIN,  N.A. 

THE  SALE  WILL  BE  CONDUCTED  BY 

MR.  THOMAS  E.  KIRBY 

And  his  Assistant,  MR.  OTTO  BERNET,  of 

THE  AMERICAN  ART  ASSOCIATION,  MANAGERS 

NEW  YORK 
1916 


(s^q  l(^  7 


cy 


THE  AMERICAN  ART  ASSOCIATION 

DESIGNS   ITS  CATALOGUES  AND  DIRECTS 

ALL  DETAILS  OF  ILLUSTRATION 

TEXT  AND  TYPOGRAPHY 


THE  LAMBERT  COLLECTION 


INTRODUCTION 

TIr'  fonniitioii  of  i-i)llcrti()n^  of  iiicturcs  by  Aiiui-icaiis  of  t;isfe  ;iiul  .jiulg- 
iiiiiit  in;i\  l)c  idiinlilN  divided  into  two  periods — the  time  when  modern  con- 
tinental artists  wei'e  almost  exclusivelv  tlie  von'ue,  and  llie  time  wlien  the  Old 
Masters  of  various  countries  became  wlial  may  l)e  described  as  the  "ruling 
passion."  Of  the  former  period  we  have  an  ample  and  exhaustive  survey  in 
Edward  Strahan's  "Art  Treasures  in  America,"  issued  in  tliree  hirge  vol- 
umes some  thirtv-si\  years  ago.  'I'lie  taste  in  those  bygone  days  was  largely 
for  pictures  which  told  a  stor\,  soniethiiig  wliu'h  the  mind  could  grasp  without 
anv  great  efl'ort.  The  wcalthv  American  in  those  days  was  a  man  whose  busi- 
ness occupations  were  so  exacting  and  vai'ied  that  he  had  little  or  no  time  tor 
tlie  Icisuri'ly  tour  in  Europe  where,  and  where  only,  lie  could  study  the  great 
masters  of  other  days. 

During  till'  last  thirt\  or  forty  years,  collecting,  so  far  as  pictures  are 
concerned,  has  bei-ome  almo'~t  entirely  revolutionized:  the  gods  of  former 
times  hiive  become  displaced  and  other  and  totally  diH'erent  gods  reign  in 
their  stead.  This  evolution  i>  not  |)eculiar  to  ,\merica,  but  it  has  been  effected 
more  ra])idlv  and  with  more  thoroughness  tluri'  than  would  be  possible  in 
anv  lOurojiean  coinitrv.  It  is  not  that  pictures  by  modern  artists  are  not 
collected,  or  that,  in  the  words  of  Tacitus,  rctcni  iwtcMinins  rccentinm  in- 
curiosi,  but  that  tastes  have  developiil  into  other  groo\-es  ;  ;ind  certain  plia.ses 
of  pictorial  art,  once  ])opular,  lia\'e  long  ceased  to  attract. 

Picture  collecting  is  of  a  jirogressixe  character,  and  but  for  the  tastes 
of  fortv  vears  ago  there  would  be  to-dav  but  few  collections  of  Old  jNIasters 
in  tlu'  I'nited  States.  At  some  future  time  it  will  be  interesting  to  inquire 
into  the  causes  which  lirouglit  about  this  revolution;  to  the  names  of  those 
who  contributed  to  it,  such  as  Mr.  John  (i.  Johnson,  Mr.  J.  Pier])ont  Morgan, 
:\Ir.  P.  \.  B.  Wideiier  and  Mr.  15.  Altnian  must  be  adiled  that  of  .Mr.  C'ath- 
olina  Lambert.  All  these  men  began  to  collect  on  the  lines  that  were  pop- 
ular at  the  time,  but  as  their  intimate  ac(]uaintanceship  witii  the  old  masters 
grew,  so  tlieir  lo\e  for  them  increased. 

Mr.  Lambert,  who  has  been  one  of  the  most  enterprising  and  energetic 
of  American  collectors  for  iiearlv  half  a  ceiiturv,  has  made  a  wise  and 
admirable  compromise  between  the  old  masters  and  the  modern,  by  collecting 
and  retaining  such  of  the  latter  as  have  everv  promise  of  what  may  be 
termed  permanency.  The  Old  ^Listers  can  always  take  care  of  themselves, 
for  thev  will  always  remain  more  or  less  unaffected  by  the  changes  in  fashion 
and  taste.     JNIr.  Lambert  has  succeeded  in  getting  together  one  of  the  largest 


collections  now  existing  in  jirivate  iiands.  In  forming  it  lie  lias  relied  largely 
upon  his  own  judgment.  This  large  and  varied  collection  is  now  to  be  dis- 
persed; its  many  units  will  in  the  immediate  future  find  new  homes  and  help 
to  adorn  other  collections,  and  the  pleasure  which  they  have  given  to  the 
present  owner  will  be  transferred  to  others. 

No  one,  and  least  of  all  ]\Ir.  Lambert,  will  be  disposed  to  insist  that 
all  these  pictures  are  masterpieces.  All  collections,  public  as  well  as  private, 
contain  pictures  which  are  interesting  rather  than  great ;  and  it  is  not  always 
the  important  pictures  which  give  the  greatest  pleasure  to  the  owner.  And 
it  is  the  interesting  jiictures,  perhaps,  which  constitute  the  backbone  of 
the  Lambert  collection.  There  are,  nevertheless,  many  of  the  first  rank  of 
importance,  both  among  the  Old  Masters  and  the  modern.  Special  attention 
may  be  drawn  to  the  Andrea  del  Sarto,  to  the  Botticelli,  to  the  Luini  altar- 
piece,  and  to  the  Rembrandt  portrait  of  a  Rabbi.  As  in  the  case  of  so 
many  other  early  pictures  scarcely  anything  is  known  of  the  provenance 
of  these  pictures:  the  first  three  having  been  conveyed  out  of  Italv  into  Eng- 
land without  any  flourish  of  trumpets.  They  were  bought  by  Mr.  Lambert 
on  their  artistic  merits  and  are  now  offered  for  sale  under  the  same  con- 
ditions. The  Rembrandt  is  an  unquestionably  fine  picture,  and  the  fact  that 
another  version  of  it  exists  in  Berlin  does  not  invalidate  its  authenticitv. 

The  quality  of  the  early  Spanish  pictures  is  generally  good,  and  among 
them  are  some  important  examples  of  the  men  who  followed  Velasquez  and 
Murillo,  such  as  Carreno  de  Miranda,  Cocllo  and  Pereda.  The  Dutch  and 
Flemish  portrait  ])ainters  of  the  Seventeenth  Century  are  represented  by  a 
number  of  first-rate  examples  in  good  condition.  Particular  attention  maj' 
be  directed  to  the  Marc  Geeraerts  jjortrait  of  Lady  Kenelm  Digby,  who  sat 
to  many  painters  for  her  portrait  and  whose  intellectual  gifts  inspired  so 
man}-  of  the  poets  and  writers  of  her  time;  to  the  ^'an  der  Heist  portrait 
of  a  gentleman,  the  Ue  Keyser  grou|)  of  the  Parker  family,  to  ;\Iierevelt's 
portrait  of  Pieter  de  Schilde,  Councillor  of  Brabant,  to  Moreelse's  portrait 
of  another  public  official,  the  Sheriff  of  Dordrecht,  and  to  Verspronck's  por- 
trait of  Mynheer  Ten  Eyck.  In  subject  pictures,  the  same  schools  are  also 
well  represented — Van  der  Werff  by  a  marvelous  piece  of  flesh  painting  in 
"The  Incredulity  of  St.  Thomas,"  from  the  famous  Ho]ie  of  Deepdene  Collec- 
tion; Honthorst  by  an  "Adoration  of  the  Magi,"  with  its  curiously  Flemish 
conception  of  Oriental  life  and  costume;  the  big  Jordaens  picture  of  "Da'dalus 
Fastening  the  Wings  on  Icarus" — to  select  only  a  few  of  the  works  worthy 
of  the  attention  of  the  amateur  and  others. 

The  early  English  school  forms  a  very  im])ortant  section  of  Mr.  Lam- 
bert's collection.  The  pictures  range  from  William  Dobson,  whose  art  greatly 
profited  by  his  friendship  with  Van  Dyck,  down  to  Sir  Thomas  Lawrence 
and  his  friendly   rival   Sir  William  Beeche3\     In   the  interval  we  liave — and 


Iicre  again  we  can  only  mention  a  few  without  jjrejudice  to  tiiu  otlicrs — Wil- 
liam Hogarth's  group  of  the  Price  family;  Thomas  Gainsborough's  portrait  of 
General  Johnson;  two  particularly  fine  Lawrences,  "The  Two  Sisters"  and 
"Mrs.  Inglis,"  as  well  as  a  most  imjiosing  and  attractive  group  "At  the  Ojwn- 
ing  of  the  Gate.  Wni.  Bennett  and  Richard  Yeo  may  l)e  specially  mentioned 
among  the  Sir  Joshuas,  whilst  the  fine  series  of  Richard  Wilsons  and  good 
examples  of  other  and  later  English  landscajie  and  portrait  painters  help  us  to 
realize  the  greatness  and  excellence  of  Knglish  art  from  its  origin  down  to  the 
latter  half  of  the  last  century. 

Mr.  Lambert's  pictures  by  modern  artists  are  in  a  manner  dominated 
by  the  splendid  series  of  the  works  of  Monticelli — by  far  the  most  imj)ortant 
to  come  into  the  market  for  many  years,  and  })robal)ly  the  finest  grouj)  which 
can  occur  during  this  and  the  next  generation.  As  this  feature  is  ilealt  with 
separately,  it  need  not  be  enlarged  upon  here.  Another  striking  feature  is 
the  large  number  of  pictures  by  the  American  artist,  Ralph  Blakelock;  among 
them  a  wonderful  moonlight  landscape  of  large  size.  Yet  a  third  feature,  hav- 
ing regard  to  number  and  (juality,  is  seen  in  the  many  works  of  Georges  Michel, 
the  French  artist  who  has  depicted  for  us  the  Montmartre  of  Paris  as  it  had 
been  for  centuries  and  as  it  was  until  the  middle  of  the  last  centurj'.  The  story 
of  modern  French  art  is  brought  up  almost  to  our  own  day.  Nearly  all  the 
Barbizon  painters  are  represented,  as  well  as  the  artists  who  rank  with  them 
and  yet  do  not  fall  quite  into  the  same  group.  The  important  picture  of 
Gustave  Courbet  and  the  brilliant  Diaz  may  be  specially  mentioned.  Several 
large  and  important  examj)les  of  Puvis  de  Chavannes  and  of  the  Russian 
artist  Verestchagin  are  among  the  features  of  the  collection — gallery  pic- 
tures which  should  find  permanent  homes  in  some  jjublic  institution. 

In  no  phase  of  modern  art  is  the  collection  more  remarkable  than  in 
that  of  the  modern  Impressionists — Monet,  Renoir,  Sisley  and  Pissarro  are  all 
represented  by  brilliant  examples  of  their  art  done  at  their  most  spontaneous 
periods.  The  interest  which  Mr.  Lambert  took  in  American  artists  is  also 
fully  manifest,  not  alone  in  the  Blakelock  pictures  already  mentioned,  but 
in  the  large  number  of  works  by  the  leading  men  in  American  art  u])  to  the 
end  of  the  last  century. 

It  should  be  added,  in  conclusion,  that,  since  comparatively  few  of  the 
pictures  have  been  exhibited  either  in  Euro]ie  or  in  this  country,  so  far  as 
can  be  traced,  and  as  the  owner  kept  few  notes  of  his  numerous  and  varied 
purchases,  many  of  the  details  have  been  furnished  by  INIr.  Lambert  from  his 
retentive  memory'. 

W.  Roberts. 

London,  Januanj,  1916. 


MONTIGELLI 


NOTES  ON  MONTICELLI 

Monticelli  is  one  of  tlie  most  tragic  figures  in  the  history  of  modern  art. 
As  an  artist  and  as  a  colorist  he  is  sui  generis,  a  law  unto  iiimself,  a  problem 
and  u  j)u/zlc  to  students  and  critics.  With  many  friends  and  admirers,  and 
witli  wealtli  and  fame  just  witliiii  his  reach,  Monticelli  abandoned  everything 
at  tile  outbreak  of  the  l'"ranc()-(ieniian  War  of  lfS70-71,  and  tramjied  back  to 
his  native  city,  where  lie  remained  to  the  end  of  his  life,  ])ainting  pot-boilers 
to  bring  iiim  in  a  crust  of  bread  and  a  glass  of  absinthe.  Other  painters 
survived  the  shock  of  the  war,  but  for  ]\IonticeIli  the  sun  went  down,  never 
to  rise  again.  He  would  liave  had  the  first  ciaiiii  to  a  niciie  in  Sainte-Beuve's 
proposed  temple  to  the  neglected  and  misunderstood,  but  tiie  irony  of  fate 
and  the  mutability  of  fashion  have  transformed  the  neglect  of  a  ((uarter  of  a 
century  into  a  widespread  appreciation,  although  his  theories  of  art  as  exem- 
plified in  liis  pictures  are  not  yet  clearly  understood. 

The  biograjihical  details  concerning  Monticelli  are  exceedingly  few.  He 
was  born  at  Marseilks  in  \H'2i  of  Italian  ])areiitage,  and  "grandit  solitaire  et 
sauvage,  en  ])leine  nature,  courant  tcte  nue  au  soleil  Pete:  dans  la  neige,  en 
sabots."  At  about  the  age  of  sixteen  he  had  attained  to  considerable  efficiency 
in  drawing,  and  at  twenty-two  he  won  the  first  prize  at  the  Ecole  des  Beaux- 
Arts  in  Marseilles.  He  visited  Paris  in  18-17,  remaining  there  a  year  studying 
in  the  museums  and  in  the  atelier  of  Paul  Delaroche.  For  a  year  or  more  he 
traveled  about  Prance,  anil  in  1856  he  was  once  more  in  Paris,  where  he  became 
acquainted  with  Diaz,  and,  through  him.  with  other  artists.  His  works  never 
appealed  to  the  public,  hut  artists  and  amateurs  admired  his  extraordinary 
talents.  Napoleon  HI  ])aid  5,000  francs  for  one  of  his  jiictures  (which  was 
burnt  in  the  Tuileries),  and  the  Empress  Eugenie  had  commissioned  a  series 
of  large  pictures  (two  of  them  are  in  Mr.  Lambert's  collection),  and,  but 
for  the  war,  ^Monticelli,  doubtless,  would  have  taken  his  place  among  the  great 
])ainters  of  the  dav. 

The  outbreak  of  the  war  of  1870  sounded  the  death-knell  of  the  artist's 
lio))es  and  ambitions.  He  returned  to  ^Marseilles,  where  he  led  a  precarious  Bo- 
hemian and  solitarv  life,  parting  with  his  jiaintings  for  the  value  of  a  few  francs. 
The  death  of  his  mother  in  1888  still  further  hastened  his  decline,  but  his  pas- 
sion for  bright  colors  survived  to  the  last.  There  was  no  sale  of  "remain- 
ing works"  or  public  dis])ersal  of  the  elaborate  and  costly  equipment  of  a 
fashionable  painter's  studio,  to  give  Monticelli's  name  a  new  lease  of  life,  for 
his  atelier  consisted  of  a  bedroom  with  a  bed,  an  easel  and  two  chairs,  and, 
above  all,  a  large  red  silk  curtain  which  was  placed  over  the  window  and  which 
served  to  batli.r  the  whole  room  in  purple. 


Roughly  speaking,  ^Nloiiticclli's  work  may  be  grouped  into  tliree  periods. 
The  first  of  tlicse  includes  liis  semi-allegorical  grou])s  of  women,  dressed  in 
the  fashion  of  the  Second  Empire,  walking  in  parks,  with  ruins  of  aqueducts 
and  other  buildings.  To  liis  second  period,  that  by  which  he  is  most  generally 
known,  belong  the  charming  little  ])ictures  inspired  by  stories  in  the  "Decam- 
eron," by  tlie  legend  of  Faust  and  Marguerite,  little  fi'tcs-cluimpiire.i  remin- 
iscent of  Watteau  and  Pater,  romantic  dells  with  statues  and  fountains,  and 
peopled  with  ladies,  gentlemen,  horses  and  birds.  In  his  third  period  may 
he  classed  ])rovincial  landscapes,  marines  and  flower  j)ieces.  There  is  vet  a 
fourth  ])eriod  into  which  fall  iiis  latest  works,  but  in  these  the  brain  no  longer 
guides  the  hand;  the  color  is  as  brilliant  as  ever,  but  the  tliscordant  notes, 
the  amor2)hous  masses  of  bright  Inies,  all  too  effectively  tell  of  the  paralysis 
of  mind  and  body. 

It  is  not  in  Monticelli  that  one  seeks  perspective  of  line  or  accurate 
drauglitsmanshi]),  any  more  than  one  goes  to  the  novelist  for  strict  historical 
accuracy.  But  like  the  novelist,  he  clothed  the  dry  bones  of  fact  witli  the 
brilliant  and  varied  fancy  of  imagination.  He  is  the  Prospero  of  French  art 
of  the  nineteenth  century ;  his  brilliant  chromatic  effect,  his  "maids  glim- 
meringly  grou])ed"  in  their  dazzling  dresses,  antl  his  cavaliers  in  their  medieval 
costumes,  revealed  a  new  beauty  in  art. 

As  a  silk  manufacturer  as  well  as  a  collector,  JMr.  Lambert  from  the 
first  had  a  profound  admiration  for  ]Monticelli  and  his  brilliant  color  schemes. 
He  knew  the  artist,  and  has  fornu'd  what  is  probably  the  finest  collection  of 
his  works  in  existence.  He  has  twenty-nine  examples  which  cover  the  three 
best  periods  of  the  artist's  career.  Dr.  ^Nlireur  of  ^Marseilles  had  eighty-eight, 
and  Monsieur  Delas  had  sixty-nine,  but  both  these  collections  were  scattered 
fifteen  years  ago.  Four  of  Mr.  Lambert's  pictures  are  superb  and  unrivaled. 
Two  of  these,  which  are  among  the  largest  wliich  Monticelli  ever  ])ainted,  were 
connnissions  from  the  Fmpress  Eugenie,  and,  but  for  the  downfall  of  the 
Second  Em])ire,  would  have  adorned  the  boudoir  of  one  of  her  majesty's 
residences.  Two  others  are  the  luxuriant  ])ictures — oblong  in  shape — which 
Mr.  Lambert  obtained  direct  from  the  artist.  These  four  jiictures  more  espe- 
cially represent  Monticelli  at  the  height  of  his  remarkable  ])owers  of  creative 
fancy,  and  arc  among  the  greatest  pictures  of  the  period.  But  examples  of 
the  other  phases  of  Monticelli's  art  are  in  the  sale — from  flowers  to  jjortraits — 
and  it  cannot  be  doubted  that  when  this  wonderful  scries  of  pictures  is  placed 
on  public  view  it  will  excite  admiration  for  an  artist  whose  genius  has  only  bei'ii 
fully  recognized  within  recent  years. 

W.  R. 


CATALOGUE 


FIRST    EVENING'S    SALE 

MONDAY,  FEBRUARY  21,  1916 
IN  THE  GRAND  BALLROOM  OF 

The  Plaza 

FIFTH  AVENUE,  58th  TO  59th  STREET 
BEGINNING   PROMPTLY   AT   8  O'CLOCK 


VASILI  VASILIEVK  II  VEIlKSn  IIACUN 

Russian:  1842— IDO-t 


\-THE  CAVE  OF  EN  DOR 


Before  the  battle,  as  we  know,  Saul  went  to  eonsiiit  the  Witch  ol" 
Endor.  His  mission  was  not  without  danger,  as  the  village  of  Endor 
is  on  the  north  side  of  little  Hermon,  at  the  foot  of  which  was  the  camp 
of  the  Philistines.  Saul  turned  to  the  right,  and  so  could  reach  Endor 
"in  two  hours  time."  The  witch  predicted  to  the  King  his  defeat  and 
death.  "And  to-morrow  shalt  thou  and  thy  sons  be  with  me"  (said 
the  spirit  of  Sanmel  to  the  King)  ;  "the  Lord  also  shall  deliver  the  host 
of  Israel  into  the  hands  of  the  Philistines"  (1  Samuel  xxviii.,  19). 


Height,  41/)  iiulics;  width,  '•iy->  inches 


Front  the  artist's  sale,  Xew  York,  1891. 


VA8ILI  VASIJ.IEVICH  VERESTC  IIAGIN 

Russian:   1842—1904. 

2— THE  STABLE  OF  THE  NATIVITY 

Strong  light,  falling  from  above,  illumines  the  stone  walls  and  stair- 
way of  an  interior  in  which  is  seen,  with  back  to  the  spectator,  a  figure 
in  a  long  black  cloak  and  a  crimson  fez. 

Height,  lOV.  inches;  zvidth,  71/;  inches. 

Signature  at  the  lower  left  partly  effaced  hij  fading  of  pigment  and  the  action 
of  time. 

From  the  artist's  sale,  Xew  York,  1891. 


AEHT  VAN  DEK  NEER 

Dutch:   1G04— 1G77 

3— EARLY  MORNING 

View  on  a  broad  winding  river  with  numerous  sailing  crafts,  houses 
and  trees  on  either  side,  with  figures;  early  sunrise  effects. 

Panel:  Height,  sy^  inches;  length,  13  inches. 

Signed  mth  initials  in  lozeer  left-hand  corner. 


JOHN  CONSTABJ^E,  li.A. 

English:  1776—1837 

4—STUDY 

Study  of  an  autumnal  scene  witli  two  groups  of  trees,  and  a  pond  with 

fisherman. 

Panel:  Height,  91/.  inches;  length,  121/^  inches. 


STANISLAS  J.EPINE 

Fkench:   1836—1892 

5— RIVER  SCENE 

A  GRAY  day  in  the  outskirts  of  Paris.  The  Seine,  with  some  boats 
moving  slowly  along,  occupies  the  left  foreground,  while  on  the  right 
is  an  expanse  of  sandy  shore  witli  figiu'es  near  the  brink  of  the  river. 
In  the  distance  are  the  l)uildings  and  smoke  stacks  of  manufacturing 
establishments,  and  on  the  bank,  at  the  left,  are  some  suburban  dwell- 
ings. 

Height,  I2V2  inches;  length,  201^  inches. 

Signed  at  the  Io-uti-  right. 


MARTIN   RICO 

Spanish:   1850—1908 

6— OiV  THE  RIVERSIDE 

Masses  of  trees,  at  the  left,  on  the  bank  of  a  stream,  are  reflected  in 
the  jjlacid  waters.  Tlie  sky  is  filled  with  cumulus  clouds,  tinted  pink 
b}^  the  light  of  the  sun  at  early  evening. 

Height,   15   inches;   length,   23   inches. 
Signed,  llu  o,  at  the  lower  left. 


EVERT  JAN  BOKS 

Belgian:  1838— 

7— CASUS  BELLI 

A  MAN  and  his  wife  have  had  a  tiff'  over  a  milliner's  bill  or  some  other 
domestic  cause  of  discussion  and  have  both  given  up  talking.  The 
man,  on  one  side  of  the  table,  smokes  his  meerschaum  and  taps  his 
fingers  on  the  back  of  his  chair.  His  impatience  is  counterbalanced  bj' 
the  resigned  attitude  of  his  wife,  who,  chin  in  hand,  gazes  fixedly  be- 
fore her. 

Panel:  Height,  Ki  inehes;  length,  2'2y.>  inehes. 

Signed  iit  the  Uncer  left. 

Oil  tlic  hack  till'  artist  lias  jiaiiitcd  liis  signed  declaration  that   lie   is  the 
painter  of  tjie  ])icture,  finished  at  Antwerp  in  March,  1881. 


PKOl  ESSOK  LLDW  l(i  KNAl  S 

German:   1829—1910 


S— LANDSCAPE  AND  PIGS 

A  HERD  of  pigs  lyiii^i>'  in  coiafort  in  the  shade,  at  the  foot  of  a  hill. 
Snnlight  illumines  the  distance. 

Height,  19  uiclict;  width,  1-4%  inches. 

Signed  and  dated,  1878,  on  tree  trunk  at  the  left. 

From  the  Albert  Spencer  Collection,  New  York,  Febniar/j  28,  1888. 


AUUU8TE  VAVL  CHARLES  ANA8TAS1 

French:  1820—1889 

9— LANDSCAPE 

A  BKOAi)  river  winds  between  its  banks  on  wbich  are  seen  trees  and 
cottages.  Sailing  vessels  are  depicted  on  its  surface  and  in  the  fore- 
gi'ound  are  various  figures  and  a  boat.    The  effect  is  in  moonlight. 

Panel:  Height,  121/)  iiiehes;  length,  17  inches. 
Signed  at  the  lower  left. 


JOHN  LEWIS  lUiOWN 

French:  1829—1890 

W—CHEJAUX  AU  BORD  DE  LA  MER 

Grooms  exercising  and  bathing  their  horses  in  an  inlet,  with  a  high 
cliff  rising,  on  the  right,  above  the  sea. 

Panel:  Height,  O'/^;   inches;   -width,  7  inches. 
Signed  at  the  lower  right. 


ADOLPIIE  :M0N TICELLI 

French:   1824—1886 

U—LADV  WITH  A  FAN 

A  i.ADY,  in  a  fjfown  of  cramoisi  velvet  and  white  satin,  seated  before  a 
lectern  with  a  fan  in  lier  hand.  The  figure  is  depicted  in  profile  view. 
Companion  piece  to  No.  12. 

Panel:    Ilnijlil.    10    inches;    xcidtli,    i    inches. 


ADOLPIIE  MONTH  EELI 

French:  18-2-1— 1880 

12— THE  CAVALIER 

A  CAVALIER  in  black  velvet  costume,  mounted  on  a  white  horse,  ap- 
proaching on  a  road  at  the  edge  of  a  forest.     Companion  piece  to 

No.  11. 

Panel:  Height,  lOVl'  inches;  width,  ^i/o  inches. 

Signed  at  the  lower  left. 


ADOLPIIE  MONTICELLI 

French:   1824—1886 

13— FAUST  AND  MARGUERITE 

Faust,  Marguei'ite  and  JNIephistopheles  grouiJed  closely  together.  A 
color  harmony  with  strong  notes  of  red,  light  and  dark  hlues,  quali- 
fied with  gray  and,  in  the  hackground,  hlue  and  green. 

I'tnirl :  IlcUjht,  12  inches;  ic'idth,  8  inches. 
Signed  at  the  lower  left. 


ADOEPIIE  MONTICELLI 

French:   1824—1886 

14~F LOWER  PIECE 

A  WHITE  and  brown  Chinese  vase  filled  with  field  daisies.    On  the  left 
of  the  bouquet  is  a  large  red  blossom. 

Panel:  Ileiylit,  11   inches;  tciilth,  ()',■_>  inches. 
Signed  iif  the  loicer  left. 


RALPH  AIJiKRT  RLAKELOCK,  A.N.A. 

American:  1847 — 

15— LANDSCAPE  AND  MOONLIGHT 

A  LAKE  framed  in  with  trees  on  either  side  of  the  coiiipositiou.  The 
full  moon,  rising  over  the  hills  of  the  farther  shore,  is  reflected  on  the 
waters. 

Height.  8  iiuhcs;  xchltli,  fi  inclirs. 

Signed  at   the  Joxcer  right. 


KAI.PII  AJJJEllT  BLAKELOCK,  A.N.A. 

Ajierican  :   ISJ'T — 

\Q— LANDSCAPE 

This  landscape  is  especially  notahle  for  the  frank,  clear  tints  of  blue 
and  white  in  the  sky.  It  is  nuich  less  subdued  in  color  than  most  of 
the  landscajies  by  this  individual  artist,  but  it  is  most  convincing  by 
its  rare  brilliancy.  Dark  tree  foliage  and  gray  greens  and  browns  in 
the  foreground  harmonize  in  charming  fashion  with  the  clarity  of  the 
sky. 

Panel:  Height.  10  inehes:  length.  12l^_,  inehes. 


GEORGES   MICH  El. 

French:   1763—1843 

17— LANDSCAPE 

A  LANDSCAPE  hamiony  in  brown  and  g'l'ay.  On  the  left  is  rising 
groinid,  mostly  in  shadow,  crowned  with  trees;  on  the  right,  beyond, 
the  wide  stretch  of  a  plain  batlied  in  sunlight.  The  sky  is  composed 
of  gray  clouds,  graduated  into  warm  but  delicate-vellow  light  on  the 
left. 

Height,  1-i  iiichat;  length,  18  inches. 


GEORGES   MICHEL 

French:   1763—1843 

IS— LANDSCAPE  WITH  CASTLE 

A  LANDSCAPE  with  an  attractive  scheme  of  color.  The  sky  is  blue  with 
white  clouds.  At  the  left  is  a  group  of  forest  trees  with  a  castle,  on  a 
hill,  silhouetted  against  the  sky.  Some  cattle  are  seen  in  the  fore- 
ground ;  there  is  a  river  in  the  middle  distance,  and  beyond,  at  the  right, 
is  a  stretch  of  hills  in  atmospheric  tones  of  blue. 

Height,    17    inchrx:    length.    27    inches. 


GEOKGES   MICIIEE 

French:  1763—18^3 

\9— LANDSCAPE  WITH  TREES 

A  COMPOSITION  of  classical  aspect  with  large,  full-foliaged  trees  on 
either  side  of  a  roadway.  The  dark  masses  of  the  trees  showing 
against  the  sky  and  the  sky  itself,  with  its  great  white  clouds,  are  so 
placed  as  to  form  a  very  striking  ensemble. 

Canvas:  Hclcjht,  19  inches i  length,  231/2  inches. 


\'  K  1  < )  K  P I ERIIE  HIT  G 1 1 FJV 

Fuench:  1835—1902 

20— THE  ARRIVAL 

A  PARTY  of  JNIoorish  horsemen  at  the  entrance  of  a  white-walled  house 
with  a  green,  railed  balcony  over  the  doorway.  One  of  the  riders  has 
dismounted  and  his  horse  is  being  led  through  a  doorway  at  the  left  of 
the  picture.    The  effect  shows  full  sunlight. 

Height,   15    inches;    length,    18    inches. 
Signed  at  the  loiver  left. 


JOHN  LEWIS  BriOAVN 

French:   1829—1890 

21— THE  MEET 

A  BKOAJJ  .stretch  of  Hat  country  with  hills  in  the  distance.  A  lady  and 
two  gentlemen,  seated  in  their  saddles,  await  the  beginning  of  the 
chase. 

Panel:  Height,  15  inehes;   zcidth,   liO\(,  inches. 
Signed  at  the  Jorcer  left. 


STANISLAS  LEPINE 

French:   IH.'JG— 1892 

22— MOONLIGHT 

The  composition  shows  a  pond  in  the  right  foreground  and,  at  the 
left,  a  group  of  trees.  In  the  middle  distance  a  church  tower  is  seen. 
Over  all,  a  gray,  night  sky  with  saffron  moon. 

Canvas:  Height,  18  inehes;  length,  211/,  inches. 
Signed  at  the  hncer  left. 


AUGIST  FRANZEN,  A.N  .A. 

American:  1863 — 

23— A  VISTA  IN  FRANCE 

From  a  sandy  dooryard,  enclosed  with  a  low  stone  wall  and  with  a 
fruit  tree  in  the  left  center,  the  view  comprises  the  walls  of  country 
houses  and  the  spire  of  a  church. 

Water  Color:  Height,  171 /.  inches;  ^'idth.  111/,  inches. 

Signed  (it  the  h)7i'er  right. 


AKTIIITR  QUARTJ^EY,  N.A. 

Amekican:  1839—1886 

24^31  A  R  IN  E 

A  HEADLAND,  with  houses  and  a  church,  juts  out  from  the  right  of 
the  composition.  Two  sailing  vessels  are  seen  approaching  and  the 
sky,  of  quiet  hlue-gray  with  clouds  in  the  upper  portion,  is  illuminated 
by  the  rising  moon,  which  is  just  appearing  over  the  headland. 

Height,  13  inches;  length,  21  inches. 

Signed  at  the  loicer  right. 


F.  K.   M.  REHN,  N.A. 

American:  1848—1914 


25— LANDSCAPE 

A  SUNSET  landscape  with  marshes  and  stream  in  the  foregronnd.  At 
the  left,  on  the  horizon,  are  a  windmill  and  some  other  huildings.  At 
the  horizon  the  sky  is  reddened  by  the  setting  sun  and  warm  tones 
are  gradated  up  to  the  top  of  the  composition.  Well  up.  on  the  left, 
is  seen  the  thin  crescent  of  the  new  moon. 


Height.  10  inclic.i;  U'lKjfh.  23V^  inches. 


Signed  tit  the  hncrr  left.  FKM  Rkhn. 


EDWAlil)  LAMSON   HENRY,  N.A. 

American:   184^1  — 

1Q~UNINVITED  GUESTS 

A  FARMHOUSE  scene  wherein  the  master,  probably  a  bachelor,  who  is  a 
portly  man  of  middle  age,  has  fallen  asleep  after  Ills  meal  at  a  small 
table  and  the  chickens,  as  is  their  wont  when  not  kejjt  away  by  a 
watchful  housewife,  have  invaded  the  kitchen.  Tlirou^h  an  open 
door  is  seen  a  cheery  yard  under  the  light  of  the  summer  sun.  The 
work  is  marked  by  the  excellent  drawing  and  complete  rendering  of 
detail  that  is  characteristic  of  one  of  the  most  po])ular  of  American 
genre  painters. 

Height,   181/2   inches;   length,  '2-i\'-2   inches. 

Signed  at  the  loicer  right,  K.  I..  Henry. 


SI U  JOHN  GILUEKT,  11. A. 

English:   1817—1897 

27 —THE  11  Eli  A  LD  OF  THE  TOWER 

Full-length  figure  of  a  herald  in  a  scarlet  tunic  trimmed  with  black 
and  gold,  and  wearing  a  black  velvet  cloak.  The  head  is  turned  to- 
ward the  spectator  and  the  right  hand  supports  a  silver  trumpet  from 
which  hangs  a  richly  embroidered  banner.  The  setting  for  the  figure 
is  formed  by  the  massive  pillars  of  a  castle  porch  and  a  sky  with  gray 
clouds. 

Height,    'ZSy^    inches;    width,    16    inches. 

Signed  at  the  lower  left. 

This  is  ])rol)!il)ly  "j^  Triiiiipittr'''  uxliibitttl  at  tho  Britisii  Institution  in 
1866,  No.  76. 


AUGIST  I  IIANZEN,  A.N  .A. 

American  :   1863 — 

2S— HEAD  OF  A  GIRL 

The  liead  of  a  young  girl  whose  shoulders  are  covereil  by  a  white 
kerchief.     The  background  is  composed  of  vari-colored  foliage. 

Water  Color:  Height,  211/o  inches;  zcidth,  13  inches. 
Signed  at  the  lower  left. 


JOHN   LEWIS  BROWN 

French:   1829—1890 

29— LA  BAIGNADE  DES  CHEVAUX 

A  LAD  with  three  horses  in  the  surf  in  the  foreground.  On  the  left, 
farther  out,  a  groom  with  two  other  horses.  Beyond  is  a  headland 
with  a  low,  white  tower,  and  overhead  there  is  a  fine  sky  of  white 
clouds  with  spaces  of  blue  in  the  upper  portion. 

Height,  '2\\(.  inches;  xcitlth,  13Vl'  inches. 
Signed  at  the  lower  right. 


ST  A  M  S  L  A  S    L  E  V 1 X  1  ] 

French:  1830—1892 

mSTlilJET  SCENE 

A  NARROW  street  witli  lioiises  at  tlie  left  and  a  .steep  iiieline  of  rock  at 
the  right,  with  overhanging  foHage.  A  woman  vendor  in  the  road- 
way is  bargaining  with  one  of  the  tenants  of  tlie  houses,  wlio  appears 
at  a  window.    In  the  distance  a  priest  is  apjjroaching. 

Ilc'njiit.  22  hnlus:  7ciilth,  15  incites. 
Signed  at  the  I(>7cer  left. 


CllAllLES   JJAIUU  E 

French:  1856—1883 

31— PEASANT  nor  OF  THE  APENNINES 

Half-lkngth  head  of  a  httle  lad,  whose  back  is  toward  the  specta- 
tor, with  head  tiu'ned  to  look  over  his  right  shoulder.  The  wide- 
brininied  hat  which  shields  his  face  is  decorated  with  Howers. 

Height,  '2'2  inches;  7ci(Ifh,   ISl^  inches. 
Signed,   Barc.i'e,   nt    the  loxccr  left. 


AD01.P11E  MONTICELLI 

French:   1824 — 1886 

32— THE  GRIFFIN 

Beside  a  garden  statue  of  a  griffin  a  woman  and  a  child  are  seen,  the 
child  holding  a  bunch  of  lilacs. 

Panel:  Height,   11    inches;   width,  7^   inches. 
Signed  at  the  lower  left. 


ADOLPiiE  :monticelli 

French:   182-1—1886 

33— THE  CA  VA LCADE 

A  GROUP  of  horsemen.  On  the  left  a  cavalier  and  a  lady  are  seen  look- 
ing at  the  riders.  The  setting  for  the  figures  is  composed  of  trees  and 
a  sky  of  blue. 

Panel:  Height,  61/)  inches;  length,  19  inches. 


ADOLPirE   ^rON TICELLI 

French:   1824—1886       " 

34— ON  THE  TERRACE 

A  LADY  and  gentleman  are  seen,  at  the  right,  standing  near  a  bakis- 
trade,  ready  to  greet  a  lady  in  a  yellow  gown,  the  train  of  which  is 
held  np  by  two  pages,  who  is  approaching  from  the  left. 

Panel:  Height,  7  hnhes;  width,  19  inches. 
Signed  at  the  lozver  left. 


ADOLPHE  MONTR  EL  LI 

French:   1824—1886 

35— FEEDING  THE  CHICKENS 

A  WOMAN,  in  blue  and  white,  feeding  a  flock  of  chickens.  The  combs 
and  plumage  of  the  cock  and  hens  give  brilliant  notes  of  red,  yellow 
and  white  in  the  resonant  ensemble. 

Panel:  Height,   ll'  incJies;  icidth,  lOy^  inches. 

Signed  at  the  lower  right. 


A I  )0  L 1  *  1 1 1 :   .MON  TIC  E I .  L 1 

French:   1S2-1— 1886 

S6—SA3ISON  AND  DELILAH 

The  figure  of  Sanison  is  seen  lying  prone  in  sleep  at  the  right  of  the 
composition.     On  tlie  left  is  the  nude,  seated  figure  of  Delilah. 

Panel:  Height.   1  .'J  inches:  n'idth,   HVi;  inches. 
Signed  rcith  initial.  M. 


GEOlKiKS   .MICHEL 

French:   1763—1843 

ii7-  LANDSCAPE 

A  VEKY  simple  motive  of  rolling  country  with  a  hill  on  the  left.  Light 
masses  in  tlie  foregroimd,  a  middle  distance  in  somher  tones  and  a 
sky  of  gray,  with  varied  cloud  forms,  complete  a  most  effective 
ensemble. 

Height.    1!)    inelies;    length.    -4' ^    inches 


French:   1763      1843 

SS— LANDSCAPE  WITH  WINDMILL 

A  SKY  with  storm  clouds  of  dark  gray  overhangs  a  diversified  land- 
scape with  a  windmill,  villages  and  farm  lands.  Beyond,  on  the  left, 
is  a  glimpse  of  the  distant  sea.    An  impressive,  dramatic  composition. 

Height,  171  o  'mcJux:  hiu/t]i,  251^  hiclics. 


GEOEGES  MICHEL 

French:   1763—1843 

59— LANDSCAPE 

A  VERY  skilfully  composed  gray  landscape.  The  foreground  is  cov- 
ered with  a  broad  shadow  and  the  principal  elements  of  the  composi- 
tion are  a  group  of  cottages  with  white  walls  and  thatched  roofs,  on 
the  roadside,  at  the  right ;  in  the  left  center  a  fine  oak,  standing  alone, 
and  a  sky  of  gray  clouds  with  dark  masses,  at  the  right.  On  the 
left  of  the  canvas  through  a  rift  in  the  clouds  a  broad  gleam  of  sun- 
shine illuminates  the  white  walls  of  the  cottages  with  fine  effect. 

Height,  19  inches;  length,  25l/o  inches. 


yiCTOli  riERPvE  IIUGUET 

French:  1835—1902 

40— ORIENTAL  SCENE 

A  GROUP  of  Arabs,  with  their  white  horses,  on  the  shore  of  a  lake.  On 
the  right  are  high,  rocky  cliffs,  crowned  with  verdure.  The  sky  is  of 
atniosjjheric  blue. 

Height,  IS^/o  inches;  width,  241/0  inches. 


FREDERIC   MONTENARD 

French:   1849 — 

41— A  VIEW  IN  THE  MIDI 

The  foreground  is  occui)ied  by  a  sandy  jilain,  with  rocks  and  trees. 
In  the  distance  is  a  range  of  niomitains.  The  sky  is  of  blue  with 
white  clouds,  and  the  effect  is  one  of  bright  sunlight. 

Height,  16^2  inches;  length,  27^2  inches. 
Signed  at  the  lorccr  right,  and  dated  "89. 


AJ^FIJET)  STSLEY 

French:   1 839— 1899 


42— ON  THE  SEINE 

The  river  Seine  is  depicted  in  tliis  landscape  at  some  point  between 
Rouen  and  Paris,  where  it  winds  its  way  among  hills  covered  with 
trees  in  autumn  foliage.  In  the  distance,  where  the  river  makes  a 
turn  around  a  headland,  are  some  tugs  with  red  smokestacks  and 
nearer  the  foreground  is  a  skiff,  with  people  in  it,  crossing  in  mid- 
stream. Poplars  on  the  hank,  at  the  right,  reach  upward  in  the  sky, 
which  shows  an  expanse  of  lilue  with  whitish-gray  clouds. 

Height,   ISy^  inches;  length,  2\\(>  indies. 
Signed  at  the  lo-wer  left,  and  dated  '74'. 


CAMILLE  rissArviio 

French:  1830—1903 

43— OX  THE  HIGHWAY 

A  RROAD  roadway  extending  from  the  foreground  to  the  middle  tlis- 
tance  on  the  left,  with  a  house  and  a  low,  tile-roofed  building  on  the 
right.  Trees  line  the  highway  on  either  side  and  the  sky  is  of  gray 
with  some  dull  white  clouds. 

Height,  IG  inches;  length,  '1\   inches. 


KALrU  ALBlviri    J5J.AKELOC Jv,  A.X.A. 

American  :   ISiT — 

44~MOOXRISE 

A  NIGHT  effect  with  rich  tonality,  with  the  moon  rising.     In  tlic  mid- 
dle distance  is  a  group  of  trees. 

Height,   121^  inches:  length.   17'^.  inches. 
Signed  at  the  lower  right. 


IIALPII  ALBEIJT   liLAKELOCK,  A.N.A. 

American:   IS^T — 

45~~LANDSCAPE 

A  POOL  ill  the  fore<)i-ouiul  and  dark  trees  .showing  against  a  bright 
sky  with  clouds  in  the  ujiper  portion. 

H fight,    1(5   iiulic.s;   length.   24'   inches. 
Signed  at  the  hncer  right. 


HAJ.Pll  AJ.BEHT  BLAKELOCK,  A.N. A. 

American  :   1847 — 

4Q— LANDSCAPE 

A  BROOK  tunililing  through  a  rocky  slope  in  a  forest.  The  rich  autumn 
foliage  of  the  trees  fills  the  greater  part  of  tlie  canvas  and  in  the  upper 
center  there  is  a  glimpse  of  sky. 

Height,    1(3    inches:    length,    '2^    inches. 
Signed  at  the  right. 


ADOLPHE  MONTICELLI 

French:  1824.— 1886 

47— THREE  LADIES 

A  GROUP  of  three  yoiinjr  women,  clad  in  robes  of  blue,  red  and  yel- 
low, seated  on  a  garden  bench.  The  setting  for  the  figures  consists 
of  tree  foliage,  on  the  right,  and  on  the  left  is  a  glimpse  of  a  sky  in- 
tensely blue. 

Panel:  Height,   18  inches;  xcidth,  141/2  inches. 

Signed  at  the  lourr  left. 


ADOLPHE  MONTICELLI 

French:   1824-1886 

4S-~THE  ARRIVAL  OF  CUPID 

Standing  in  the  middle  of  a  group  of  five  ladies  in  multi-colored 
robes,  and  a  man  at  the  outer  edge  of  the  company,  in  the  background, 
is  the  nude  figure  of  Cupid,  whose  presence  seems  to  evoke  keen 
interest  in  the  members  of  the  party. 

Height,    15    inches;    length,    18    inches. 
Sign-ed  at  the  lower  left. 

Cut  out  from  a  panel  of  a  door  in  tlie  stuilio  of  Diaz  the  artist. 


ADOI.PIIE  MONTKELLI 

French:  1824—1886 

49— A  LADY'S  PORTRAIT 

Three-quarter  length  seated  figure  of  a  young  woman  dressed  in  a 
frock  of  yellowish  white  and  wearing  a  hat  of  black  velvet  with  crown 

of  light  blue. 

Panel:  Height,  19  inches;  length,  121/2  inches. 

Signed  at  the  right,  and  dated  1875. 


ADOI.rilE  MONTICELLT 

French:   1824—1886 

50— THE  POULTRY  YARD 

A  FI.OCK  of  chickens  and  ducks  in  an  enclosure  with  a  gateway,  open- 
ing out  on  a  perspective  of  sea  and  shore. 

Panel:  Height,  13  inches;  length,  19  inches. 
Signed  at  the  lower  left. 


GEOHGES  MICHEL 

French:   1763—1843 

51~LANDSCAPE 

A  CLASSICAL  composition  showing  a  group  of  dark  trees  on  a  bank 
at  the  left.  Other  masses  of  trees  appear  on  the  right  of  the  picture 
and  tln-ough  the  middle  ground  runs  a  stream.  Dark,  gray  clouds 
fill  the  ujjper  part  of  the  sky,  and  the  lower  part,  nearing  the  horizon, 
is  brightened  by  a  stronger  illumination. 

Canvas:  Height,  20  inchcf!;  length,  26  inches. 


GEORGES   MICITEE 

French;  1763—1843 

52— THE  EUINEl)  CHATEAU 

In  the  left  foreground  is  a  ruined  structure,  with  an  archway  span- 
ning the  water,  and  the  remains  of  a  massive  tower.  Beyond  are  a 
few  trees.  On  tlie  riglit,  heyond  intervening  plains,  is  a  hillside,  gray- 
blue  in  the  distance.  Ovcrliead  are  somber  masses  of  cloud  forms  with 
the  sky  gradated,  in  the  upj^er  part,  into  a  simple  expanse  of  gray. 

Height,    201/2    i>i(-h(s;    length,    20    inches. 


(iEOKGES  MICHEL 

French:   1763—1843 

53— LANDSCAPE 

In  the  foreground  are  some  great  trees  which  have  been  partly  de- 
stroyed by  wind  and  weather.  Their  trunks  and  branches  grow 
upward  in  twisted  forms.  On  the  right,  beyond,  is  a  liill  witli  thick- 
foliaged  trees.    Tlie  sky  is  composed  of  gray  clouds. 

Height,    20    inches;    length,    27    inches. 


eni;lii^ii  school 
54— landscape 

A  LANDSCATE  witli  a  gToup  of  trees  in  a  dell  and  a  gentleman  on 
horsehaek  aceonipanicd  by  a  dog.     Pigs  in  pasture  on  the  left. 

Heiylif,    "JO'-,    hulic.s-;    length,    '29    inches. 


BENJAMIN   WILLIAMS    LEADER,  R.A. 

English:  —1831 

55—ENaiASII  E.  I XDSC  A  PE 

A  VIEW  of  rolling  eountry,  showing  fields  and  woods  and,  in  the  fore- 
ground, a  stream.  Over  all  is  a  sky  of  white  and  gray  clouds  with  a 
glimpse  of  blue  at  the  upper  right. 

Height,    '20    inches;    length.    80    inches. 
Signet!  at   the  hncer  left,  innl  dtited  l,S.S(i. 


AVILLIAM   II.  (  HOMK 

English:   1826—1848 

5Q— LANDSCAPE 

An  aged  oak  tree  occupies  the  center  of  the  view;  seated  peasant  and 
cart  wheel  near  dilapidated  cottage  and  hills  in  distance  to  right. 

Height,   28   inches;    length,   313   inches. 


GEORGE   V IN (EXT 

Exglish:   1796—1880 

51— LANDSCAPE 

Landscape  with  cottages  and  tall  overhanging  trees;  a  peasant  in  red 
cap  and  white  smock  seated  on  a  log  to  left,  pool  in  foreground ;  dog, 
boat  and  cows. 

Height,   2'iV->   inches:   length,   291/^   inches. 


JOHANN   MAKTIN    MKTZ   (of  Cologne) 

German:   1730—1800 

5S~F LOWER  PIECE 

Tulips,  primulas  and  other  flowers  loosely  arranged  on  a  ledge. 

Canvas:  Height,  28 ^A  inches;   zcidth,  21   inches. 
Signed,  and  dated  1771. 
Companion  piece  to  No.  59. 


JOITANN   MAirrrN  METZ  (of  Cologne) 

German:   1730—1800 

59— FLOWER  PIECE 

Tulips,  lilies  and  other  flowers,  and  hird's  nest  with  eggs. 

Height,   281/2    inches;    mdth,   21    inches. 
Companion  piece  to  Xo.  58. 


GEORGES  MICTTEE 

French:   1763—1843 

QO    LANDSCAPE 

A  HARMONY  in  grays  and  sober  browns.  A  road  winds  into  the  pic- 
ture from  the  immediate  foreground;  a  group  of  trees  is  seen  on  the 
left,  and  farther  away  in  the  right  of  the  composition  there  is  a 
single  tree,  on  the  roadside,  and  a  cottage  nearljy.  The  sky  of  gray  is 
dark  in  the  lower  right,  gradating  to  large  masses  of  tempered  white 
at  the  left. 

Height,    '21    inches;    length,    271/2    inches. 


GEORGES  MICIIEE 

French:   1763—1843 

Ql—SEACOAST  WITH  BOATS  AND  FIGURES 

A  COAST  view  on  an  estuary  of  the  sea  with  vessels  and,  on  the  shore, 
groups  of  fishermen.  To  the  left  is  seen  a  tall  mast  with  hoisting  ap- 
paratus for  putting  up  lights  at  night.  The  foregroimd  shows  a  sandy 
beach  and  across  the  water  is  a  line  of  hills.  The  sky  is  composed 
of  gray  clouds. 

Height,    20    inches;    length,    27^/2    inches. 

Purchased  from  Messrs.  Durand-Ruel. 


ALFRED  SIS  LEY 

French:   1839—1899 

62— iO  UVECIENNES 

A  ROADWAY,  lined  with  trees  in  antumn  foliage,  leading  into  a  vil- 
lage. The  effect  is  in  sunliglit  with  a  sky  of  graj^  blue  and  white 
clouds. 

Height,    18    iiichfs;    length,    22    inches. 

Signed  at  the  lower  right. 

On  the  back  of  the  canvas  is  a  sketch  of  another  winter  scene  with 
house  and  carriage  and  figures.  Both  scenes  were  painted  before  the  war  of 
1870,  wlien  Sisley  lived  at  Louveciennes,  close  to  Marly-le-Roi  and  Bougival. 
Nearly  all  the  pretty  N])ots  in  these  districts  have  been  preserved  to  us  in 
Sisley's  pictures. 


CLAUDE  MONET 

French:   1840 — 

68— OiV  THE  COAST  OF  NORMANDY 

The  sea  appears,  in  the  foreground,  within  one  of  the  curious  cliff- 
rock  formations  on  the  Xorniandy  Coast  near  Etretat.  Through  an 
irregularly  shaped  opening  in  the  rocky  wall  there  is  a  view  of  the 
sea  and  a  distant  headland  and  a  steeple-like  rock. 

Height.    281/;    inches;    width,    231/;    inches. 
Signed,   and  dated   '80. 


PlEKriE  AUCiUSTE   HEN  Oil? 

French:   1841 — 

Q4^0LIV1E11S  BE  L'ESTAQUE,  MAIISEILLES 

An  olive  grove  on  a  hill  in  the  foreground  which  overlooks  the  waters 
of  the  INIcditerranean.  Beyond  is  the  distant  shore  of  the  bay  with  a 
range  of  mountains. 

Height,    14<l/i>    inches;    length,    25l/>    inches. 

Signed,  Renoir,  at  the  loicer  tight,  <iiiil  dated  '82. 


A  El  RED   Slt^EEY 

French:   1839—1899 

65— LANDSCAPE 

A  ROADWAY  leads  from  the  right  foreground  into  the  middle  distance 
where  white  cottages  are  seen  and  red-tiled  roofs.  On  the  left  is  a 
group  of  trees,  in  shadow,  whose  tojjs  reacli  up  out  of  the  picture. 
On  the  right  is  a  straw  stack  and  a  green  tree  in  the  sunlight.  The 
sky  is  of  quiet  blue  with  white  clouds. 

Canvas:  Height,  231/2  inches;  length,  29  inches. 

Signed  at   the  lower  right,  and  dated  '84. 


CLAUDE  ^rONET 

French:   184.0— 

66— THE  LAKE 

A  LAKE  witli  o\'erhanging  trees  reflected  in  the  water.  At  the  left, 
the  gray  sky,  which  is  concealed  from  view  by  a  tree,  is  reflected, 
forming  contrasts  with  the  greens  which  predominate  in  tlie  scheme 
of  color. 

Height,   221/2    inches;    length,   30\U    inches. 

Signed  at  the  loicer  right. 


CAMILLE   riSSAliliO 

French  :   1830—1903 

61     THE  CAliREFOVR 

The  foreground  consists  of  an  open  space  with  irregular  patches  of 
grass  and  roadway  at  the  toj)  of  an  eminence.  The  road  drops,  in 
the  middle  of  the  picture,  into  the  town.  On  the  right  is  a  white- 
walled  dwelling,  with  its  garden  wall,  and,  beyond,  in  the  town,  are 
seen  other  houses  embowered  among  the  trees.  The  scene  is  ani- 
mated by  a  number  of  flgures.  Over  all  is  a  blue  sky  of  flne  atmos- 
pheric depth. 

Height,    2\\-2    inches;    length.    3.'Jlo    inches. 

Signed,  C.  Pissarro,  at   the  luicer  right,  and  dated  1872. 


F 1 J  i] I )  1 : in ( '   M O N  I  EN Ali\) 

68— O.V  THE  ROAD  TO  THE  MONASTEliY 

A  REPRESENTATIVE  example  of  the  work  of  a  celebrated  French  artist 
who  chooses  his  subjects  in  the  picturesque  Midi  of  T' ranee.  Here  are 
seen  two  monks,  garbed  in  white,  one  standing  meditatively  in  the 
foreground  and  the  other  gathering  herbs  on  the  I'oadside.  The 
strong  sunlight  of  the  South  lights  up  a  rocky  hillside,  above  a  wall, 
and  there  is  a  sky  of  intense  blue. 

Height,    29    inches;    zttiilth.    24    inches. 
Signed  at  the  hmrr  left.  Moxtenarp,  and  dated  '87. 


CARUnOX   WIGGINS,   N.A. 

Amekicax:   18-i8 — 

69—./  FROSTY  MORNING 

A  CREPUSCULE  effect  with  rosy  light  in  the  .sky  at  the  horizon. 
Against  these  tones  rises  a  mass  of  trees,  placed  in  the  middle  dis- 
tance. In  the  foreground,  consisting  of  spacious  pastures,  sheep 
are  seen  grazing  on  the  borders  of  a  brook. 

Height,  21 1/2  inches;  length,  291/2  inches. 
Signed  at  lower  left,  Caui.eton  Wiggins. 


FRANK    KNOX   MOKTON    HKIIN.  N.A. 

Ameiucan:   1848—1914 

70— 3IARINE 

The  wide  expanse  of  the  ocean,  witli  breakers  rollin"^  in,  the  waters 
ilkiminated  liy  sinih,i>ht  whicli  falls  from  a  break  in  the  clouded  sky 
from  a  jjoint  above,  and  outside  of,  the  picture. 

Height,  22  inches;  length,  351/0   inches. 
Signed  tit  the  hncer  left,  and  dated  "90. 


ALl  KED    W  All  J  JU:HG 

Swedish:  1834—1906 

71— LANDSCAPE 

In  the  foreground  the  somewhat  marshy  shores  of  a  lake,  with  reeds 
and  other  herl)a<>e.  On  the  right,  on  a  slight  eminence,  a  mass  of  trees 
showing  against  the  strong  color  harmonies  of  a  sunset  sky.  Effective 
contrasts  are  produced  by  the  well-handled  opposition  and  the  entire 
])icturc  is  characterized  ])y  ])readth  and  unity. 

Height,    211/0    inches;    length,    34    inches. 

Signed  at  the  hncer  left,  Al.  Wah  i.iiKur,,  and  dated  1879. 


RATMIXDO  DE   iSIADHAZO 

Spanish:  18-il — 

72— CONFIDENC  'KS 

A  LADY,  in  white,  seated  in  her  boudoir,  is  drawing  on  one  of  her  pink 
satin  shippers.  Standing  ])eside  lier  is  a  lady  visitor,  wearing  a  cos- 
tume of  bhie  and  tan  eolor  of  the  mode  of  the  Second  Empire.  The 
figure  in  white  is  notable  as  one  of  the  best  pieces  of  painting  of  a  ver}^ 
talented  artist  of  the  contemporary  French  school.  The  furniture 
and  accessories  of  tlie  apartment  are  carefully  and  simply  rendered. 

Height,    'M)    inches;    xcidth.    2H\[.    iiirhe.i. 
Signed  at  the  left. 


¥  V:  1 M )  I N AN  \)  no  Y 1  i  171^ 

French:  184.0— 

7S— THE  SULTAN'S  FAVORITE 

The  nude  figure  of  a  young  woman  of  brunette  type  reclining  on  a 
leopard  skin  and  draperies,  her  head  supported  by  a  cushion.  A  negro 
servant,  who  is  seen  behind  her,  with  a  large  white  feather  fan,  makes 
an  effective  foil  for  the  nude  body.  Among  the  accessories  are  a  cock- 
atoo, perched  on  a  table,  a  guitar  and  a  smoking  stand. 

Height,  28l/i;  inche.i;  length,  38  inches. 

Signed,   F.   Rovuf.t.   at    the  lorcer  left. 


JEAN    1U( HARD   GOUBIE 

French:   1842—1899 

7 4 —THE  HIDE 

An  equestrian  scene  in  which  we  see  a  party  consisting  of  a  gentle- 
man, two  ladies  and  two  children,  on  ponies,  riding  through  a  grassy 
lane,  while  a  flock  of  white  turkeys,  alarmed  at  their  approach,  are 
scurrying  across  in  front  of  the  horses  to  the  shelter  of  the  hedges 
on  the  right.  The  landscape  is  depicted  in  an  agreeable  color  scheme 
in  which  green  predominates  and  the  sky  of  l)lue  with  white  clouds 
is  veiled  with  the  light  vapors  characteristic  of  the  summer  season  in 
northern  and  western  France. 

Height,  SGly-o  inches;  width,  39  inches. 

Signed  at  the  lo-icer  left,  R.  Gouiuk,  luid  dated  1883. 


JOSEPH  STANNARD 

ExGiJsn:   1797—1830 

75— AN  OLD  MILL,  NOliWICll 

View  of  an  old  mill  on  the  edge  of  river,  with  cottages  and  overhang- 
ing trees;  in  the  center  is  an  old  man  in  a  hoat,  a  child  and  dog  to  right. 

Canvas:  Height,  '25l/>  inches;  length,  37  inches. 


JAN    MOLENAER 

Dutch  ;  Dikd  in  1(585 

7Q—THE  VILLAGE  FETE 

An  open-air  evening  scene,  with  numerous  peasants  drinking,  smok- 
ing and  dancing;  houses  and  trees  in  the  background  with  inns  and 
canvas  tents;  church  spire  in  distance  to  right. 

Canvas:  Height,  28  inches;  length,  41i/>  inches. 

Purchased  from  i]fessrs.  Diirund-Iiuel. 


JOHN    BEKNAY  CliOME 

English:   1793— 18J<2 

17 ^VILLAGE  ON  THE  TARE 

The  river  Yarc,  witli  numerous  sailiii"-  Iroats  on  either  side,  a  rough 
wood  jetty  with  figures  in  the  eenter  ol'  the  river;  windmills  and  trees 
to  right  and  left,  church  sjjire  and  houses  in  the  distance;  cloudy  sky 
with  moonlight  effects. 

Camas:  Height,  271/;  inches;  length,  39  inches. 
Purchased  from  Messrs.  Wallis  of  London. 


JULIAN    KIX 

American:   1851—1903 

7S—A  DEVONSHIRE  FARMHOUSE 

TiiK  broad,  jjlacid  surface  of  a  river  fills  the  foreground  and  stretclies 
away  to  the  horizon,  on  the  right.  On  the  left  of  the  composition  a 
high  bank,  with  trees,  extends  in  perspective  to  the  middle  distance. 
Amid  the  trees  appears  a  white-walled  house,  long  and  low,  with 
thatched  roofs. 

Height,  24  incites;  length,  ■i2  inches. 

Signed  at  the  lower  left. 


FKANK  M.  BOGGS 

American  :   1885 — 

79— IN  THE  HARBOR 

In  the  "basin"  of  a  French  fishing  port,  surrounded  by  high  walls, 
are  two  fishing  boats.  On  the  quays  above  appear  the  houses  of  the 
town,  old-fashioned  and  picturesque  architecture  with  high  gabled 
roofs  and  a  multitude  of  chimneys.    Over  all  is  a  sky  of  pearly  gray. 


Height,  SlYi  inches;  width,  211/2  i»chcs. 


Signed  at  lower  left,  Boggs. 
Purchased  from  the  artist. 


FRKDKIUCK    W.    KOST,  N.A. 

Ameukan  :   1861  — 


S0~MOONRISE 

A  FINE  example  of  the  work  of  a  well-known  land.sea2)e  painter. 
Crossing'  a  stream  in  the  center  of  the  composition  is  a  horse  and  cart. 
The  horse  lias  stopped  to  drink  and  the  di'iver  waits  till  his  thirst  is 
quenched.  On  either  side  are  masses  of  trees  which  admirably  hold 
their  places  in  receding  distance  from  the  spectator.  The  effect  is 
at  tlie  hour  of  mooin-ise  in  summer,  and  tiie  moon  itself  is  seen  coming 
up  over  the  hills.     The  sky  vibrates  with  atmospheric  quality. 


Height.  •52   inclics;   length,  -10   inches. 


Signed  at   the  loxcer  right,  Kost. 


AXCIKXT  1)1  J  (II  S(  IIOOL 

s\—inti:nior  of  a  catiikdkal 

In  a  Dutch  cathedral  iiuinei-ous  fi^'ures  in  seventeenth  century  cos- 
tumes are  seen,  grouped,  for  the  greater  {)art,  around  tlie  |)ul[)it  from 
which  the  pastor  is  preaching  his  sermon. 

Height.  .'{!)  iiiclns;   -ic'uUh.  ■'J+'u  iiiclws. 

Purchased  from  the  late  II.  <).   ]Vatsu)i. 


GVA)\Ui\]  iii.Hr»i:irr  .Mccoim).  a.x.a. 

Amehkax:   1848—1909 

S2--fVIXl)S()N  CASTLE 

The  massive  round  towers  of  the  castle  on  the  hill  at  the  right  rise 
high  up  in  the  composition,  the  more  distant  walls  being  partly  lost 
in  the  vaporous  atmosphere  which  is  well  depicted  in  the  hazy  but 
vibrating  sky  with  great  clouds  and  the  sun  faintly  shining  through 
the  mist.  In  the  foreground  is  the  river  with  the  bridge  and  a  stiu'dily 
built  saihng  vessel  moored  in  the  quiet  water. 

Height,  GOi-_>  inches;  width,  401/2  inches. 
Signed  at  the  lower  right. 


LOUIS  KITTER 

S3— THE  VILLA  CASTELLANI 

A  riCTUKE  of  springtime  in  its  smiling  aspects  in  svmny  Italy.  A 
roadway,  garden  walls  and  terraces  with  trees  in  fresh,  green  foliage 
are  the  elements  of  the  composition  and  the  ensemble  is  harmonious 
and  pleasing. 

Height,  311/2  inches;  length,  40  inches. 

Signed  at  the  lower  left.  Villa  Castellani,  Bellaguarda,  and  dated  1888. 


PII:TER  NEEFIS 

Dutch:   circa    1577 — 1G61 

Si—INTERIOR  OF  A  CATHEDRAL 

The  central  aisle  of  a  Cathedral  (probably  Upsala),  with  elaborate 
architectural  details;  to  left  a  celebration  with  kneeling  worshippers, 
and  numerous  figures  walking  to  and  fro. 

Height,  281/.  inches;  length,  44'Vo  inches. 


IMJOFESSOK   KAKL   IIEFFNEK' 

German:  1849 — 

85~LANDSCAPE 

On  the  shore,  at  the  right,  an  ancient  church  is  seen  towering  above 
the  trees  and  on  the  left  are  the  distant  banks  of  a  river.  The  sky 
is  clouded  with  gray,  after  the  passing  of  a  shower,  and  a  band  of 
light  at  the  horizon  indicates  clearing  weather. 

Height,  33l/>  inches;  length,  47  inches. 


8CTIOOL  OF  VAN  IIUYSDAEL 

SQ— LANDSCAPE  AND  WATERMILL 

ViEAV  with  tall  trees  overshading  a  watermill,  a  thatched-roof  cottage 
and  other  houses;  two  figures  approaching  to  front. 

Height,  39  inches;   length,  47   inches. 


(^I()^  ANNl  BATTISTA   CTPTilANI,   H.A. 

English:  1727—1785 

S7— WOMEN  BATHING 

View  in  a  deep  ravine  with  rocky  river  surrounded  by  high,  well- 
wooded  hills;  eight  women  bathers,  some  on  the  banks  and  others  in 
the  water;  a  Cupid  on  the  branch  of  a  tree  to  left,  a  waterfall  to  right, 
and  in  the  distance  a  castle  on  the  top  of  a  hill. 

Height,   -iO  inches;   length,   50   inches. 
Purchased  from  M.  Eugene  Fischhof. 


LU(  IKN   ALPIIONSE   (;H08 

French:  184-5— 
{Pujjil  of  Meissonlcr) 


88— THE  PERSECUTION  OF  THE  HUGUENOTS 

A  GREAT  assemblage  of  soldiers  and  civilians,  among  the  latter  a 
woman  with  a  child  clinging  to  her  for  protection,  in  a  vast  hangar 
the  roof  of  which  is  supported  by  stone  pillars.  The  central  group  is 
composed  of  the  Catholic  seigneur  of  the  locality  before  whom  the 
Huguenots  are  dragged  for  judgment,  a  suppliant,  on  his  knees  Avith 
back  bared  for  the  lash,  and  an  officer  of  the  soldiery  who  holds  in  his 
hand  a  rope,  ending  in  a  noose  around  the  prisoner's  neck.  Excite- 
ment reigns  among  the  people  thus  herded  together  at  the  command 
of  the  seigneur,  and  their  vigorous  efforts  to  shield  themselves  from 
the  brutality  of  their  captors  is  in  strong  contrast  to  the  stern  placid- 
ity of  the  judge  and  his  entourage  of  officers  and  retainers  who  are 
grouped  around  him. 

Height,    42    inches;    length,    55    inches. 

Signed  at  the  loxver  left,  and  ihttetl  1871. 


A  DIM  EN  MORE  A  U 

French:   1843—1906 

H9—UNE  REPETITION  BE  LA  TUAGEDIE 

"MIliAME     CHEZ  LE  CARDINAL  RICHELIEU 

In  a  richly  furnished  apartment,  carpeted  with  red,  are  a  dozen  ladies 
and  gentlemen  of  the  com't  of  IjOiiis  Treize.  who  are  grouped,  some 
seated,  some  standing,  aroimd  the  armchair  of  Cardinal  Richelieu. 
The  Cardinal,  in  his  red  rohes  and  with  his  feet  resting  on  a  cushion, 
listens  to  the  great  comedian  and  dramatist,  who  is  reading  a  new 
play  to  his  powerfid  ])atron.  The  picture  is  adinirahly  composed 
and  exhihits  the  work,  in  his  hest  ])eriod,  of  a  celehrated  French 
painter  of  historical  genre. 

Height,  46  inches;  length.  58  inches. 
Signed  at  the  loxcer  left,  and  dated  1879. 

The  author  of  "Miraiiic,"  1642,  was  Desmarets,  Scignuur  do  Saint  SorHn, 
tlie  writer  of  a  hxrge  miniber  of  now  forgotten  plays.  He  was  one  of  tlie  first 
forty  members  wlio  constituted  the  Academie  Franc^'aisc  at  its  institution  in 
1634. 


SOLOMON    \  AX    RITYSDAKL 

Dutch:   1608—1670 

90— DOIWRECHT 

ViEAV  of  the  Ciillicdral  at  Dordrecht  and  houses,  fully  ri,y\<red  sailing 
hoats  on  the  Canal,  and  numerous  figures. 

PfiiH'I:  Height,  .'55  iiirlic.i:  Icitgth,  48  inches. 

Purchaned  from  the  lute  7'.  ./.  lihikenlec. 


ISAAK  VAN   OSTADE 

Dutch:   1621—1649 

91— LANDSCAPE 

Cottages  and  peasants  with  tall  overhanging  trees  in  the  center;  to 
right  church  tower  and  house;  to  left  houses  and  trees;  evening  ef- 
fects and  cloudy  sky. 

Height.  401/.  inches;  length,  551^'o  inches. 

Purchased  from  the  hite  T.  ./.  liltikeslce. 


FRANZ  XAA  EK  WINTEKIIALTER 

German  :   1806—1873 

92—SUSANNAH  AND  THE  ELBE  US 

A  FULL-i.ENGTH  fi<>ui'e  of  a  young  woman  seated  on  a  couch,  with 
drapery  of  white  and  red,  and  holdin<>'  up  a  bhie  vehet  cloak.  A 
piUar  and  the  foHa<>e  of  a  lar<)e  plant  compose  the  background.  The 
figure  is  well  drawn  and  modeled  and  the  ensemble  is  characterized 
by  luminositj'  of  effect. 

Heighl,  (il-  iiiclu-s;  tciiltJi,  4.51  ^   'niches. 

Sigiwil  lit  Ihf  hncir  r'ujJtt,  and  dated  18GG. 

From  the  A.  T.  Stewart  Collection,  Nerc  York,  1887.  and  the  Daniel  Powers 
Collection,  A'rro  York,  1899. 

Mentioned  in  Edicard  Strahau's  '"The  Art  Treasures  of  America,"  1879,  Vol. 
1,  p.  52. 


AVIEIIELM  YON    LIN  DEXSC  IIMIT 

German:   1829—1895 

9S— LUTHER  AND  THE  REFORMERS  AT 

MARBURG,   1529 

A  WELL-COMPOSED  grouji  of  some  thirty  figures,  of  whom  sixteen  are 
portraits.  JNIartin  Luther  is  depicted,  on  the  left  of  the  composition, 
standing  beside  a  large  table  covered  with  a  green  cloth,  and  reading 
his  address  to  the  reformers. 

Height,   55   incites;   length,   79   inches. 

(With  key  to  the  personages.) 

From  the  D.  W.  Powers  Collection,  .fannari/  19,  1899. 


JAN  LOOTEN 

Dutch:  1618—1681 

94^THE  SIGN-POST 

Broad  view  of  undulating  country  with  ancient  oak  and  other  trees 
on  either  side;  on  left  two  travelers,  one  mounted  on  a  donkey  and 
reading  a  sign-post;  near  them  a  peasant  woman  taking  a  cow  to 
water;  a  cavalcade  of  horsemen  approaching  from  the  right. 

Height,  -151/.  inches;  length,  561/2  inches. 


JAN   VAN    IIUY8UM 

Dutch:   1682— 17J<9 

95— FLOWERS 

Large  sculptured  vase  with  a  massed  arrangement  of  various  bril- 
liantly colored  flowers  which  occupy  nearly  the  whole  canvas. 

Height,  71  inches;  width,  46  inches. 


E  I.  E IITE IIIO   PAGE  I  AN  O 

Italian:   1826—1903 

9Q— NAPOLEON  BIDDING  FAREWELL  TO  THE  EM- 
PRESS JOSEPHINE  IN  THE  PALACE  OF  FON- 
TAINEBLEAU 

A  FINELY  composed  group  of  two  figures,  near  a  window  in  an  apart- 
ment with  furnishings  of  green.  The  Empress,  seated,  is  seen 
holding  her  handkerchief  to  her  face,  with  her  elbow  resting  on  a 
table,  while  her  left  hand  is  held  in  the  affectionate  grasp  of  the 
Emperor.  The  Emperor's  military  dress,  comprising  the  tints  of 
the  tricolor,  and  the  Empress's  elegant  gown  of  white  satin,  with  lace 
over-dress,  are  painted  with  restraint  of  color  and  excellent  breadth 
of  handling.  The  head  of  the  Emjjeror,  in  half-tone,  and  the  neck 
and  shoulders  of  the  fair  Josephine,  with  light  falling  on  them  from 
the  window,  are  cleverly  depicted. 

Height,  801/.  inches;  width,  50  inches. 

Signed  at  the  upper  left:  dated  1880. 

Exhibited  at  Milan  in  1885  and  in   nutuij  places  on  the  continent  of  Europe 
and  in  the  United  States. 


SECOND    EVENING'S    SALE 

TUESDAY,  FEBRUARY  22,  1916 
IN  THE  GRAND  BALLROOM  OF 

The  Plaza 

FIFTH  AVENUE,  58th  TO  59th  STREET 
BEGINNING   PROMPTLY    AT  8  O'CLOCK 


UNKNOWN   AKTIST 


r~ 


T^ 


^1—LAST  SUFFER 

A  GROUP  of  twelve  small  half-length  figures  seated  at  the  sujjper 
table,  with  the  Saviour  in  the  center;  gold  background. 

Panel:  Height,  11  inches;  length,  16  inches. 


VICTOK   PIEliPvE   IIUGUET 

French:  1835—1902 

98—^  PASSING  CALL 

A  JNIooR,  mounted  on  a  black  Arabian  horse,  has  stopped  at  the  door 
of  an  Oriental  dwelling  to  chat  with  a  young  woman  who  is  leaning 
out  over  the  lower  half  of  the  door.  Sunlight  gleams  on  the  upper 
part  of  the  white  walls  of  the  house,  while  all  the  foreground  of  the 
picture  is  in  cool  shadow. 

Canvas:  Height,  18  inches;   width,  15  inches. 

Signed  at  the  lower  left. 


EUGENE  LOUIS  BOUDIN 

French:   1824—1898 

9SA—TROUFILLE 

A  VIEW  of  the  fishing  port  of  Trouville.  The  sea  is  at  low  tide  and 
vessels  are  seen  near  the  walls  of  the  quay.  The  sky  is  of  blue  with 
white  clouds. 

Panel:  Height,  IOY2  inches;  width,  8V2  inches. 

Signed  at  the  lower  right,  V,.  Boudin,  and  Trouville,  '81,  at  the  lower  left. 
Purchased  from  Messrs.  Diirand-Iiuel. 


ADOLPIIE  MONTICELLI 

French:   1824—1886 

99— TWO  dogs- 
Two  dogs  facing  each  other,  nose  to  nose,  as  if  in  conversation  in  their 
own  language.    One  wears  a  collar  of  red,  the  other  one  of  tan  color. 
The  background  is  composed  of  green  foliage  and  blue  sky. 

Pane]:   Height,    11    inches;    length,    14^/^    inches. 
Signed  at  the  lower  right. 


ADOLPHE  MONTICELEI 

French:  1824—1886 

\00—GliOUP  IN  A  PARK 

A  GROUP  of  ladies  and  courtiers  in  a  park  with  a  great  ornamental  vase 
behind  them.  One  of  the  men,  on  the  left  of  the  group,  is  costumed 
in  brilliant  red  and  holds  a  long  cane,  or  wand,  in  his  hand.  Another 
effective  color  note  is  produced  by  the  green  gown  of  one  of  the  ladies 
on  the  right. 

Panel:   Height,    18   inches;    width,    14^/^    inches. 


'&' 


Signed  of  the  lower  right. 


ADOLPHE  MONTICELLT 

Feench:   1825—1886 

\0\—MAllRIAGE  SCENE 

A  BRILLIANT  gi'oup  of  seveii  figures,  all  standing.  The  central  point 
of  interest  lies  in  the  figures  of  three  young  women  clad  in  rich  cos- 
tumes of  various  hues.  The  center  figure  in  white  forms  an  effective 
note  amid  the  luxm-iant  harmon}'  of  reds,  tawny  yellows,  cramoisi 
and  blues. 

Panel:  Height,  18  inches;  length,  241/2  inches. 

Signed  lower  left,  Monticeli.i. 


ADOLI'IIF.  MONTIC  ELLT 

French:  1824—1886 


102— Gi?Ot7P  OF  LADIES 

A  GROUP  of  five  young  women  in  an  open  sjiace  between  buildings, 
which  are  seen  behind  them.  The  costumes  are  of  blue,  red,  white, 
yellow  and  other  glowing  tints,  forming  a  brilliant  bouquet  of  color. 


Signed  at   the  lower  left. 


Panel:  Height,  18l/>  inches;  width,  121/^  inches. 


RALPPI  ALBERT  BLAKKJXX  K,  A.N.A. 

American  :   1847 — 

1  OS— LANDSCAPE 

A  STKEAM  occupies  the  center  of  the  foreground  with  some  tall  trees 
on  the  left  of  the  picture.  Near  the  center  of  the  middle  distance  is 
another  tree  and  at  the  left  another.  These  trees  stretch  across  the 
conijiosition  with  fine  effect  and  the  whole  is  completed  by  a  sky  of 
delicate  opalescent  tone.  An  example  of  Blakelock's  work  of  much 
distinction. 

Canvas:  Height,  16  inches;  length,  24  inches. 

Sigjied  at  the  lower  left,  R.  A.  Blakelock. 


:  V 


No.  104 
LANDSCAPE 

BY 

RALPH   ALBERT   BLAKELOCK,   A.N. A. 


RALPH   ALIJEKT  BLAKELOCK,  A.N.A. 

American  :  18-i7 — 

104— LANDSCAPE 

A  SYMPHONY  of  delicate  autumn  color,  the  whole  infused  with  pearly, 
misty  atmosphere.  The  foreground  shows  a  brook,  its  waters  divided 
by  a  little  island,  with  shrubs  and  bushes  growing  amid  tlie  rocks  on 
its  banks.  On  the  left  is  a  tree,  standing  alone,  its  pale  foliage  tinted 
with  touches  of  russet  pink.  The  central  portion  of  the  comjjosition 
shows  mountain  sides,  full-timbered  and  enveloped  in  the  pearly  au- 
tumn haze.    Over  all  is  a  sky  of  delicate  gray. 

Canvas:  Height,  IG  inches;  length,  24  inches. 
Signed  at  the  lower  center. 


^-  '•••sftn% 


No.  105 
LANDSCAPE 

BY 

IJAI.l'II    ALH1:KT   BLAKELOCK,   A.N. a. 


RALPH  ALBERT  BLAKELOCK,  A.N. A. 

American:  1847 — 

105— LANDSCAPE 

A  LANDSCAPE  witli  a  blond  color  scheme  of  tender  distinction.  The 
foreground  shows  a  field  and  stream,  while  trees,  admirably  placed  in 
the  composition,  extend  across  the  middle  distance.  The  sky  is  white 
and  blue  of  delicate  tone. 

Canvas:  Height,  16  inches;  length,  24  inches. 

Signed  at  the  lower  right,  R.  A.  Blakelock. 


GEOllGES  MICHEL 

French:   1763—1843 

106— TH^;  OAKS 

A  SANDY  road  in  full  light  leads  from  the  right  of  the  canvas  into  the 
left  middle  distance.  P^mhovvered  in  a  group  of  great  oaks,  on  the 
right,  is  a  cottage  with  high-peaked,  thatched  roof.  Over  all  is  a  sky 
of  gray.    A  notahly  well-halanced  comjiosition. 

Canvas:  Height,  20  inches;  length,  261/2  inches. 


GEOHGES  MICHEE 

French:   1763—1843 

107—^  SEAPORT 

A  BEACH,  with  figures,  in  the  left  foreground.  From  right  to  left 
extend  the  waters  of  an  estuary  and  beyond  is  the  wide  expanse  of 
the  ocean.  On  the  right  are  seen  the  high  walls  of  the  port  and  the 
square  towers  of  a  castle,  while  a  fleet  of  sailing  vessels  rides  at  anchor 
nearby.  The  sky  is  of  fine,  clear  blue  with  masses  of  vaporous  white 
clouds. 

Canvas:  Heiyht,  20Y_>  inches;  length,  201/.  inches. 


EUGENE  EOUIS  BOUDIN 

French:   1825—1908 

lOS— THE  SHORE  AT  PORTKIEUX 

A  MARINE  view  in  gray  weather  with  a  glassy  sea  on  which  are  numer- 
ous boats.  The  sky  of  gray  clouds  and  the  similar  tone  of  the  water 
and  the  beach  form  a  quiet,  impressive  harmony. 

Canvas:   Height,    151/4    inches;    length,    25l/>    inches. 

Signed,  E.  Boudin,  '73,  at  the  lower  left,  and  Porteieux  at  the  lower  right. 


GUBTAVE  COUllBET 

French:   1819—1877 

W9—3IARINE 

Breakers  r()llin<>'  in  in  the  iniinediate  foreground,  with  tlie  green  sea, 
beyond,  meeting  at  the  horizon  a  stormy  sky  filled  with  dark  clouds. 
At  the  top  of  the  canvas,  above  the  clouds,  is  a  space  of  blue. 

Canvas:  Height,  17  inches;  length,  2-i  inches. 

Signed  G.  Courbet,  at  the  lower  left. 


'W 


\^* 


ADRIAEN   VAN   J3E   VELDE 

Dutch  :  circa  1635 — 1672 


110— .i  SCENE  IN  THE  NETHERLANDS 

View  of  a  shallow  river  leading  to  open  sea,  with  numerous  hoats 
rigged;  cottages  and  trees  on  left,  two  cows  and  peasant  in  fore- 
ground, village  and  church  to  right;  moonlight  effect. 


Panel:  Height,  121/^  inches;  length,  21  incha 


KLAES   MOLENAEK 

Died  in   1676 

1 11— DUTCH  LANDSCAPE 

SuMMEK  scene  with  cottages,  trees  and  gateway  to  right,  two  wind- 
mills in  the  distance ;  in  front  a  river  with  numerous  figures  of  women 
washing  and  spreading  clothes  to  dry;  in  the  foreground  peasants  in 
conversation,  one  in  a  red  coat  entering  a  gateway. 

Panel:  Height,  18l^  inches;  length,  2414  inches. 
Purchased  from  Messrs.  Durand-Ruel. 


CA^riLLE  PI8SARRO 

French:   1830—1903 


1 1 2  — .SC  ENE  DHIJER 

A  WINTER  landscape  showing  rising  ground  with  a  plowed  field  and 
a  bare  tree  near  which  a  peasant  is  passing  with  a  l)ig  huncli  of  fag- 
gots on  his  back.  Another  figure,  a  woman,  is  seen  approaching  from 
a  distance.  The  skj%  tj-pically  wintry  with  its  gray-blue  and  its  strata 
of  white  clouds,  and  the  pinks,  grays  and  greens  of  the  fields  form  a 
color  scheme  of  distinguished  beauty. 


Canvas:  Height,  15  inches;  length,   18  inches. 


Signed  at  the  lower  left. 


ALFRED  SISLEY 

French:   1839—1899 

113— L^  BARRAGE  BE  ST.  MAMMES 

A  SCENE  on  a  canal  with  a  lock,  in  France.  A  boat  is  floating  along 
in  the  canal  and  some  houses  are  seen  beyond  the  lock  as  well  as  a 
rows  of  poplars.  The  right  foreground  shows  a  field  with  rocks  crop- 
ping out  here  and  there  and  overhead  is  a  sky  of  blue  and  gray.  The 
general  aspect  of  the  picture  is  remarkable  for  its  frank,  but  well- 
tempered,  scheme  of  color. 

Canvas:  Height,  15  inches;  length,  22  inches. 

Signed  at  the  lower  right,  Sisley. 


4 


%\ 


I.; 


^:-' >.''". -SI 


PIEllRE  AIIGU8TE  RENOIR 

French:   1841 — 

114~li()CHKHS  DE  L'ESTAQUE 

A  BRILLIANT  suiili^lit  ett'cct  Oil  a  hillside  of  rocks  with,  here  and  ther.e, 
trees  and  bushes  growing  among  them. 

Canvas:  Height,  121/2  inches;  length,  151/^  inches. 
Signed  at  the  lower  left. 


CAM  I EEE   PISSARIU) 

French:   1830—1903 

l\5—PONTOISE 

A  viEAv  of  the  town  of  Pontoise  in  gray  weather.  The  foreground 
shows  cultivated  fields  and  the  buildings  are  clustered  on  rising  ground 
in  the  middle  distance.  In  the  sky,  a  rift  in  the  clouds  discloses  a 
space  of  blue. 

Canvas:  Height,  15  incites;  length,  211/2  inches. 

Signed  at  the  lower  right,  and  dated  1872. 


TIIEODOIIE   PIERRE   ETIENNE   ROUSSEAU 

French:  1812—1867 


1 1 6— LA  N  DSC  APE 

The  composition  shows  a  road  winding  through  a  fine  forest,  the  hght 
from  the  sky  illuminating  the  foliage  in  the  middle  distance.  A  peas- 
ant woman  with  a  bunch  of  faggots  is  seen  in  the  roadway.  The  man- 
ner in  which  the  foliage  is  painted  shows  a  method  characteristic  of 
the  great  landscape  painter  which  he  followed,  both  somewhat  ana- 
lyticallj',  as  in  tiiis  example,  and  at  other  times  and  at  a  later  period, 
more  synthetically.  The  greens  in  the  foliage  are  relieved  by  the 
dark  notes  of  the  trunks  of  the  trees. 

Panel:  Height  9  inches;  length,  131^  inches. 

Signed  at  the  lower  left,  Th.  Rousseau. 
Purchased  from  L.   Crist  Delmonico. 


PlEllKE  AUGUSTE   REXOIll 

French:   1841 — 

117— PORTRAIT  OF  A  CHILD 

A  PICTURE,  in  profile,  of  a  little  girl  whose  blond  luiir  falls  over  her 
shoulder  and  down  her  back.  The  face  is  turned  to  the  spectator's 
left.  A  frock  of  purple-blue  and  a  background  of  green  and  brown 
complete  the  color  effects  in  which  the  delicate  complexion  of  the  child 
is  the  central  keynote. 

Canvas:  Height,   18  Indies;   width,   15  inches. 

Signed  at  the  upper  left. 


PHILIPPE  KOUSSEAU 

French:  1816—1888 

US—TJVO  DOGS 

A  PAIR  of  hunting  dogs  on  leash,  the  one  black  and  white,  the  other 
white,  black  and  tan,  in  front  of  a  wall  on  which  is  suspended  a  cor 
de  chasse.  An  excellent  example  from  the  brush  of  the  distinguished 
French  painter  of  still-life  and  animals. 

Canvas:  Height,  11  inches;  length,  ISl/o  inches. 
Signed  at  the  lower  right. 


CONSTANT  TROYON 

1810—1865 


^  *-^t2fe?i3-< 


119— 7iV  PASTURE 

A  EEMARKABLY  effective  picture  with  the  simplest  of  subjects.  In  the 
left  foreground  there  is  a  black  and  white  cow,  lying  down  in  the 
pastures  which  stretch  away  to  a  low  horizon.  A  gleam  of  sunshine 
from  a  darkly  clouded  sky  illumines  a  wide  strip  of  country  in  the 
middle  distance,  where  some  cattle  and  a  figure  or  two  are  seen  in 

miniature. 

Panel:  Height,  12  inches;  h'ngth,  18  inches. 

From  the  artist's  sale,  rcith  the  cachet:  Vente  Troyon. 
Purchased  from  Gustave  lieicharJ,  New  York. 


JEAN    BAPTISTE  CAMILLE  COIJOT 

French:  1796—1875 


120— ON  THE  RIVE  ESI  BE 

The  scene  is  in  the  outskirts  of  a  town  with  a  stream  flowing  through 
meadows  and  sloping  liills  on  its  banks.  In  the  left  center  is  a  French 
willow,  its  trunk  forming  the  imjjortant  dark  note  found  in  practi- 
cally all  of  Corot's  landscapes.  The  branches,  with  graj'-green  foli- 
age, are  not  "arranged,"  but  are  depicted  with  the  truth  of  observa- 
tion that  gives  a  veracious  aspect,  and  the  usual  accessory  flgiu'e,  a 
peasant  woman  with  gray,  red,  blue  and  white  in  her  costume,  stoop- 
ing over  to  gather  a  wild  flower,  appears  in  the  immediate  foreground. 

Camas:  Height,  13  inches;  length,  IS  inches. 

Signed  at  the  lower  left,  Corot 
Purchased  from  Messrs.  Durand-Ruel. 


CHAKLES  FJIANCOIS  DAL  13IGNY 

» 

French:   1817—1878 

V2\— LANDSCAPE  IN  FRANCE 

A  LANDSCAPE  witli  e\ening  effect  just  after  sunset.  In  tlie  foreg-roiuid 
is  a  stream  with  slojjing  green  banks  on  the  right,  and  a  church  and 
cottages.     The  sky  is  luminous  with  the  slowly  fading  light  of  day. 

Panel:  Height,  l^l/j  inches;  length,  211/)  inches. 

Signed  at  the  lorvcr  right. 

Purchased  from  Messrs.  Durand-Ruel. 


FRANCOIS   MILLET,  fils 

French: Contempohahv 


122~~FEEDING  THE  CHICKENS 

In  the  courtyard  of  a  French  farmhouse  a  peasant  woman  stands,  near 
the  kitchen  door,  looking  at  her  flock  of  chickens,  eating  the  grain  she 
has  just  thrown  down  for  them.  The  grayish-wliite  walls,  some  green 
vines,  and  the  green  shutters  of  a  window  form  a  pleasing  color  set- 
ting for  this  domestic  scene. 

.  Pastel:  Height,  ITVa  inches;  length,  191/^  inches. 
Signed  at  the  lower  right. 


FERDINAND  VICTOR  EUGENE  DELACROIX 

French:   1798—1863 

123— L/OiV  FEEDING 

A  LION  devouring  a  gazelle.  Crouching  flat,  the  lion  holds  his  quarry 
between  his  strong  paws  while  he  tears  it  in  pieces  and  watchfullj'  en- 
joys his  meal.  Beyond  are  dunes  and  blue  mountains.  The  sky  of 
broken  blue  and  gray  is  in  happy  color  contrast  to  the  tawny  yellow 
browns  in  the  coat  of  the  lion  and  the  sandy  foreground. 

Height,  17  inches;  length,  271/2  inches. 

Signed  at  the  loxver  right,  Euo.  Delacroix. 
Purchased  from  Messrs.  Durand-Rnel. 


JII.ES    DirUK 

French:   1811—1889 


r24~CAUGHT  IN  THE  STORM 

A  YAWL,  with  sails  lowered,  in  a  tempest,  the  how  of  the  hoat  tilted  up 
high  by  the  force  of  the  storm  and  masses  of  spray  breaking  over  it. 
The  tempest-tossed  water  is  forced  into  high  waves  and  a  dark  sky 
over  all  completes  a  composition  of  dramatic  power. 

Canvas:  Height,  22  huhcs;  u-idth,  18  inches. 

Signed  at  the  lo7eer  right.  Jules  Dupre. 

From  the  Albert  Spencer  Collection,  Xew  York,  February  28,  1888. 


JEAN   BAPTISTE  CAMILEE   (  OROT 

French  :   1796—1875 


'.  ti,'r  4.  r^a^a,  Aif^' 


r25— EVENING 

The  wide  expanse  of  a  placid  stream  fills  the  right  foreground  of 
the  picture,  while  on  the  left  are  meadows  with  two  cows  and  a  peas- 
ant woman,  at  the  edge  of  the  water.  Tall  trees,  growing  on  the  bank 
of  the  stream,  rise  to  the  ujjper  part  of  the  composition  and  the  whole 
landscape  is  filled  with  the  (juiet  atmosphere  of  evening.  Vaguely 
perceived  through  the  mists  in  the  distance  appears  a  glint  of  light 
made  by  the  setting  sini. 

Canvas:  Height,  211/0  inches;  width,  17^/)  inches. 

Signed  at  the  lower  left. 

Purchased  from  M.  George  Petit,  Paris,  1890. 


No.  126 
THE  APPLE  ORCHARD 


BY 


CHARLES  FRANCOIS  DAUBIGNY 


CHARLES   FKANCOIS  DAL  IJTGNY 

French:  1817—1878 

126     THE  APPLE  ORCHARD 

An  apple  orchard  in  blossom.  This  picture,  like  others  of  similar 
motives  by  the  great  landscape  painter,  is  characterized  Ijy  sturdy, 
frank  and  sober  rendering  of  a  charming  effect  in  nature.  The  virile 
Daubignj'  greens  and  one  of  his  atmospheric  skies  combine  in  pro- 
ducing a  most  pleasing  ensemble. 

Canvas:  Height,  I'J  inchc/i;  Iciiijtli,  291/^  inches. 
Signed,  and  dated  1872. 
I'urchused  in  Paris  from  M.  Munkaesij,  the  artixt. 


No.  127 
LANDSCAPL 

BY 

JULES    DUPE 


juj.es  dupre 

French:   1811—1889 

1 27— LA  NDSCA  PE 

The  composition  sliows  a  mass  of  trees  on  tlie  i-iglit.  In  the  left  fore- 
ground is  a  pond  with  a  peasant  woman  in  a  punt.  The  sky  is  com- 
posed of  white  and  gray  ch)uds  with  intervening  spaces  of  somber  blue. 

Canvas:  Height,  2^\U  inches;  length,  2S\/-,  inches. 

Signed  at  the  lower  left,  Jules  Dupri':. 
Purchased  from  Messrs.  Durand-Uuel. 


No.  128 

rOHTHAir  OF  JLEX.iXDHE  JULIE  1) 
LA  BOUT li AYE,  COMTESSE  HA) 
MONO  DU  TILLET 


BY 


F.  V.  EUGENE  DELACROIX 


FERDINAND  YI(  TOIJ  EUGENE  DELAC  liOlX 

French:   1798—1863 

riH— PORTRAIT  OF  ALEXANDRE  JULIE  I)E  LA 

BOUTRAVE.  COMTESSE  RAYMOND  DU  TILLET 

Bust  portrait  on  an  oval  canvas  of  a  young  lady  in  a  white  <^'own  with 
her  dark  hair  dressed  in  the  fashion  of  1830.  The  head  is  turned  to 
the  spectator's  left.  From  aromid  the  neck  falls  a  hlack  necklace  with 
a  cross  at  the  end  of  it  which  is  slipped  into  her  girdle  of  hlue. 

Cditvas:  Height,  'IlY-,  iiiche.i:  zcidtli,  2'2  inches. 

Signed,  Eug.  Delachoix.  at  flic  right. 
Painted  iti  1834. 

Exhibited  at   the  Trneadi'ro,  Pari.f,   1878,  Xo.   85.5,  /)//   tlie  Comte   Nai/moud 
dii  Tillet. 

Alfred  UoJiaiit,  "'UiEuvre  complet  d'Kngcne  Delacroix,"  1885,  No.  554. 

With  the  "medaille  commemorative"  bij  Eugene  Andre  Ondine  dwarded  to  the 
■portrait  at  the  Exposition  Unirersclle  of  1878. 

Purchased  from  Messrs.  Durand-Uucl. 


JOTIX    LEWIS    IJHOWN 

FiiENcn:   1.V29— 1890 

V29-^SOLDATS  AU  BOlil)  DE  LA  MER 

(Water  Color) 

A  PAKTY  of  cavalrymen  of  the  eighteenth  century  richng  out  for  exer- 
cise on  the  greensward  of  high  ground  overlooking  the  sea.  A  camp- 
fire  is  seen  in  the  left  foreground.  In  the  middle  distance  a  carriage 
and  four  and  other  horsemen. 

Millboard:  Height,  ISy^  inches;  length,  22  incites. 

Signed  <it  the  lower  left,  and  dated  1878. 


ADOLlMIi:   MON  J  I(  KLLr 

French:  1824—1886 


130— /iV  THE  FOREST 

A  WOOD  iMterioi-  with  a  color  sclienie  of  delicate  neutral  tints  enlivened 
by  notes  of  stronger  color  which  add  to  the  beauty  of  the  ensemble. 
The  effect  is  in  the  autumn  when  the  leaves  are  falling  and  light  from 
the  sky  drifts  through  the  openings  in  tlic  foiest. 

Canvas:  Height,  22  inches;  width,  15^^  inches. 

Signed  at  the  lower  left,  Monticelli. 


ADOLPIIE   MONTICELLI 

French:   1824—1886 

im—THE  NECKLACE 

Five  female  figures  in  festal  garments,  in  a  setting  of  dark  foliage. 
Three  young  women,  on  the  right,  are  examining  a  necklace  while 
the  other  two,  grouped  at  the  left,  are  looking  at  some  small  object 
which  one  of  them  holds  in  her  hand.  The  brilliant  tints  and  charac- 
teristic harmonies  of  JNIonticelli  are  well  exemjilified  in  this  attractive 
picture. 

Panel:  Height,  I6I/2  inches;  length,  26  inches. 

Signed  at  the  lower  right,  Monticelli. 


AJ)OLriIE  MONTICELLI 

French:  1824—1886 

132— THE  CAVALIERS 

A  GROUP  of  cavaliers  on  high-stepping  horses  advancing  along  a  road 
leading  out  from  a  forest.  On  either  side  of  the  road,  as  they  pass, 
are  a  young  man  and  a  young  woman,  gaily  costumed,  and  a  hunts- 
man in  dress  of  red.  The  liimtsman  has  a  couple  of  dogs  with  him, 
and  two  other  figures,  behind  him,  are  furtively  disappearing  into  the 
forest. 

Panel:  Height,  17  inches;  length,  26  inches. 

Signed  at  the  lower  left. 


ADOJ.PIIE  MONTICELLI 

French:  1824—1886 

133— .1  CASTLE  IN  RUINS 

A  RUINED  castle,  overgrown  witli  vines  and  bushes.  In  the  upper  part 
of  the  canvas  glimpses  of  blue  sky  form  a  contrast  to  the  rich  tones  of 
the  castle  walls  and  herbage.  Two  small  figures  are  seen  seated  on 
the  grass  near  the  ruined  doorway. 

Panel:  Height,  11^^  inches;  length,  2314  inches. 

Signature  {partlij  melted  into  the  underlying  pigment)  at  the  lower  right. 
Purchased  from  Messrs.  Durand-Ruel. 


ADOLrilE  MONTICELLT 

French:  1824—1886 


134~THE  CHATEAU  KITCHEN 

In  a  spacious  room  paneled  in  dark  oak  and  with  a  floor  of  stone 
flagging,  two  cooks  in  white  and  two  marmitons  are  busily  engaged 
in  jjrejjaring  a  rejiast.  On  the  left,  in  a  vast  chimney,  are  seen  the 
fire  and  the  turning-spits  where  the  viands  are  roasting.  The  color 
scheme  is  soberly  harmonious  and  the  picture  is  attractive  in  general 

aspect. 

Panel:  Height,   IG^/o   inches;   length,  23  inches. 

Signed  at  the  lower  left. 

This  picture  ha.s  been  engraved. 


CAMILLE  riSSAUlJO 

French:  1830—1903 

1S5— ENVIRONS  OF  PONTOISE 

A  HILLSIDE  with  a  house,  roofed  with  red  tiles,  garden  walls  and  trees. 
The  sky  is  of  blue  with  white  clouds. 

Canvas:  Height,  18  inches;  length,  22  inches. 
Signed  at  the  lower  left. 


CLAUDE  MONET 

French:   1840— 

136—riEJV  OF  ARGENTEUIL 

The  broad  sweep  of  an  avenue  occupies  the  foreground  from  which 
leads  a  cross  street  turning  into  the  town.  Amid  tlie  trees  in  the  mid- 
dle distance  are  houses  with  red  roofs. 

Canvas:  Height,  19  inches;  length,  25  inches. 
Signed  at  the  lower  right. 


No.  137 
AP RES-MIDI  DE  MAI  A  BKY 


BY 


ALFRED  SISLEY 


ALFRED  8I8LEY 

French:   1839—1899 

}S7~APRES-MIDI  DE  31 A I  A  BRY 

A  LANDSCAPE  with  rising  ground  filling  the  nearest  plane  of  the  pic- 
ture and  a  pond,  reflecting  the  blue  sky,  in  the  middle  distance.  Be- 
yond are  glimpses  of  a  village. 

Canvas:  Height,   191/2  inches;  length,  281^  inches. 
Signed  at  the  lower  left. 


m 


CA.MILLE  PlSSAUliO 

French:  1830—190:} 

\3S—THE  CHURCH  TOWER,  ERAGNV, 

BAZINCOURT  {OISE) 

From  the  foreground  of  green  meadows,  with  trees  on  the  right,  the 
view  extends  over  a  hillside,  at  the  left,  where,  in  the  middle  dis- 
tance, the  sculptured  tower  of  a  chm-ch  rises  above  the  roofs  of  a 
village.    The  sky  is  filled  with  grayish-white  clouds. 

Canvas:  Heigh f,  ^sy^  inches;  width,  21l/o  inches. 

Signed,  C.  PissAuiio,  and  dated  1885  at  the  loxcer  rigJit . 


! 


RALPH  ALBERT  BLAKE  LOCK,  A.N.A. 

American:  1847 — 

1S9— SUNSET 

In  the  foreground  is  a  plain  and  in  the  middle  distance  ai"e  trees, 
while  the  whole  landscape  is  hathed  in  the  rosy  light  of  an  evening 
sky  of  atmospheric  depth. 

Canvas:  Height,  16  inches;  length,  24  inches. 

Signed  at  the  lower  left. 


Hu 


[^T^fr*: 


No.  140 
LANDSCAPE 

BY 

RALPH  ALBERT  BLAKELOCK,  A.\..A 


RALPH  ALBERT  BLAKE  LOCK,  A.N.A. 

American:   18-t7 — 

1 40— LA  NDSCA  PE 

This  very  charming  and  cliaracteristic  Blakelock  shows  a  lake  under 
tlie  hght  of  the  moon  which  is  seen  through  the  houghs  of  the  trees  on 
the  right.  The  surface  of  the  lake  comes  close  to  the  foreground  with 
an  inlet  at  the  right.  The  sky  is  composed  of  broken  clouds,  truth- 
fully depicted  in  the  effect  of  night,  with  here  and  tliere  a  space  of 
somber  blue. 

Canvas:  Height,  16  inches;  length,  23^/2  inches. 

Signed  at  the  lower  left,  R.  A.  Blakelock. 


•^^lac 


No.  141 
MARINE 

BY 

1'.  K.  M.  REHN,  N..A 


FRANK   KNOX  MOIITON   REIIN,  N.A. 

Amkrican:   1848—1914. 

141--MARINE 

The  end  of  a  sunset  over  a  harbor  shows  the  sails  of  a  boat  in  silhouette 
against  the  sky,  and  a  dark  mass  of  shipping  and  buildings  extends 
from  the  left  of  the  picture  beyond  the  middle  of  the  canvas.  The 
warm  glow  of  the  evening  light  fills  the  central  part  of  the  composi- 
tion and  clouds  in  the  uj^per  portion  of  the  sky  accentuate  the  effect 
of  nightfall. 

Canvas:  Height,  IS^A  inches;  length,  27  inches. 

Signed  at  the  lower  right,  V.  K.  M.  Rehn. 


GEOTJIiE  INNESS,  N.A. 

American:   1829—1894 


1  42— LANDSCAPE 

A  LANDSCAPE  in  evening  effect.  On  the  banks  of  a  stream,  in  the  fore- 
ground, are  tall  elms  which  frame  in  a  vista  of  a  forest  park  with  the 
M'hite  walls  of  a  house  embowered  in  the  foliage. 

Canvas:  Height,  2i  hn-lu's;  7i'i(lth,  20  inches. 

Signed,  G.  Inness,  at  right  center,  and  dated  1850. 
Purchased  from  the  Richard  Halsted  sale,  Nezo  York,  1895. 


GEORGE   II.  TiOGERT,  A.X.A. 

American  :   186-i — 


i4S^SCENE  IN  HOLLAND 

Dutch  windmills,  houses  and  a  ^roiip  of  trees  in  tlie  middle  distance; 
in  tlie  foreground  a  plain  and  a  pond.  Grazing  cows  and  a  peasant 
or  two  give  accents  of  color.  Over  all  is  a  sky  filled  with  great  cumu- 
lus clouds. 

Cnnrufs:  Hriglit.  25  inchrs:  Ifuc/tlt,  lid  iiiclics. 

Signet]  iit  the  ]o7irr  left. 


ARTHUK  I'AKTON,  X.A. 

American:   1842—1914 

^44^LANDSCAPE  AND  CATTLE 

In  a  landscape  on  the  borders  of  a  stream,  witli  oaks  and  other  trees 
in  early  summer  foliage,  cattle  are  seen  scattered  over  the  green  pas- 
tures while  grazing,  or  standing  in  the  broad  shadow  of  the  sturdy  oak 
that  with  wide-spreading  branches  occupies  the  right-hand  portion  of 
the  composition. 

Canvas:  Height,  26  inches;  length,  361/2  inches. 

Signed  at  the  lower  left,  with  "Copyright." 


GEORGES  MICHEL 

French:   1763—18-13 

1 45~LANDSCAPE 

A  STEETCH  of  sandy  country  with  slight  eminences  on  one  of  which, 
at  the  right,  are  seen  some  cottage  roofs  and  the  spire  of  a  churcli. 
Light  is  concentrated  on  the  middle  foreground  and  the  sky  of  gray 
is  accented  by  dark  clouds  which  roll  upward  to  the  right  from  the 
center  of  the  composition. 

Panel:  Height,  20^  indies;  length,  'iSl-o  inches. 


GEORGES  MICHEL 

French:   1763— 18-t3 


146— THE  CHURCH  ON  THE  HILL 

On  the  left  a  road  leads  up  a  hillside  to  a  church  embowered  in  trees. 
This  portion  of  the  composition,  low  in  tone,  relieves  effectively  a  wide 
break  in  a  dark,  gray  sky.  On  the  right,  a  sandy  roadway  occupies 
the  foreground  and  a  flat  stretch  of  country,  bounded  by  a  line  of 
blue  hills,  appears  in  the  distance. 

Canvas:  Height,  25  inches;  length,  31%  inches. 

Signed  with  initials  in  lower  right-hand  corner. 


GP:0RGES  MICHEl. 

Fkench:  1763—1843 

\47—THE  CASCADE 

Down  a  steep  hillside  at  the  left  of  the  composition  plunges  a  water- 
fall the  waters  of  which  pour  into  an  estuary,  seen  in  the  foreground^ 
where  some  fishermen  are  drying  their  nets.  The  sky  is  of  warm,  light 
gray  with  clouds  at  the  right. 

Canvas:  Height,  21  inches;  length,  281/2  inches. 
Purchased  from  Messrs.  Durand-Ruel. 


No.  148 
THE     WATERFALL 

BY 

GEORGES     MICHEL 


GEOllGES   MICHEL 

French:   1763—1843 

14S- THE  WATERFALL 

A  WATERFALL  plunging  down  a  rocky  precipice,  on  the  left,  forming 
a  tumultuous  mass  of  spray  and  water  at  its  base.  The  dark  forms 
of  hills  appear  against  a  sky  of  gray  with  strong  contrasts  of  value 
in  the  forms  of  the  clouds. 

Canvas:  Height,  20  inches;  length,  27^  inches. 


GEOIIGES  MICHEL 

French:   1763—1843 

\4S-THE  WATERFALL 

A  WATERFALL  plunging  down  a  rocky  precipice,  on  the  left,  forming 
a  tumultuous  mass  of  spray  and  water  at  its  base.  The  dark  forms 
of  hills  appear  against  a  sky  of  gray  with  strong  contrasts  of  value 
in  the  forms  of  the  clouds. 

Canvas:  Height,  20  inches;  length,  27Y2  inches. 


ALFRED   SISLEY 

French:  1839—1899 

149—^   WINTER  DAY 

A  WINTER  scene  with  snow  covering  the  roadways,  the  tops  of  the 
garden  walls  and  the  roof  of  a  small  chilteau.  The  forest  park,  in 
the  middle  distance,  forms  an  effective  foil  for  the  suhdued  whites 
and  grays  of  the  foreground.  Overhead  there  is  a  luminous  but  not 
too  high-keyed  sky  of  blue  flecked  with  white  clouds.  The  work 
shows  a  fine  reticence  in  its  color  scheme. 

Canvas:  Height,  20  inches;  length,  26  inches. 

Signed  at  the  lower  right,  Sisi.ey,  (incl  dated  '75. 
Purchased  from  Messrs.  Durand-Ruel. 


CLAl  DE  MONET 

French:   1840 — 

150— .S.E^  AND  LAND 

A  SEASHORE  scene  on  the  French  coast.  The  sea  comes  in  at  the  base 
of  high  chffs  and  there  is  a  wide  sandbar  in  the  foreground.  In  the 
distance  is  seen  a  hilly  shore.  Over  all  is  a  sky  of  gray  tinged  with 
an  atmospheric  blue,  that  gives  to  it  light  and  vitality. 

Canvas:  Height,  23l/{.  inches;  length,  271/4  inches. 
Signed  at  the  lower  left,  Claude  Monet,  and  dated  '82. 


\ 


No.  151 
WOMAN  IN  A  COURTYABL 

BY 

CAMILLE  PISSARRO 


ca:mille  pissakro 

French:   1830—1903 

15\—W03IAM  IN  A  COURTYARD 

A  French  peasant  woman  scouring  and  cleaning  a  metal  casserole 
at  a  tub  which  stands  in  front  of  a  water  butt  in  her  garden.  Holly- 
hocks and  vines,  growing  on  the  walls  of  the  house,  form  a  setting 
for  the  figure.  This  picture  is  marked  by  a  fine  sobriety  in  its  color 
scheme  of  blues,  grays  and  greens  and  agreeable  accents  are  given 
by  the  flower  blossoms. 

Canvas:  Height,   29  inches;   width,  231/2   inches. 

Signed  at  the  lozccr  left,  C.  Pissarro,  and  dated  '77. 


No.  152 
GIRL  KXITTING 

BY 

PIERRE   AUGUSTE   RENOIR 


PIERRE  AUGUSTE  RENOIR 

French:  1841 — 

\  52— GIRL  KNITTING 

A  VERY  important  and  beautiful  example  of  Renoir.  A  young  girl 
with  luxuriant  blond  hair,  which  falls  to  her  waist,  is  depicted  seated, 
in  life-size,  three-quarter  length.  She  is  engaged  in  crocheting  a  bit 
of  filmy,  white  drapery.  The  white  bodice  which  droops  from  her 
right  shoulder,  the  blue  skirt,  the  blond  tints  of  her  golden  hair,  and 
the  blue  wall  in  the  background,  with  a  fine  accent  of  black  given 
by  the  chimneypiece,  combine  in  producing,  with  the  delightful  flesh 
tones  of  the  shoulder,  chest,  arm  and  the  hands,  a  rare  harmony  of 
restrained  but  resonant  and  ample  color.  In  the  face,  showing  a 
lovely  type  of  French  girlhood,  are  the  same  beauty  of  color  and 
the  same  fine  qualities  of  envelope  and  surfaces. 

Canvas:  Height,  29  inches;   width,  231/2   inches. 


SIR  AUGUSTUS  W.  CALLCOTT,  R.A. 

English:   1779—1844 

153— LANDSCAPE 

Rich  valley  scene  with  tall  overhanging  trees  and  cottage;  to  left 
man  on  horseback  in  conversation  with  an  old  woman,  other  figures 
in  the  foreground,  wood  bridge  over  a  river. 

Canvas:   Height,   261A   inches;    width,   23   inches. 


GEORG K  ^lOll L A  N  I ) 

English:   1763—1804 


154—GA3IEKEEPER  AND  DOG 

Autumnal  view  in  a  dell,  a  gamekeeper  with  pheasant  in  his  coat 
pocket  and  holding  a  gun;  two  dogs  on  the  scent. 

Canvas:  Height,  24  inches;   length,  291/2  inches. 


AE I.BERT  CUYP  (Attributed  to) 

Dutch 


155— THE  GAME  OF  CARDS 

Interior  of  a  loft  with  seven  figures  of  boors  smoking  and  playing 

cards. 

Camvns:    Height,    32    inches;    ■width,    27    inchr.i. 

Purchased  from  the  late  T.  J.  Ulakeslee. 


GEORGE  MORLAND 

English:   1763—1804 

\5Q— FEEDING  PIGS 

Pigsty  with  peasant  girl  at  the  entrance  feeding  pigs  with  cabbage 
leaves,  etc. 

Canvas:  Height,  271/12   inches;  length,  351^   inches. 
Purchased  from  Gustave  Reichard,  New  York. 


No.  157 
LA  PLAIN E  DE  YEUYEUX 

BY 

ALFRED  SISLEY 


ALFRED  SIS  LEY 

French:  1839—1899 

157— LA  PLAINE  DE  VERVEUX 

KoLLiNG  fields  and  a  group  of  green  trees  are  the  elements  that  com- 
pose the  foreground.  In  the  center  of  the  middle  distance  stands 
a  full-foliaged  tree.  Beyond  are  hills  of  dark  blue.  The  sky  is  of 
veiled,  atmospheric  blue  with  some  horizontal  masses  of  white  clouds. 

Canvas:  Height,  21   inches;  length,  281/2  inches. 
Signed  at  the  lower  right,  Sisley. 


i.   i^ 


1 


No.  158 
MAIUXE 

BY 


CLAUDE    iMONET 


( LAUDE  MONET 

French:   IS-iO — 

\5S—3IARINE 

A  VERACIOUS  rendering  of  breakers  rolling  in,  with  a  shelving  beach 
on  the  right  and,  farther  away,  a  jutting  cliff  of  red-tinted  rocks.  The 
expanse  of  ocean  beyond  is  covered  by  a  lowering  sky  of  blue-gray. 
The  color  qualities  of  this  jjicture  are  eminently  frank  and  virile. 

Canvas:  Height,  23^^   inches;   length,  281/2   inches. 
Signed  at  the  left,  Claudk  Monet,  and  dated  '82. 


No.  159 
THE  RIVER 

BY 

CLAUDE    :\IONRT 


CJ^AUDE  MONET 

Fkench:   1840 — 

i  59 —THE  RIVER 

The  wide  expanse  of  a  river  fills  the  entire  foreground  and  it  is  seen 
flowing  away  in  the  middle  distance  near  the  center  of  the  canvas. 
The  shores  are  covered  with  bushes  and  low  masses  of  shrubbery. 
Poplars  and  other  trees  rise  above  this  undergi-owth  with  fine  effect 
against  a  sky  of  clouds  which  receive  a  strong  light  from  the  left. 
The  reflections  in  the  water  denote  a  careful  observation  of  the  facts 
in  nature. 

Canvas:  Height,   231/2   inches;   length,   Sll/o   inches. 

Signed  at  the  lower  left,  Claude  Monet. 


No.  160 
LANDSCAPE 

BY 

ALFRED    SISLEY 


ALFKED  SISLEY 

French:   1839—1899 

1 60— LA  NDSCA  PE 

A  LANDSCAPE  with  motive  typically  French.  The  foreground  is  occu- 
pied by  a  field  with  herbage  and  at  the  left  are  thin-foliaged  trees, 
one  of  which  reaches  up  to  the  top  of  the  canvas.  In  the  middle 
distance  is  a  stretch  of  country  with  low-lying  hills.  The  horizon  line 
in  this  picture  is  placed  low  so  that  the  sky  is  of  commanding  im- 
portance. It  shows  an  expanse  of  blue  of  fine  quality  with  great 
masses  of  white  cloud. 

Canvas:  Height,   23  inches;   length,  31    inches. 

Signed  at  the  lower  left,  Sisley. 


No.  161 
A  COXCERT  IN  THE  FOREST 


BY 


ADOLPHE  MONTICELLI 


No.  161 
A   CONCERT  IX  THE  FORES! 


BY 


ADOLPHE  MONTICELLI 


A 1 )( ) I.ri I  K  MON TICE L LI 

Feench:   1824—1886 

161— .i  CONCERT  IN  THE  FOREST 

A  PARTY  of  ladies  and  gentlemen  in  gala  attire  in  a  clearing  in  a 
forest,  where  they  are  passing  the  time  with  music  and  singing.  The 
figures  are  attractively  grouped  and  the  composition  is  marked  by 
the  fine  tonal  qualities  characteristic  of  the  celebrated  colorist. 

Panel:   Height,    19   inches;    length,   30   inches. 
Signed  at  the  lower  right,  Monticelli. 


No.   162 
A    WOODLAXD  FETE 

BY 

ADOLPHE  MONTICELLI 


ADOLPHE   MONTK  ELLI 

French:   1824—1886 

102—./   WOODLAND  FETE 

On  the  right  a  group  of  ladies  around  a  fountain  in  a  forest  park. 
On  the  left  a  stream  with  a  passenger  punt  filled  with  other  merry- 
makers. The  general  tone  of  the  picture  is  of  a  rich,  reddish  hrown 
in  which  the  cool  notes  of  blue  and  pale  pink,  given  by  the  costumes, 
form  agreeable  accents. 

Canvas:  Height,   20y->   inches;    length,    40   inches. 

Signed  at  the  lower  right,  Monticelli. 
Purchased  direct  from  the  artist. 


■»* 


,^i£m' 


Mf- 


K*!; 


No.   163 
FLORAL  FESTIVAL 


BY 


ADOLPHE     MONTICELLI 


AJJOJ.niE   MONTICELJ.l 

French:  1824—1886 

lQ3—FL01iAL  FESTIVAL 

This  picture,  showiii<>-  a  group  of  brilliant-costumed  ladies,  effec- 
tively placed  in  a  composition  including  the  high  arches  of  a  viaduct 
and  a  forest  as  background,  is  a  notable  example  of  the  work  of  the 
renowned  colorist  in  that  it  belongs  to  a  period  of  his  art  earlier  than 
his  broader  style.  His  usual  color  qualities,  however,  are  found  here 
in  compelling  brilliancy  and  the  ensemble  is  one  of  unified  harmony. 

Canvas:   Height,   'iOl/o    inches;    length,    40   inches. 

Purchased  direct  from  the  artist. 


No.  16^ 
AUTUMN 

BY 

ADOLPHE     MONTICELLl 


AJ>OLrHE  MONTICELLI 

French:  1824—1886 

164^AUTUMN 

A  VIEW  in  the  grounds  of  a  chateau  wliich  is  seen  amid  the  trees  on 
the  right.  A  roadway  through  the  park  leads  into  the  middle  dis- 
tance. On  the  left  is  a  wall  with  a  statue  on  a  stone  jjedestal.  In 
the  foreground  two  cliildren  with  a  go-cart  are  seen  at  play.  This 
picture  is  a  harmony  of  delicately  tinted  autumn  foliage  with  hues 
of  jjink,  dusky  reds,  tender,  pearly  greens  and  quiet  yellows,  the  en- 
semble of  delightful  color  being  brought  into  charming  effects  by  the 
dark  masses  of  jjine  trees  which  form  its  background. 

Panel:  Height,   191/2   Incites;   length,   39   inches. 

Signed  at  the  lower  right,  Monticelli.. 
Purchased  direct  from  the  artist. 


CZTFTD'S  OFFE: 


AIXI'U 


razEXL 


No.  165 
CUPID'S  OFFERING 

BY 

ADOLPHE     MONTICELLI 


ADOLPHE   MONTICELLI 

French:   1824—1886 

165— CUPID'S  OFFERING 

The  full-length  nude  figure  of  a  boj%  with  curly  blond  hair,  empty- 
ing roses  from  a  piece  of  thin,  white  drapery  that  he  holds  out  with 
both  hands.  One  corner  of  the  cloth  hangs  over  his  left  arm.  Three 
large  flowers  lie  on  the  ground  at  his  feet.  The  background  is  formed 
by  a  blue  curtain. 

Canvas:   Height,   351/)    inches;    rmdth,   231/0   inches. 

Signed  at  the  lower  left. 


No.  166 
CATTLE    IX   PASTURE 

BY 

EUGENE    LOUIS    BOUDIN 


eugJ]:n^e  louts  boudt^^ 

French:   1825—1908 

1Q6— CATTLE  IN  PASTURE 

In  the  foreground,  pastures  and  a  stream,  with  a  herd  of  cattle,  some 
of  them  standing  in  the  shallow  water  near  the  brink.  On  the  farther 
shore  other  cattle  are  seen  grazing,  and  beyond  is  rising  ground,  with 
houses  and  trees.  Over  all  is  a  sky  of  gray  clouds  with  one  or  two 
open  spaces  of  blue.  The  fine  restrained  color  qualities  characteristic 
of  Boudin  are  admirably  exemplified  in  tliis  picture,  and  the  cattle  are 
drawn  with  complete  knowledge. 

Canvas:   Height,   29   inches;   length,   401/2    inches. 

Signed  at  the  lower  right,  dated  '80. 
Purchased  from  Messrs.  Durand-Ruel. 


PIERKE  Cl^CILE  PUMS  DE  CIIAVANNES 

French:   1825—1898 

167— AUTU3IN 

The  two  nude  figures  in  tliis  composition,  one  holding  up  a  basket 
of  fruits,  the  other,  in  the  center,  her  arms  reaching  upward  to  a 
brancli  of  the  fruit  tree,  and  the  more  mature  figure  in  pale  violet 
drapings,  seated  on  the  left,  are  all  drawn  with  fine  simplicity  and 
a  complete  grasp  of  the  value  of  great  lines.  The  color  scheme  is 
in  the  subdued  but  impressive  style  of  the  master,  and  the  noble 
composition  is  imbued  with  artistic  individuality. 

Canvas:  Height,   40   inches;   width,  32   inches. 

Signed  at  the  lower  left,  I'.  Puvis  de  Chavannes. 


GUSTAYE  COURBET 

French:  1819—1877 

16S—THE  CASTLE  OF  CHILLON 

The  Castle  is  seen  on  the  left,  its  towers  and  keep  rising  amid  brown- 
foliaged  trees.  The  right-hand  portion  of  the  picture  shows  the  lake 
with  a  boat  in  its  waters,  and  beyond  is  the  steep,  rocky  shore.  The 
warmly-tinted  sky  depicts  the  effect  of  evening  and  the  ensemble  is 
one  of  striking  virility. 

Canvas:   He'ujht,    34   inches;    length,    411/2    inches. 

Signed  at  the  lower  left,  G.  Courbet. 
From  Messrs.  Duraud-Ruel. 


No.  169 
IX  THE  PARK 

BY 

N.  V.  DIAZ  DE  LA  PENA 


XARCISSE   \  IIIGILE  DIAZ  J)E   LA   PENA 

French:   1807—1876 

169— /TV  THE  PARK 

The  center  of  interest  in  this  admirably  balanced  composition  is  the 
seated  figure  of  a  j'oung  woman,  of  the  most  gracious  type  of  French 
femininity,  in  eighteenth  century  costume  of  pink  bodice  and  cream- 
white  skirt.  Behind  her,  leaning  forward,  is  a  young  man  with  a 
dark-hued  beret.  On  her  right  are  two  little  girls  in  blue  with  a 
spaniel.  The  group  is  framed  by  a  background  of  foliage  and  there 
is  a  sky  of  subdued  blue  and  white  forming  a  central  note  behind 
the  figures. 

Canvas:  Height,   35   inches;   length,    45   inches. 

Signed  at  the  lower  left,  Diaz. 

Purchased  from  Messrs.  Gonpil  &;  Co.,  Paris. 


No.  170 
LANDSCAPE 

BY 

GEORGES    MICHEL 


(ii:()UGES   MRIIEJ. 

Fkench:  1763—1843 

170— LANDSCAPE 

TiiK  coinjjosition  shows  a  wide  view  over  diversified  country,  with 
gently  rolhng  hills  on  the  right.  The  landscape  is  animated  by  fig- 
ures, among  them  being  horsemen  garbed  in  red. 

Canvas:   Height,   35   inches;    length,   51    inches. 

Tliis  })icture  was  imported  into  the  United  States  over  forty  years  ago 
by  one  of  tlie  leading  collectors  of  Boston,  and  is  generally  regarded  as  one  of 
the  three  finest  examples  of  Michel  in  this  country. 

Purchased  from  Messrs.  Knoedler  ^-  Co. 


GUSTAVE  COUR15ET 

French:   1819—1877 

17 i— PARC  DES  CRETE S 

The  coniiJosition  shows  a  great  tree  in  green  leaf  whose  upper 
branches  reach  to  the  top  of  the  canvas.  Beyond  are  masses  of 
trees  and  a  hillside  with  cottages;  and  above  and  beyond  lies  a  range 
of  blue  mountains.  The  sky  is  of  gray  and  blue  with  one  or  two  ac- 
cents of  white. 

Canvas:   Height,   32   inches;   width,   25^/^   inches. 

Signed,  G.  Courbet,  at  tlie  lower  left. 

Tlie  Chateau  des  Cretes  is  near  Vevej,  in  the  beautiful  vilhage  of  Clarens, 
Jean  Jacques  Rousseau  has  made  historical.  This  picture  of  the  Pare  dates 
from  the  time  of  Courbet's  exile  in  Switzerland. 


MAIU  ELLIN    (ilLUEUT    I)LSIU)l  TINS 

Fuench:   1823—1902 

172^L'II()MME  A  L'EPEK 

This,  the  work  of  a  modern  French  jjainter  of  repute,  nii^ht  he  taken 
for  the  work  of  a  master  of  the  earlier  schools.  The  hlack  costume 
and  the  black  hair,  framing  the  brilliantly  illuminated  head  of  the 
subject,  give  an  asjjcct  of  sober  elegance  that  is  characteristic  of  the 
work  of  some  of  the  masterpieces  of  the  Dutch  and  Flemish  seven- 
teenth century  painters. 

Canvas:   Height,    48l/{)    inchcfi;    zc'ulth,    37    inches. 

Signed  at  the  loTcer  right,  M.  Dkshoi  tins. 
Purchased  from  Messrs.  Durand-Ruel. 


No.  173 
ENGLISH  LANDSCAPE 

BY 

EDWARD  CHARLES  WILLIAMS 

AND 

WILLIAM  SHAYER 


EDWAIJI)  (  riAKI.ES  WILLIAMS 

Exoi.isii:   ExiiiiiiTEi)    1839 — 18()5 

AND 

WILLIAM   SHAYER 

English:   1788—1879 

\72— ENGLISH  LANDSCAPE 

A  EUKAL  scene  in  summer  time.  In  the  left  foreground  are  some 
tall  trees  and  on  the  right  a  farmhouse  witli  tliatched  roof.  In  the 
left  center  a  boy  is  taking  a  pair  of  work  horses  into  a  shallow  stream 
to  drink.  In  the  middle  distance  a  girl,  carrj'ing  a  pitcher  on  her 
head,  is  seen  passing  over  a  bridge  that  spans  the  stream. 

Tlie  figures  arc  by  W.  Shaycr. 

Canvas:   Height,    35    inches;    length,    481/;    inches. 

Signed,  E.  C.  Wms.,  and  dated  1856. 

Painted  for  L.  V.  Fhttou,  a  zeell-known  London  dealer. 

Purchased  from  S.  T.  Smitli  of  London. 


No.  174 
ITALIAN  RUINS 

BY 

GIOVANNI  PAOLA  PANNINI 


GTOVANXI  PAOLO  PANNINI 

IrAi.iAx:  circa  1691 — 176-i 

1 74— IT  A  LI  A  N  R  UINS 

View  on  the  seacoast  in  Italy,  with  figures,  and  numerous  hoats 
moored  to  the  quaj^;  to  riglit  ancient  high  gateway  partly  in  ruins; 
in  the  center  a  circular  temple,  and  in  distance  a  triple  triumphal 
arch. 

Canvas:  Height,  39  inches;  length,  49  inches. 

From  the  collection  of  Lord  Youny,  Februnry  29,  1908,  No.  59. 


No.  175 
LAKE   ALB  AN  0   AND   MONASTERY 

BY 

RICHARD   WILSON,  R.A. 


in(  IIAKl)   \\  IJ.SOX,   U.A. 

English:  1714—1782 

\15~LAKE  ALBANO  AND  MONASTERY 

JNIouNTAiNOUS  scene  in  golden  sunlight;  the  figure  of  a  man  standing 
at  the  edge  of  a  lake  is  seen  in  the  distance;  seated  peasant  woman 
and  tall  trees  to  left,  rocks  and  dead  trees  to  right.  The  dome  of  St. 
Peter's,  which  is  sixteen  miles  distant,  can  he  seen  through  the  golden 
glow  of  an  Italian  sunset. 

Canvas:  Height,  3914   inches;  length,  49  inches. 

Vurchused  from  the  lute  T.  J.  lilakcslec. 


WILLIAM    UEDMOin:   lM(i(i,    K.A. 

English:   1755—1828 

17Q—SATUKDAy  iMORNINGj  or,  FAVORITE  CHICKENS 

GOING  TO  MARKET 

Group  of  five  peasants  and  two  donkeys  at  the  door  of  a  red  brick 
cottage  overhung  with  trees  and  creeping  plants.  In  the  center,  a 
seated  market-woman  with  basket  of  fowls  beckons  to  a  reluctant 
child  who  holds  a  rooster  in  her  arms  and  is  evidently  unwilling  to 
part  with  it;  two  other  fowls  have  taken  refuge  on  the  roof  of  the 
cottage;  distant  landscape  and  church  tower  to  right. 

Canvas:  Height,  37   inches;   length,  50  inches. 

Exhibited  at  the  Roijid  Academy,  1791,  No.  68. 

Engraved  by   T.   Burke,   I8V2   inches   by  23   inches;   and  printed  in   colors, 
January  4,  1797. 

Purchased  from  Messrs.  Dowdeswell  ^-  Dowdesioell. 


JOSEPH  MALLOKD  WILEIA^I  TUIINER,  H.A. 

(Ill  the  early  style  of) 

English:   177.5 — 1851 

\n— CLASSICAL  SCENE 

Italian  lake  scene  with  sailing  boats,  classical  temples  and  buildings 
on  either  side;  to  right  a  man  in  red  robes  receiving  visitors  who  have 
landed  from  an  official  barge  or  gondola;  to  left  three  female  figures, 
in  the  middle  distance  a  round  tower  in  mid-river,  and  in  the  distance 
a  small  island. 

Canvas:   Height,   39^/2    inclies;   length,   591^    inches. 

Purchased  from  the  late  H.  0.  Watson. 


inC  IIAIM)    WILSON,   U.A. 

English:   1714—1782 

\7^— WATERFALL  NEAR  TlVOLl 

View  of  waterfall  near  Tivoli,  with  mountains  in  the  distance;  in 
the  middle  distance  is  a  rustic  wayside  cross;  waterfall  to  right  with 
figures  on  the  edge,  in  the  foreground  various  figures,  and  a  man  on 
horsehack  disappearing  over  the  bend. 

Canvas:   Height,   38   inches;    length,   5i5   inches. 

Purchased  from  the  late  Benjamin  Altman. 


No.  179 

THE  DEATH  OF  THE  GRAND- 
FATHER 


BY 


JEAN  BAPTISTE  GREUZE 


JEAN   BAPTISTE  GREUZE 

French:  1725—1805 

179— TH^  DEATH  OF  THE  GRANDFATHER 

An  interior  with  six  figures;  the  aged  grandfather  lying  at  length 
on  his  bed,  his  hands  outstretched  to  receive  a  young  girl  who  is  being 
assisted  forward  In'  her  mother;  a  boy  in  red  and  blue  is  at  the  head 
of  the  bed ;  a  nun  is  seen  in  the  background  to  the  right. 

Canvan:  Height,  45l/o  inches;  length,  571/2  inches. 

This  is  stated  to  be  one  of  four  pictures  painted  by  Grcuze  for  tlie  Museum 
at  Lyons,  but  it  was  never  delivered.  It  was  purchased  in  tliat  city  by  Messrs. 
Durand-Ruel,  wlio  sold  it  to  Mr.  Lambert.  It  is  evidently  the  version  in  oils 
of  the  sketch  in  ink  and  bistre  (in  wiiich  there  are  tliirteen  figures)  exhibited 
by  Greuze  at  the  Salon  of  1769,  No.  160,  with  tlie  title  "La  mort  d'un  Pere 
de  famille  regrette  par  ses  enfants,"  described  in  Jean  Martin's  "Catalogue 
Raisonne"  of  the  works  of  Greuze,  1908,  No.  338. 


No.  180 
A  GROUP  OF  LADIES 


BY 


ADOLPHE     MONTICELLI 


A D(  )LPHE  MON TICELLI 

French:  1824—1886 

180— .i  GROUP  OF  LADIES 

One  of  the  two  pictures  in  the  CathoHna  Lambert  Collection  known 
as  "The  Enijjress  Panels"  (see  No.  181).  The  composition  shows 
a  grouj)  of  five  young  women,  the  three  nearest  figures  being  seated, 
one  of  whom,  in  a  gown  of  cramoisi,  is  easily  recognized  as  a  portrait 
of  the  Empress  Eugenie.  Two  little  children,  with  a  kitten,  com- 
plete the  group.    The  background  is  composed  of  forest  trees. 

Canvas:  Height,  621/2  inches;  zddth,  Siy^  inches. 

Signed  at  the  lower  left,  Monticelli. 
Painted  for  the  Empress  Eugenie. 


No.  181 
LADIES  AND  CHILDREN 

BY 

ADOLPHE  MONTICELLI 


ADOI.PIIE   MOXTK  KLLI 

French:   1824—1886 

ISl—LADIES  AND  CHILDREN 

A  GROUP  of  four  female  figures  in  vari-colored  costumes,  with  two 
children  at  their  feet,  in  a  setting  of  forest  background.  The  children 
are  occupied  with  a  white  ring-dove  which  is  seen  on  the  ground,  about 
to  enter  a  large  birdcage.  This  i)icture  and  its  companion  piece  (No. 
180)  are  known  as  the  "Empress  Eugenie  Panels,"  having  been 
painted  by  her  order  for  one  of  the  apartments  in  her  private  suite 
in  the  Palace  of  the  Tuileries. 

Canvas:  Height,  62^^  inches;  icidth,  '37^2  inches. 

Signed  at  the  lower  left,  Monticelli. 


No.  182 
MOONLIGHT    ' 

BY 

RALPH  ALBERT  BLAKELOCK,  A.N.A. 


It:VLrU    ALliKUr    IU.AKKIaH  K.    A.N -A. 
1S2  -MOOSUGHT 


,  A 

;5-  s»le-  ~  es  into 


F- 


nairtiSKf  Awav 


-•ee. 


ofcs-  _  ?  water  at  the  bottom 

off  :    - 

T&c?  cdfefecaitiai  pacteini  mat*  forirg:  im  tfe  glaiee  of 


as  &  axasJtefpoeee  «£  ft&e  sctsfit  auud  its  ess 
aBe^*j«fe  ®f  Sis  best  r--  ■ 


UALril   ALBERT  BLAKELCX  K,   A.X.A. 

Amebican  :  18-47 — 

182  -MOONLIGHT 

The  horizon  in  tliis  fine  composition  is  placed  low,  about  one-quarter 
of  the  total  height  of  the  canvas  from  the  bottom  of  the  frame.  A 
pond,  or  stream,  is  seen  in  the  immediate  foreground  with  steep  banks 
on  either  side,  while  on  the  farther  shore,  where  a  brook  tumbles  into 
the  main  body  of  water,  are  several  trees  and,  beyond,  a  hilly  country 
occupies  the  distance. 

From  the  high  bank  on  the  right  rise  two  great  trees  with  foliage 
reaching  to  the  top  of  the  canvas,  and  on  the  left  is  a  smaller  tree, 
farther  away  from  the  spectator.  The  sky,  light  and  pearly  in  tone 
in  the  lower  portion,  fades  into  blue  and  still  darker  blue  as  the  eye 
looks  upward.  High  up  on  the  right  the  full  moon  is  seen,  partly 
obscured  by  foliage,  and  its  disc  is  reflected  in  the  water  at  the  bottom 
of  the  picture. 

Canvas:  Height,  72  inches;  icidfh.  -l<7Vo  inches. 

Signed  at  the  hneer  left. 

Tills  cek'bratwl  picture  was  liung  in  the  place  of  honor  in  the  Vanderbilt 
Gallery  at  one  of  the  annual  exhibitions  of  the  Society  of  American  Artists  in 
New  York.  Its  fine  sentiment  and  poetic  conception  have  long  made  it  known 
as  a  masterpiece  of  the  artist  and  its  execution  sliows  the  cliaracteristic 
metiiods  of  his  best  period. 


1*.   MAIH  US   SIMONS 

American:  1867—1909 


183—^  DREAM  OF  YOUTH 

A  FETE  in  proj>Tess  with  a  misc-cn-sccne  of  a  fountain  basin  and 
luxurious  couches  in  the  foreground,  and  a  background  of  various 
architectural  forms  including  domes,  towers  and  spires.  Among  the 
personages  the  chief  figure  is  a  young  man,  surrounded  by  a  bevy 
of  fair  women.  While  he  holds  aloft  a  festal  wine  cup,  musicians  and 
choristers  join  in  a  grand  chorus.  The  skeleton-like  hands  and  arms 
of  an  armored  figure  are  seen  in  warning  gesture  on  the  right-hand 
side  of  the  composition. 

Canvas:  Height,  l-Gl^  inches;  length,  66  inches. 

Signed,  P.  Makcuis  Simons,  at  the  lower  left. 


CIllLJ>i:    IIA8SA.M,   N.A. 

Amekican  :   1859 — 

184^^  HOOF  GARDEN 

The  misc-cn-sccnc  (jf  this  notable  example  of  one  of  the  most  cele- 
brated of  the  American  artists  is  the  terrace,  or  roof  garden,  of  a  house 
in  the  JNIontmartre  quarter  of  Paris.  On  a  green  bench  at  the  left  is 
seated  a  young  woman  in  a  white  gown,  and  near  her  stands  her 
companion,  also  dressed  in  filmy  white.  The  faces  and  attitudes  of 
both  yoimg  women  show  an  air  of  expectancy  as  if  waiting  for  the 
arrival  of  a  visitor.  In  the  right  foreground  are  azaleas,  hydrangeas 
and  other  flowering  plants  in  jjots.  Over  the  low  wall  which  encloses 
the  spacious  terrace  are  seen  the  buildings,  roofs  and  chimneys  of 
the  French  capital.  The  picture  was  painted  in  Paris  and  some  fin- 
ishing touches  put  on  it  by  the  artist  in  New  York  in  1893. 

Canvas:  Height,  49  inches;  length,  7(3  inches. 


n 


>*,fliV'i 


1 


IIAMILTOX    ri  AMI  LION 

American  :   Contemporary 

1  ^5— SUMMERTIME 

Under  an  old  apple  tree  two  young  women  are  chatting.  One  is 
seated  on  the  grass,  while  the  other  leans  on  a  low,  bending  limb  of 
the  ti'ee.  At  the  left  are  farm  buildings  and,  in  the  distance,  a  range 
of  mountains. 

Canvas:  Height,  48  inches;  length,  7-i  inches. 

Signed  at  lotcer  left,  Hamilton  Hamilton. 


PUVIS    I)E  CIIAVAXNES 

French:   1825—1898 

IHQ—THE   MEETING    OF    SAINT    GERMAIN    AND 
SAINT E  GENEVIEVE,  IN  HER  CHILDHOOD. 
AT  NANTERRE 

In  the  year  429  Saint  Germain  d'Auxerre  and  Saint  Loup  do  Troves, 
traveling  to  England  to  combat  tlie  heresies  of  Pelagius,  arrive  in  tlie  suburbs 
of  Nanterre.  In  the  crowd  wliich  has  assembled  at  their  approach  Saint  Ger- 
main notices  a  child  who,  to  his  perception,  bears  the  divine  seal,  and  he  pre- 
dicts to  her  pai'ents  the  lofty  destiny  to  which  she  will  be  called.  This  child 
was  Sainte  Genevieve,  the  patron  saint  of  the  city  of  Paris. 

The  subject  is  depicted  in  tliree  sections,  forming  one  composition. 
The  first  shows,  in  the  foreground,  fishing  boats  with  oarsmen  and 
sailors  drawing  up  at  a  landing  place,  and  people  carrying  the  body 
of  a  man  out  of  a  rustic  dwelling.  The  second  shows  the  holy  men  in 
the  center  of  a  group  of  people,  with  Saint  Germain  in  the  act  of 
remarking  the  child,  on  whose  head  he  places  his  right  hand.  The  third 
depicts,  as  a  balance  to  the  first  section,  other  people  of  the  country- 
side engaged  in  their  various  domestic  occupations.  The  entire  com- 
position is  enclosed  by  a  border  of  bay  leaves,  with  gilt  monograms, 
S.  G.,  and  an  inscription  in  French  (a  translation  of  which  is  given 
above)  in  the  lower  center  of  the  second  section. 

Height,    52   inches;    length,    102    inches. 

Signed  uit  the  third  section,  and  dated  1879. 

One  of  the  most  notable  and  representative  works  of  the  great  Frencli 
artist  in  existence  outsitle  of  liis  mural  paintings  permanently  incorporated 
in  the  decoration  of  groat  public  buildings. 


No.   187 
FRIEZE 

BY 

PUVIS  DE  C'llAN  ANNES 


PUVIS   DE  CHAYAXXES 

French:   1825—1898 

1H7 —FRIEZE 

A  PROCESSION,  proceeding  from  right  to  left,  of  twenty-two  full-length 
figures,  all  with  halos.  In  the  center  panel  is  a  winged  monster 
moving  along  the  floor  with  its  tail  ciu'led  forward.  This  comjiosi- 
tion,  painted,  as  was  No.  18(),  as  tlie  finished  picture  for  the  execu- 
tion of  the  artist's  renowned  mural  jjainting  in  the  Pantheon,  at  Paris, 
belongs  to  the  best  period  of  the  master's  work. 

Border  of  bay  leaves  witli  gilt  inonograiiis,  S.  G. 

Canvas:  Height,  30V)  inches:  length,  351/2  inches. 
Signed. 


\  ASILl    \  ASll^IEVICH   VERESTCIIAGIN 

Russian:  1842—1904 

\SH—THE  PEARL  31  OS  QUE  AT  AGRA 

The  interior  of  the  Pearl  JNIostjue  at  Agra.  The  marble  columns 
and  arches,  beautiful  in  line  and  simplicity  of  design,  form  a  sumptu- 
ous setting  for  two  long  lines  of  worshippers,  in  turbans  and  long 
gowns,  at  prayer.  The  greater  number  are  clad  in  white,  but  here 
and  there  a  figure  in  blue,  green,  yellow  or  other  hues  gives  a  valuable 
note  of  color. 

Canvas:  Height,  58  inches;  length,  78  inches. 

Exhibited  at  the  Grosvenor  Gallery,  London,  1887,  iVo.  56a;  and  at  the  Ameri- 
can Art  Galleries,  New  York,  where  the  Verestchagin  Collection  was  sold 
in  1891. 

The  most  famous,  if  not  the  greatest  Russian  artist,  and  the  only  one  with 
a  world-wide  reputation.  The  son  of  a  rich  landowner,  he  studied  at  the  St. 
Petersburg  Academy  of  Fine  Arts  and  gained  a  silver  medal  in  1802,  and  in 
Paris  from  1864  under  Gerome;  exhibited  at  the  Salon  in  1866.  After  travel- 
ing in  Turkestan,  India,  where  he  lived  for  two  years,  1874-76,  he  again 
returned  to  Paris;  visited  India,  Syria  and  Palestine  in  1884,  and  China  in 
1901.  He  held  public  exhibitions  of  his  various  series  of  pictures  at  different 
times  in  England,  on  the  Continent  of  Europe  and  in  the  United  States,  where 
they  attracted  large  numbers  of  visitors.  Many  examples  of  his  work  are  in 
the  Tretiakoff  Museum  at  Moscow,  and  others  are  in  private  collections  in 
Europe  and  America. 


VASTLI    VASILIEYICII  VERES T(  IIAGIN 

Russian:   1842—1904 

189— THE  KREMLIN,  MOSCOW 

The  Kremlin  viewed  from  the  opposite  shore  of  the  river  Moskva. 
In  the  left  foreground  appears  tlie  quay,  or  railed  eniljanknient,  with 
figures  and  a  hlue  shadow  cast  hy  a  huilding  outside  of  the  picture. 
Across  the  stream  is  the  line  of  the  quays,  with  a  row  of  trees.  Be- 
yond, and  forming  the  main  body  of  this  impressive  composition,  are 
the  pink  walls  and  the  great  buildings  of  the  fortress  enclosure  with 
towers  and  domes  gleaming  in  the  sunlight.  Over  all  is  the  great 
expanse  of  a  hlue  sky  with  white  clouds. 

(With   key   to   tlie  buildings.) 

Canvas:  Height,  89  inches;  length,  178  inches. 

Exhibited  at  tlie  Grosvcnor  Gallery,  London,  1887;  and  at  the  American  Art 
Galleries,  New  York,  where  the  Verestchagin  collection  n'as  sold  in  1891. 

Illustrated  in  Eugen  ZabeVs  "Weresehtschagin,"  1900,  p.  5G. 


Key  to  No.  199. 

1.  The  Orujfinniii   Palatn     (Treasury),  containing   a   rare   collection   of   historical   treasures. 

2.  The  Great   Palace  of  the   Kremlin. 

3.  The  Church  of  the  Conce])tion.     This  is  the  private  church  of   former  Tsars  and  Grand 

Dukes.     The  Tsarinas  attended   religious  service  in  its  chantry. 

4.  Terema,   or    Old    Palace    of    the    Tsars. 

5.  Church   of   the    Archangel.      Here   are   Imried   the   Tsars   and   Grand   Dukes.      (In   more 

recent  times  the   Russian   Emperors   are   Imried  in   St.   Petershurg.) 
0.     Church  of   the   Assumption.      Here   the   Metropolitans    (as   formerly   the    Patriarchs),   of 
the  Russo-Greek  Church,  are  elected  and  inducted;  here,  too,  the  Tsars  are  crowned, 
and   State   ceremonies   are   .solenmized. 

7.  Tower  of  Jvan  X'eliki  (John  the  Cireat).     The  largest  of  its  monster  bells,  named  after  the 

Tsar,  fell  to  the  ground,  where  it   lay  till  raised  on  its   present  pedestal. 

8.  Chudof   Monastery. 

9.  Small  palace  of  the  Kremlin. 

10.  Convent.      Burial-place   of   the   Tsarinas   and   Grand   Duchesses. 

11.  Gate  of  Our  Saviour.     Every  one  passing  through  it  nmst  uncover  the  head. 

12.  Church  of  the  Blessed  St.   Basil. 

13.  WaUs  of  the  Kremlin. 

14.  River  Moskva. 


SCHOOL  OF   CIMABUE 

Italian 

i91—3IADONNA  AND  CHILD 

Small  half-figure  of  the  Virgin  seated,  in  red  draperies  and  head- 
dress lined  with  white;  Infant  in  scarlet  and  blue  dress,  seated  on 
His  mother's  lap;  gold  background. 

I'inic] :  HcUjht,  10  inrhis;  w'nlth,  7'/'^  inches. 


EARLY  ITALIAN  SCHOOL 


W2--HEAD  OF  A  MONK 


Smai.i.  lialf-fi<)ure  of  an  old  monk,  face  seen  in  profile,  white  robe 
and  cowl,  holding  a  volume. 

Pomi:  Height.   18  inches:   width,   Ki  inches. 

With  an  inscription  on  the  buck  in  wliicli  tho  name  "Richard  di  Benedetto" 
and  the  date  "23  di  febbrajo  14-17"  occur. 


THIRD    EVENING'S    SALE 

WEDNESDAY,  FEBRUARY  23,  1916 
IN  THE  GRAND  BALLROOM  OF 

The  Plaza 

FIFTH  AVENUE,  58th  TO  59th  STREET 
BEGINNING   PROMPTLY   AT   8  O'CLOCK 


EAKLV  FLEMISH 


1 93— THE  CB  UCIFIXION 

The  figure  of  Christ  on  the  Cross  in  the  center  of  the  composition, 
the  Virgin  in  bhie  and  white  to  left,  St.  John  in  red  to  right;  at  foot 
of  tlie  Cross  are  a  skull  and  bones:  a  winding  valley,  with  hills  and 
buildings  on  either  side,  forms  the  background. 

Patwl:  Height,  1514  inches;  width,  IIV2  inches. 

Painted  in  the  manner  of  Jan  ]\Iostacrt. 


KLSSIAN    ICON 

Byzaxtixe   Period 

\94— MADONNA  AND  CHILD 

IlALF-rJGUUK  of  the  ^ladonna,  seated,  in  red  and  blue  draperies,  liead 
inclined  slightly  to  left,  holding  the  Infant  in  red  and  dark  draperies 
embroidered  with  gold.  His  left  hand  is  ontsti-etehed  and  holds  a 
globe;  the  nimbus  in  each  ease  of  beaten  silver  with  leaf  and  flower 
pattern. 

I'liiul:  Hc'ujht,   1!)   iinlii's;   icidlli,   15   inches. 

I'urchusid  fruiii  the  hitc  II.  O.  Wat.soii. 


PI  Ell   1  KANCESCO   lilSSOLO 

Italiax  :  circa  U'92-1530 

l95^MADONNA  AND  CHILD 

Half-length  figure  of  the  Virgin  in  gold-embroidered  white  dress 
and  blue  robe,  auburn  hair;  she  is  holding  the  Infant,  who  is  clad 
in  reddish  drajjery,  to  her  breast. 

Panel:  Height,  U'J  iiichc.t;  zcidth,  17  inches. 


EAULV    ITALIAN   SCHOOL 


W6—NATIJITY  OF  CHRIST 


View  near  the  stable,  with  the  Infant  on  a  yellow  cushion,  and  the 
Virgin  in  l)r()wn  and  gold-i)atterned  robe  kneeling  in  adoration;  St. 
Joseph  in  dark  dress;  various  figures,  in  ecclesiastical  and  other  cos- 
tumes, in  adoration;  two  angel  figures  above,  and  traveler  with  staff 


to  right. 


runcl:  Ili'ujlit,  \H\U  iiulu's;  width,  IC  inches. 


riirr]i(isiil  ill  Xiijilcx. 


FRANCIS  POl  REUS  THE  YOUNGER 

Flemish:   1569—1622 

197 —HEAD  OF  A  CHILD 

Small  half-figure  of  a  little  girl  in  jellow  gold-embroidered  dress, 
auburn  hair  with  pearl  bands,  pearl  necklace,  holding  a  robin  in  right 
hand. 

Millboard:  Height,  Sl/'o  inches;  width,  ly^  inches. 

From  the  San  Donato  Collection  of  Prince  Demidoff.     Purchased  from  Messrs. 
Durand-liuel. 


PIERRE  MIGNARD 

French:   1610—1695 

19S— PORTRAIT  OF  A  GENTLEMAN 

Bust  of  a  young  gentleman  in  costume  of  black,  white  lace  collar  and 
long  dark  wig. 

Canvas:  Height,  121/>  inches;  length,  181/2  inches. 


KlLMlUiANDT  SCHOOL 

199— W03I AN  AT  PRAYER   {Rcmhmndi's  Mother) 

Small  bust  of  an  aged  woman  with  long,  black  shawl  over  head  and 
shoulders,  jeweled  ornaments  in  corsage;  eyes  closed,  one  hand  only 
seen. 

I'liiicl:  Height,  1'.^%'4  Inclicfi;  jcidth,  9-y^  inches. 

PiircJifisetl  ill  MoHco-iV  by  Messrs.  Durand-Iiuel  and  sold  to  Mr.  Lambert. 
I'robablfj  derived  from  the  etching  by  Riedel,  reproduced  in  the  "Klassi- 
hcr  der  Kiinst"  volume  on  liembrandt,  p.  519. 


rvEMBHAXjyr  school 

200— AX  APOSTLE   {RvmJ>raiidt'.s  Father) 
Head  of  a  bald,  elderly  man  in  dark-colored  costume,  red  beard. 

Canvas:  Height,  17  inches;  rcidth,  ISlo  inches. 

Purchased  in  Moscore  by  Messrs.  Durand-liuel  and  sold  to  Mr.  Lambert. 
Probably  a  x-ersion  of  the  picture  at  Kassel,  Dr.  Bode,  Xo.  136,  and 
"Klassiker  der  Kunst,"  "Rembrandt,"  p.  115. 


Ql  ENTIN  MAT8YS  (or  METSY8) 


Fi.k.mish:   1460—15:30 


201— VIliGIN  AT  PliAYER 

Bust  of  crowned  youthful  Virgin,  in  gray  low  dress,  white  head- 
dress, long  auhurn  hair  falling  over  shoulders;  hands  joined  as  in 
prayer;  green  background. 

Panel:  Height,  IG  ineJie.t;  rt-idtJi,  Hy^;  incites. 

Pin-chasecl  from  M.  C.  Sedelmei/cr,  J'nrix. 

Ki-oin  tlic  saiiR'  model  as  tliu  "VitT^c  on  Prieros"  in  tlic  Antwcrj)  Gallivv, 
No.  242,  and  of  wliicli  tliorc  is  a  repetition  in  tlie  National  (Jallery. 


MAPilOTTO  ATJ^ERTINELLl 

Italian:   l-i74 — 1515 

202— II OLV  FAMILY 

Group  of  four  figures.  Fair-haired  youtliful  figure  of  the  Virgin  in 
center,  in  pink  and  green  draperies  and  green  headch-ess,  holding  the 
Infant,  who  carries  a  cross  and  embraces  St.  John;  St.  Joseph  to 
right;  background  conventional  mountains. 

Panel:  Height,  'l-^\'-j,  inches;  ■width,  21  inches. 

Purchased  from  the  lute  T.  J.  Blakeslee. 

In    carvL'il    UcnaissiiiRu    traiiio    similar    to    tliu    Scljast  laiio    drl    Pioinbo, 
No.  20;3. 


SEBASTIAXO   DEL  PIOMBO 

(SEBASTIANO  LUCIANI) 

Italian:   1-185 — 1547 

20'd~3IADONNA  AND  CHILD 

The  Madonna  seated  to  front,  in  yellow  dress,  yellow-lined  green 
cloak  and  white  headdress,  fair  hair,  holding  the  nude  Infant,  whose 
hands  are  on  His  mother's  sleeve;  distant  hills  to  right. 

Panel:  Height,  lJ5l/o  inches;  iddih.  20  inches. 

Purchased  from  the  late  T.  J .  Blakeslee. 

In  carved  Renai^isaiicc  franiu  .similar  to  tlic  Mariotto  Albcrtiiulli,  No.  202. 


CIMA   DA  CONEGLIAXO 

(GIOVANNI  BATTISTA  DA  CONEGLIANO) 

Italian:  Died   circa   1517 

IQ^^MADONNA  AND  CHILD 

Half-figuke  of  youthful  Virgin  seated  in  the  open,  in  red  dress,  blue 
cloak,  long  white  headdress ;  the  Infant  in  greenish  garment,  holding 
rosebud  in  left  hand;  conventional  trees  to  right,  with  castle  on  the 
edge  of  a  cliff. 

Panel:  Height,  25l/o  inches:  xddth.  1!)K.  inches. 

From  the  collection  of  the  Duke  of  Marlborough,  May  14,  1904,  A'o.  19. 


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No.  205 
HOLY  FAMILY 

BY 

GIOVANNI  BATTISTA  TIEPOLO 


GT()\  ANN!   1?ATTI8TA   TIEPOLO 

Italian:   1696—1770 

205— HOLY  FAMILY 

Figure  of  the  Virgin  enthroned,  in  red  and  yellow  draperies,  hold- 
ing the  Infant,  to  whom  the  elderly  St.  Joseph  is  speaking;  to  right 
an  angel  holding  a  rosary  in  left  hand  and  flower  in  right;  Infant 
St.  John  asleep. 

Canvax,  (trchcd  top:  Height,  231/^  inches;  rvidtit,  15  inches. 
From  a  private  eolleetion  in  XorlhiniihcrJdud  anil  jiiirehiixeij  in  Lonilon. 


JAN    \'AN    liAN'ESTF.YN    (Attributed    to) 

1572—1657 


"im— PORTRAIT  OF  A  GENTLEMAN 

Head  and  shoulders  of  a  young  man  in  dark  dress,  white  and  gold- 
striped  sleeves,  pink  sash  across  shoulder,  white  lace  collar;  brown 
hair,  mustache  and  chin-tuft. 

Canvas:  Height,  25  inches;  7cidth,  20  inches. 

Purchased  from  M.  C.  Sedelmcyer,  Paris. 


FRANCOIS   IIIBERT  DKOl  AIS  (Period  ot) 

French:  1727—1775 

207— AN  AUNT  OF  KING  LOUIS  XVI  OF  FRANCE 

Half-figure,  seated,  of  a  young  lady,  in  gray  low-neck  dress  pat- 
terned with  white,  short  sleeves,  flower  patterned  corsage;  powdered 
hair  with  flowers ;  bracelet  on  left  arm  with  a  miniature  of  an  elderly 
man  set  with  diamonds,  fan  in  hand;  bouquet  of  roses  to  left. 

Canvas:  Height,  251A   inches;   width,  21   inches. 

From  the  Ralph  Bcrnal  Collection,  March,  1855,  \o.  761. 


FKAX(()IS   III  l^Kirr   DPiOlAIS  (rei'iocl  of) 

French:   1727—1775 

20^— AN  AUNT  OF  KING  LOUIS  XVI  OF  FRANCE 

Half-figure  of  a  middle-aged  lady,  seated,  in  blue  low-neck  dress 
covered  with  floral  designs,  white  lace  collar  with  neckband  similar  to 
dress,  powdered  hair  dressed  flat;  brown  curtain  to  right. 

Canvas:   Height,   25l/o    inches;    width,   211/^   inches. 

From  the  Ralph  Bcrnal  Collection,  March,  1855,  \o.  7G0. 

This    and    tlic    preceding    are    probably    portraits    of    IMadamc    Adelaide 
(1732—1800)  and  Madame  Victoire  (1733—1799),  daughters  of  Louis  XV. 


A  IP  Ell  R  EM  lUi  AN  I YV 


209— POHTliAIT  OF  A  LADY 

Head  and  shoulders,  in  brownish  low-neck  dress  cut  square,  blue  and 
white  patterned  corsage,  long  chain  of  pearls  and  precious  stones  over 
shoulders,  pearl  necklace  and  drop  earrings;  three-row  pearl  bracelet 
on  right  wrist;  dark  hair  with  pearl  rope  and  black  feather. 

Panel:  Height,  26  incites,  width,  19i/(;  inches. 

Exhibited  (it  South  Kensinfjtoii  in  1891. 

From  the  Hope  of  Deepdenc  Collection,  purchased  from  Mr.  A.  Wertheimer  of 
London,  who  bought  the  collection  en  bloc.  Xo.  XXIII  in  the  Hope 
Catalogue  of  1898,  rcith  plate. 


Slli   (iODFlJEY    KNELLEli 

English:   1646—1723 

110— FAMILY  GROUP 

CiRorr  of  four  small  three-quarter-length  figures,  seated  in  the  open 
near  a  sculptured  bust  of  a  man;  the  father  in  green  costume,  long 
yellow  wig,  the  mother  in  yellow  low-neck  dress,  the  two  children 
in  brown  and  blue. 

Canvas:  Height,  261  o  inches;  nidth,  16  inches. 


FEKDINAXI)    HOI. 

Dutch:   Kill— 1081 
{Pupil  of  Rembrandt) 


2\\— PORTRAIT  OF  REMBRANDT 

Half-figure  of  a  stout,  somewhat  elderly  man  in  red  robes  and  black 
cap,  brown  hair,  slight  mustache  and  chin-tuft. 

Canvas:  Height,  2()  inches:  rddth,  22  inches. 

Purchased  in  London  by  H.  P.  Watson. 


bi:hnahi)in()  li  ini 

Italian:   circa   1460— 15;i0 


-■eyT^jiip.^HiijIwwiiH 

1 

a****Tl 

^^'"       'HB 

1 

i 

i 

l 
S 
i 

1   -  *■  .-..-je   . 

H 

2V1~HEAB  OF  ST.  JOHN  THE  BAPTIST 

Bust  of  the  Saint  with  white  drapery,  auburn  hair  and  beard,  hold- 
ing cross  in  left  hand. 

Panel:  Height,  26\'-,  inches;  width,  19^2  inches. 


Purchased  from  Messrs.  Dowdeswell  i^-  Dowdeswell. 


GI()\  ANXI    HI  81  CARIAM 

Italian-:  circd  1514 — 1541 

213— //OLl'  FAMILY 

The  Virgin  in  blue  and  red  draperies,  seated  in  a  high-backed  red 
chair,  holding  the  Infant,  who  looks  down  at  the  Donor,  an  elderlj' 
man  kneeling  with  his  hands  joined  as  in  prayer;  a  female  saint  on 
either  side. 

Panel:  Height,  20  inches;  length,  291/1;  inches. 

From  the  San  Doniito  Collection  of  Prince  Dcmiiloff. 


SPANISH   SCHOOL 

214— AT.  MARK 

Half-1'igure  of  the  Saint  as  an  old  man  in  red  draperies,  and  with 
long  gray  beard,  seated  at  a  table  writing  in  a  book. 

Canvas:  Height,  29l/ii   inches;   width,  2;j   incites. 
Purchased  from  M.  C.  Scdelmeijcr  of  Paris  as  by  liibera. 


Ca  ILTA^rO  SAMANO 

Italian 


1\5—VIliGIX  AND  CHILD 

Small  half-figure  of  the  A^irgiu,  in  red  and  hlue  draperies,  with  yel- 
low jjatterned  headdress  falling  over  her  shoulders.  She  is  holding 
the  nearly  nude  Infant,  who  is  seated  on  a  white  cushion,  on  her  lap, 
the  child's  left  foot  in  her  left  hand. 

Panel:  Height,  291/2  inches;  width,  22^/2  inches. 

Purcltascil  from  Messrs.  Dowdeswell  cj-  Dowdeswell. 


SIR   PETER  EELY 

English:   1617—1680 

2\Q— PORTRAIT  OF  A  GENTLEMAN 

Head  and  shoulders  of  a  middle-aged  man,  in  dark-colored  dress, 
white  lace  collar,  brown  curly  wig. 

Ctinvas — ova]:  Height,  29  indies;  xeidth,  24  inches. 


FRANCIS  POURBUS  THE  YOUNGER 

Flemish:   1569—1622 

217— PORTRAIT  OF  A  YOUNG  LADY 

Half-length  figure  of  a  young  lady,  in  black  gold-embroidered 
dress,  broad  white  lace  collar  and  cuffs,  a  string  of  pearls  over  her 
shoulders,  pearl  necklace  with  gold  and  jeweled  pendant;  auburn 
curh'  hair  with  pearl  ornament;  black  and  red  cap. 

Panel:  Height,  291/2  inches;  width,  241^  inches. 


GEORGE  HENRY   HARLOW 

English:  1787—1819 

2iS— PORTRAIT  OF  JOHN  PHILIP  KEMBLE 

The  actor,  born   in   1757,  died   in   182:5. 

Half-length,  seated;  red  dress  and  dark-colored  cloak,  white  collar, 
right  elbow  resting  on  folio  volume,  hand  against  face. 

Canvas:  Height,  291/0  inches;  width,  24-1/2  inches. 
Purchased  from  the  late  T.  J.  Blakeslee. 


GEOPtGE   KOMNEY 

English:   1734—1802 


219— PORTliAIT  OF  A  LADY 

IIali'-i.kngth  figure  of  an  elderly  huly,  seated  and  with  head  turned 
to  left;  gray  dress,  white  fichu,  black  lace  shawl,  white  headdress 
with  satin  ribbon  tied  in  a  bow  luider  chin,  gold  earrings,  hands 
(partly  seen)  on  lap. 

Ciiin-dx:  Height,  '29\-2  iiichcfi;  zc'kUIi,  '2i\U  inches. 

riirrhascd  from  Messrs.   Dowdesicell  &■  Dowdeswell. 


SIR  JOSHUA  REYNOLDS,  P.R.A. 


English:   17:J2— 1792 


'221— RICHARD  YEO,  R.A. 

Medalli.st  Jiiid  M'ulptor.     T'luiiulutioii  iiR'iiibcr  of  tlii.'  l{o_\;il  Aciukiiiv; 
died  1779. 


Half-length  fi<^nve  of  a  middle-aged  man  seated  at  a  table  with 
drawing  board  and  eompass,  brown  dress  embroidered  with  gold, 
white  neckerchief  and  cuffs,  gray  wig. 

Canvas:   Height,   291,^   inches;    width,   2iU    inches. 

Engraved  by  A.  W  Sanders,  1877,  on  a  small  scale. 

Graves  and  Cronin's  "Works  of  Sir  Joshua  lieijnolds,"'  1899,  Vol.  III. 


SIR    WILLIAM  BEECH LV,  K.A. 

English:   1753—1839 


221— PORTRAIT  OF  A  LADY 

Half-length  figure  of  a  young  lady  in  white  low-neck  dress  and 
white  fichu;  golden  hair,  with  white  lace  cap. 

Canvas:  Height,  29V^  inches;  width,  25  inches. 

From  the  collection  of  the  Maiqness  of  Xuinianbi/. 
Purchased  from  the  late  S.  P.  Avert/. 


ANDREW    GEDDES,  A.K.A. 

English:  1789—1844 


223— HEAD  OF  AN  ELDERLY  MAN 

Half-length  figure  of  an  elderly  man,  in  dark  dress,  brownish  felt 
hat,  gray  hair  and  beard;  head  turned  to  the  right. 

Canvas:  Height,  30  inches;  width,  24  inches. 

Andrew  Geddes  was  a  deep  student  of  Uenihrandfs  work.  He  visited  Holland  in  1839 
tor  the  express  purpose  of  studying  the  Henibrandts  there;  his  etehing;s  also  more  nearly 
approaeh  the  high  quality  of  those  of  the  great  Duteh  master  than  any  other  modern  artist's 
work. 


WILLIAM  DOBSOX 

English:   ICIO— IG-iG 

224— PHILIP,  FIFTH  EARL  OF  PEMBROKE 

Born  ill  1(516;  died  in  1669. 

Half-length  figure  of  a  younu;  man,  seated  in  red  plush  chair,  look- 
ing up  to  riglit,  l)lack  dress  and  wliite  collar,  fair  hair,  mustache  and 
chin-tuft,  right  elbow  resting  on  back  of  chair. 

Ccnic'fi.t:  Height.  30  inches:  -ccUllh,  241/2  inches. 
Pin  chased  from  the  late  T.  J.  Bltilrslee. 


BUI  J08III  A  IIEYXOLDS,   IMJ.A. 

Exci.isii:   17:52—1792 

225— PORTRAIT  OF  HIMSELF 

Half-length  figure,  when  elderly  and  wearing  spectacles,  in  green 
plush  suit  with  high  collar  and  neckerchief,  gray  wig,  lips  slightly 
parted. 

Canvas:  Hc'ujhl.  ."!()  inches;  7ciiltli.  25  inches. 


sii{   riio.MAs  LAWin:x(  i:,  imj.a. 

Exulish:   1769—1830 


226— PORTliAIT  OF  A  GIJXTLE3IAN 

Half-lkngth  figure,  seated,  of  a  iiii(l(lle-a<;e(l  man,  dark  green  coat 
with  high  collar,  yellow  Avaistcoat  and  lace  handkerchief;  striped  red 
and  }'ellow  neck-rihbon  with  pendant  of  an  order,  gray  hair;  yellow 
background. 

Canvas:  Height.  30  inches;  widtli,  '25  inches. 

Tlic  pcrsuiiayx'  il(.',-,tribi-(l  aljuvu  was  I'ltsiduiit  of  Dulwicli  College,  London. 


GEOHGE   KO.MNEY 

English:   173-i— 1802 


227— WILLI A3I  HEliSCHEL,  ESQ. 

Half-length  figure  of  an  elderly  man.  seated  in  red  chair,  directed 
and  looking  to  right,  black  coat,  yellow  waistcoat,  white  neckerchief, 
gray  hair;  hands  clasped,  holding  walking  stick. 

Canvas:  Height,  30  inches;  width,  25  inches. 

Purchased  from  Messrs.  Dowdeswell  &,•  Dowdeswell. 


GEOiiGE  HENRY  HARLOW 

English:   1787—1819 

22H—POKTIiAIT  OF  A  LADY 

Half-length  figure  of  a  young  woman  seated  in  the  open  and  look- 
ing upward;  low-neck  red  dress  edged  with  white,  short  sleeves,  dark 
curly  hair  falling  over  forehead;  left  elbow  on  arm  of  chair,  hand 
raised  to  hair. 

Canvas:  Height,  30  inches;  width,  25  inches. 

Purchased  frovi  the  late  T.  J .  Blakeslee. 


WIEEIAM  DOBSON 

English:   1610—1646 

229— rOHTli A  IT  OF  A  GENTLEMAN 

Head  and  shoulders  of  a  full-faced  young  man  looking  up  to  right, 
dark-colored  coat,  white  shirt,  fair  curly  hair. 

Canvas:  Height,  30  inches;  width,  25  inches. 

This  is  said  to  bu  a  portrait  of  tliu  pout  Joliii  Milton. 


SIR  HENRY   RAEBURN,  R.A.  (lYiiod  of) 

English 


2^0— PORTRAIT  OF  A  LADY 

Half-length  figure  of  a  young  woman,  seated,  tliicctcd  to  left, 
looking  at  speetator,  light  green  square-neck  dress,  white  collar,  black 
shawl  over  shoulders,  curly  hair,  green  cap.  A  good  early  English 
portrait  more  resembling  Hoppner  than  Raeburn. 

Canvas:  Height,   30   inches;    width,   '25   inches. 

Purchii.scfl  from  S.  T.  Smith,  London,  son  of  the  author  of  Smith's  "Catalogue 
Raisonne." 


EARLY   ITALIAN   SCHOOL 

23^— CHRIST  RISING  FROM  THE  SEPULCHRE 

The  figure  of   Christ,   depicted  in  half-length,   assisted   from   the 
sepulchre  hy  an  angel ;  Martha  and  Mary  on  either  side. 

Panel:  Height,  32  inches;  width,  28  inches. 
Purchased  from  Dr.  Paul  Mcrsch  of  Paris. 


FRANCISCO  ZURBARAN 

Spanish:   1598—1662 

232— PORTRAIT  OF  A  SYRIAN  BISHOP 

Whole-length  figure,  standing,  in  golden  robes,  face  seen  in  profile, 
long  gray  beard,  right  hand  outstretched. 

Canvas:  Height,  35  inches;  -width,  21  inches. 


ELISABETTA  SIRANI 

Italian:  1638—1665 

2SS— HOLY  FAMILY 

Half-length  figure  of  the  Virgin,  seated,  in  pink  and  blue  drap- 
eries, golden  hair,  holding  nude  Infant  towards  St.  John  the  Bap- 
tist, the  two  embracing;  landscape  background. 

Canvas:  Height,  30  inches;  length,  3514  inches. 

Purchased  from  the  htte  T.  J.  Blakeslee. 


SCHOOL  OF  TITIAN 

Italian 

234— THE  MAURI  AGE  OF  ST.  CATHERINE 

The  Virgin  in  red,  yellow  and  blue  draperies,  seated  to  left,  hold- 
ing forward  the  Infant  Christ,  who  is  placing  the  ring  on  the  finger 
of  St.  Catherine;  St.  John  to  left. 

Canvas:  Height,  301/0  inches;  length,  37  inches. 


Ascribed   to   T.ODOVICO  CAIIRACC  I 

Italian:  1555—1619 


235~MADONNA  AND  CHILD 

Three-quakter-length  figure  of  the  Madonna,  seated,  in  blue  and 
red  dress,  hands  joined  as  in  prayer;  she  is  looking  down  at  the 
Infant,  whose  hands  are  outstretched  towards  her;  on  either  side  a 
youthful  angel. 

Canvas:  Height,  361/2  inches;  width,  30  inches. 

Purchased  from  the  late  T.  J.  Blakeslee. 


ITALIAN  SCHOOL 

2SQ~TUE  HOLY  FAMILY 

The  Virgin  enthroned,  in  red,  blue  and  white  draperies,  holding  the 
Infant  to  her  shoulder;  angel  head  to  left,  St.  Joseph  to  right.  Below 
the  child  St.  John  is  holding  a  cross  and  is  standing  on  a  pedestal  in- 
scribed "S  R  C  D  P  C  V";  on  either  side  a  cardinal  and  a  monk.  A 
girl  is  seen  behind  the  latter. 

Canvas,  arched  top:  Height,  37  inches;  width,  23  inches. 


BERNARD   VAN   ORLEY 

1491—1542 

liSl— MADONNA  AND  CHILD 

Three-quarter-length  figure  of  the  Virgin  in  green  and  red  gold- 
embroidered  draperies  cut  to  V-shape  at  neck,  close-fitting  embroid- 
ered cap  and  transparent  white  veil,  holding  up  nude  Infant  close 
to  her  face;  gold  background. 

Carved  frame  with  angels'  heads. 

Panel:  Height,  38  inches;  width,  221/2  inches. 


ANDKEA  DEL  SAKTO  (Attributed  to) 

(ANDREA  D'AGNOLO) 
Italian:  1487-1531 

23S^3IADONNA  AND  CHILD 

Half-length  figure  of  the  Virgin  in  blue  and  red  draperies  and  white 
lieaddress,  seated,  and  holding  the  Infant  in  her  lap ;  St.  John  to  left, 
holding  cross ;  pillar  background. 

Canvas:  Height,  39  inches;  width,  30%  inches. 


FEKDIXAIS^D  BOL 

Dutch:  1611—1681 
(Pupil  of  Rembrandt) 

239~POIiTliAIT  OF  A  LADY 

Half-length  figure  of  a  young  lady  in  dark-colored,  gold-embroid- 
ered dress,  corsage  edged  with  white,  dark  hat  embroidered  with  gold; 
fair  hair,  pearl  earrings  and  necklace. 

Canvaft:  Height.,  32  itiches;  width,  25  inches. 

Purchased  from  Edward  Uranduti, 

This  portrait  was  presented  in  1787  by  the  Due  d'Orlcans  to  Alexandre 
Pieyre,  tutor  to  tlie  Due  de  Chartres  (afterwards  Louis  Pliilijipe),  and 
eanie  from  tlie  Palais  Royal  Collection.  It  was  afterward  the  j)roperty  of 
Madame  de  Genlis,  the  famous  authoress. 


BROXZIXO 

(CRISTOFANO  ALLORI) 
Italian:  1577 — 1621 


240— PORTRAIT  OF  LEONORA  DE  TOLEDO 

Half-length  figure,  in  full-front  view,  brown  dress  embroidered 
with  gold,  pearl  rope  around  shoulders,  pearl  necklace,  brown  hair 
with  flat  cap  adorned  with  pearls;  handkerchief  in  right  hand,  left 
hand  just  above  the  waist. 

Panel:  Height,  321/2  inches;  width,  26  inches. 
A  version  of  the  portrait  in  the  Royal  Gallery,  Berlin. 


CATHERINE  READ 

English:  Died    in    1778 

241— CHILD  AND  PARROT 

Nearly  whole-length  figure  of  a  young  girl  in  yellow-patterned 
dress,  long  brown  sash  and  pink  and  white  lace  bonnet,  walking  in 
a  landscape;  a  parrot  perched  on  the  back  of  her  left  hand. 

Canvas:  Height,  33  inches;  width,  27l/>  incites. 

Purchased  from  Messrs.  T.  WuUis  tjj-  iSun,  Luiuiun. 


STK  THOMAS    LAAYKEKCE,   P.T^.A.  (School    of) 

English 


242^MRS.  JULIANA  DINE 

HiU.F-LENGTii  figure  of  a  middle-aged  lady,  seated  in  front  view, 
white  dress  edged  with  white  lace,  yellowish  cloak  over  shoulders, 
ruby  and  pearl  brooch  at  center  of  corsage,  two-row  pearl  necklace, 
pearl  rope  earrings,  fair  hair,  white  turban;  landscape  background. 

Canvas:  Height,  36  inches;   width,  28  inches. 

Purchased  from  Messrs.  Arthur  Tooth  Sf  Son. 


PvEMBPtANDT  SCHOOL 

243— POBTRAIT  OF  A  LADY  WITH  A  FAN 

Half-length  figure,  in  green  di-ess,  brown  fur  cloak,  pearl  chain, 
necklace,  bracelets  and  earrings;  black  cap  with  brown  feather;  left 
hand  resting  on  right  and  holding  fan. 

Canvas:  Height,  36%  inches;  width,  29  inches. 

Purchased  from  Messrs.  T.  Wallis  i^-  Son,  London. 
Prohahly  by  Ferdinand  Bol  (1611-1681). 


GA]iPilEL  METSU 

Dutch:  1630—1667 


244~THE  TOAST 

An  interior  with  seven  figures,  tlu'ee  men,  tiu'ee  women  and  a  boy; 
the  hostess  standing,  with  hacli:  to  the  sjiectator,  in  white  satin  dress 
and  pink  jaclvet  edged  with  white  fur;  the  others  are  seated  at  a  table 
and  toasting  the  health  of  the  lady ;  a  page  boy  is  bringing  in  refresh- 
ments; guitar  on  sofa  to  left. 

Canvas:  Height,  37  Inches;  width,  'il'l/o  inches. 

Purchased  from  M.  C.  Sedelmeyer,  of  Paris. 


JOHN    RUSSELL,  R.A. 

English:   1745—1806 


1\5— PORTRAIT  OF  A  YOUNG  GENTLEMAN 

Three-quakteu  length,  standing;  in  brown  coat,  yellow  waistcoat, 
green  breeches,  white  stock,  long,  fair  hair  falling  over  shoulders;  left 
arm  i-esting  on  ledge,  hand  holding  gloves,  right  hand  on  hip,  green 
background. 

Canvas:  HcUjht,  JJ8  inches;  width,  311/2  inches. 

Purchased  from  Mc.ssr.s.  A(jnna  i.^-  Suns,  London. 


REMBRANDT  SCHOOL 


24Q— PORTRAIT  OF  A  RABBI 

Half-length  of  an  elderly  man,  seated  and  looking  at  spectator,  in 
robes  of  office,  with  belt  and  white  turban ;  hands  clasped. 

Canvas:  Height,  38  inches;  icidth,  32  inches. 

A  study  of  the  Duke  of  Devonshire's  picture,  described  by  Dr.  Bode,  No.  199, 
and  illustrated  in  the  "'Klassiker  der  Kunst"  volume  on  Rembrandt,  p. 
186. 


KAREL   Dl^   JARDIN 

Dutch:   1625—1678 

247~PORTRAIT  OF  A  GENTLEMAN 

Hai.f-length  figure  of  an  elderly  man,  seated,  in  dark-colored  dress 
and  gray  robes;  long  gray  curly  hair  or  wig. 

Canvas:  Height,  391/^  inches;   width,  24I/(.   inches. 


SIR  ANTON   VAN  DYCK  (Period  of) 

Flemish:   1599—1641 


248— PORTliAIT  OF  A  GENTLEMAN 

Three-quarter  length  of  a  middle-aged  man,  in  dark  gi-een  dress, 
white  gauffered  ruffle,  white  cuffs,  brown  hair,  mustache  and  closely 
trimmed  beard ;  yellow  gloves  in  right  hand ;  red  covered  table  to  right. 

Canvas:  Height,  39  inches;  imdth,  31   inches. 


CORN E LIS  DE   VOS 

Flemish:  circa  1585 — 1651 


'249^LADV  AND  CHILD 

Half-figure  of  a  middle-aged  lady,  seated,  in  dark  gold-embroidered 

dress  and  white  gauffered  ruff;  the  child,  standing  to  left,  in  yellow 

dress  with  pendent  cross,  is  holding  an  apple  in  her  left  hand  and  a 

toy  dagger  in  the  right. 

Panel:  Height,  IQl/o  inches;  width,  31  inches. 

Bought  from  Meniirs.  Dowdeswell  4-  DowdesweU,  by  the  late  T.  J.  Blakeslee. 


ITALIAN   SCHOOL 

250~PORTRAIT  OF  POPE  JULIUS  II 

Three-quakter  length  of  an  elderly  man,  seated  in  a  red  chair,  scar- 
let cape,  white  gown  and  white  edged  cap,  gray  beard  and  mustache; 
arms  resting  on  elbows  of  chair,  a  ring  on  index  finger  of  right,  and 
third  finger  of  left  hand. 

Canvas:  Height,  41 1^  indies;  width,  311/^  indies 

Apparently/  a  version  of  RaphaeVs  portrait  in  the  Uffizi,  Florence. 
Purchased  from  Messrs.  Dowde swell  ^'  Dowdesxeell. 


ANl^KKA    PirEVITALI 

Italian:   1480—1528 


L 


25 1  —THE  ANNUNCIA TIOX 


Small  whole-length  tigure  of  the  angel  Gabriel,  in  a  flowing  gown 
of  white  and  blue,  with  richly-brocaded  vest  and  white  sleeves;  long 
massed  golden  hair:  he  is  kneeling  on  his  left  knee,  his  right  hand 
holding  an  upright  lily-branch,  his  left  hand  against  breast. 

Canvas:  Height,  42yo  inches;  width,  271/0  inches. 

I'urchased  from  Professor  Lara  of  Ovcrzo,  I  tali/,  1902. 

From  the  collection  of  Clement  A.  Griseoin,  Esq.,  Philuileljihia. 


GIOVANNI  SANTI 

Italian:  circa  1435 — 1494! 
(Father  of  Raphael) 


252~HOLV  FAMILY 

Nearly  whole-len<Tth  of  the  INIadonna,  in  blue  and  red  draperies, 
kneeling  in  adoration  before  the  fair-haired  Child,  who  reelines  on  a 
dark  cushion;  to  left  the  infant  St.  John  holding  cross  with  scroll 
inscribed  "Ecce  Agnus  Uei";  to  left,  also,  shepherd  boy  with  sheep. 

Panel:  Height,  W^U  inches;  zddth,  251A  inches. 

Purchased  from  Messrs.  Dowdeswell  4*  Dowdeswell. 


EARLY   GKKMAX    SC  IIOOJ. 


253— A DOIiATIOX  OF  THE  MAGI 

Whole-length  figure  of  the  Virgin,  seated  in  a  building  with  high 
pillars;  the  Child  seated  on  her  lap.  His  right  hand  in  the  gold  casket 
of  coins  held  towards  Him  by  the  kneeling  Wise  ]Man;  the  second 
of  the  group  is  standing  and  is  also  holding  a  casket,  and  to  left  an 
Ethiopian  is  carrying  another. 

Panel:  Height,  41  inches;  zeidth,  27  inches. 


UNKNOWN    FLEMISH  AKTIST 

254— PONTRAIT  OF  A  LADY  AS  A  NUN 

Thkee-quarter  length  of  a  lady  in  nnn's  dress  liolding  in  left  hand  a 
Book  of  Hours,  right  hand  resting  on  red  covered  table. 

Cauviix:  Hi'u/lif.  4.^1/-j  ''"''/"'•''.'  width,  341^  inches. 
From  the  Bergamo   Museum. 


ANTONIO  PEREZ 

Spanish:  Died  circa  1580 

255~THE  CONSECRATION  OF  A  BISHOP 

The  youthful  Virgin  enthroned  to  right,  in  red  and  blue  draperies 
and  with  gold  crown,  holding,  with  the  assistance  of  an  angel,  a  broad 
scarlet  sash  over  the  head  of  an  ecclesiastic,  who  is  kneeling  in  jirayer ; 
cherubs'  heads  above. 

Panel:  Height,  45  inches;  width,  35^^  inches 

Signed  on  left. 


No.  256 
THE  TRIBUTE  MONEY 


BY 


GERBRAND  VAN  DEN 
EECKHOUT 


GEKBRAXD    VAN    DEN    EECKIIOUT 

Dutch:   16-21—167^ 

25Q~THE  TRIBUTE  MONEY 

Interior  with  six  figures  of  elderl}'  men  and  women;  Christ  in  the 
center,  in  blue  and  scarlet  robes,  his  right  hand  outstretched  towards 
the  hand  of  a  man  who  holds  a  coin.  A  fine  portrayal  of  this  religious 
subject. 

Canvas:  Height,  35  inches;  length,  47^/^  inches. 
From  the  Earl  of  Dudley's  Collection. 


LODEWTJK   VAN    DETJ   TTELST 

Dutch:   1645—1680 


251— PORTRAIT  OF  A  LADY 

Three-quarter  length  of  a  young  lady  standing  by  a  pillar ;  in  black 
dress,  white  plain  collar,  white  cuffs,  pearl  necklace,  large  earrings 
of  gold  and  precious  stones,  auburn  hair  with  pearl  and  white  ribbon 
ornaments;  left  hand  resting  on  collar;  green  and  gold  curtain. 

Canvas:  Height,  46  iiidws;  width,  35^^  inches. 


(iO\  AERT  ILINCK 

DiTTfn:  1616—1660 


258— A'/iVG  LEAR 

Three-quarter  length  figure  of  King  Lear,  in  pink  and  ermine  robes 

and  pink  skull  cap,  leaning  on  a  sofa  and  looking  up  to  right;  gray 

hair  and  long  beard. 

Canvas:  Height,  461/2  inches;  nidih,  35  inches. 

Purchased  from  Messrs.  Laurie  through  the  late  T.  J.  lilakeslee. 


JUAN  CARP»]]5nO  DE  MIRxVNDA 

Spanish:  1614—1685 


259— POETli  A  IT  OF  A  SPANISH  PR  INC  ESS 

Whole-length  portrait  of  a  young  cliild,  standing,  in  light  blue 
dress  embroidered  with  flowers  in  gold,  center  of  corsage  and  sleeves 
with  pearl  ornaments,  pearl  rope  over  shoulders;  brown  hair  dressed 
flat  over  forehead  and  ears;  pillar  to  left,  red  curtain  to  right. 

Canvas:  Height,  -il  inches;  iiidth,  331/2  inches. 

Purchased  from  the  late  Stanford  White. 


NK'OLAES  MAKS 

Dutch:   1632—1693 


2m— PORTRAIT  OF  A  LADY 

Three-quartek  length  of  an  elderly  lady,  seated:  dark  green  and 
white  dress,  white  sleeves,  gauffered  cap  and  headdress,  pink  rose 
held  up  in  right  hand;  watch  with  green  ribhon  chain  on  red-covered 
table  to  right.  A  strong  work  of  this  painter,  showing  the  influence 
of  his  master  Rembrandt. 

Canvas:  Height.  -IS  inches;  width,  39  inches. 

Purchased  from  Messrs.  Dowdeswell  Sf  Dowdeswell. 


SIR  GODFREY  KXELLER 

English:  1646—1723 

2Q1— PORTRAIT  OF  A  LADY 

Thuee-quartek  length  of  middle-aged  woman,  standing,  in  blue  low- 
neck  dress,  edged  with  white;  dark  hair,  right  arm  resting  on  balus- 
trade, left  holding  a  spraj^  of  flowers. 

Canvas:  Height,  45  inches;  width,  3614  inches. 


FKAXCIS  COTES,  K.A. 

English:   1726—1770 

2Q2~MAliCHIOXESS  OF  liOCKIXGHAM 

Mary,  ilauglitur  and  lifirc's.s  of  Tlionias  Bright  (formerly  Liddcll)  of 
Badswortli,  Co.  York;  born  in  August,  1736;  married,  February  26, 
1752,  Charles,  2nd  and  last  Marquess  of  Rockingham,  the  eminent 
statesman;  died  at  Hillingdon  House,  Uxbridgc,  December  19,  180-1. 
A  long  account  of  this  accomplished  lady  was  jjublished  in  The  Gen- 
tleman's Magazine  of  February,  1805. 

Three-quai!tku-i,kn(;tii  fioure,  seated,  in  green  low-neck  dress  edged 
witli  brown  I'm-  and  white  shawl,  a  red  rose  at  center  of  corsage;  dark 
hair,  of  which  a  plait  falls  over  her  left  shoulder;  right  arm  resting 
on  a  table  on  which  are  pearls  and  jewels,  pillar  and  curtain  back- 
ground. 

Canvas:  Height,  l'4'i/2  inches;  width,  39l/i:  inches. 

Purchased  from  S.  T.  Smith,  London,  son  of  the  author  of  Smith's  "Catalogue 
Raisonne,"  as  a  icorL'  bij  Sir  Joshua  Retinoids. 


]?AinoT.o>r:srEO  sctitdoxe 

Italian-:   1560—1616 

2QS-~MAVONNA  AND  CHILD 

The  Madonna  seated  in  red  draperies  and  wliite  loose  headdress; 

holding  up  with  riglit  hand  a  white  rohe  on  wliich  tlie  Infant  rests; 

to  rio-ht  St.  Elizabeth  and  St.  John,  towards  whom  the  infant  Christ 

is  leaning. 

Canvas:  Height,  4.51/o  inches;  unclth,  371/2  inches. 

Purchased  from  the  late  T.  ./.  Hlakeslee. 


ERCOEE    1)1    liOHEKTO   (iHAXDI 

Italian  :  Died  in  1495 

264— THE  MARRIAGE  OF  ST.  CATHERINE 

The  Virgin  seated,  in  i-ed  ilress,  blue  gold-enihroidered  cloak  and 
white  transparent  headdress,  holding  the  Infant,  who  is  in  the  act 
of  placing  the  ring  on  the  finger  of  St.  Catherine;  she  is  kneeling  to 
right  and  is  dressed  in  blue  and  red ;  behind  her  a  female  saint  is  stand- 
ing and  writing  in  an  open  book,  and  overhead  a  cherub;  to  right  St. 
Sebastian  with  loin  clotli  and  arrows  in  chest  and  leg;  St.  John  with 
ci-oss  and  scroll  inscribed  "Ecce  Agnus  Dei,"  and  near  him  St.  Joseph; 
landscape  and  chiu'ch  tower  in  the  distance. 

Panel:  Height,  43  inches;  width,  381/^  inches. 

Purchased  from  Messrs.  Dozcdeswcll  <^-  Dowdeswell. 


GH)\  AXXI    FRANCESCO    liAinUKHI 

(Callkd  "GUERCINO") 
Italian:   1591— 166G 

265— THE  DOUBTING  ST.  THOMAS 

Interior  with  five  figures;  in  the  center  half-length  life-size  figure  of 
Christ,  who  has  drawn  back  His  white  robes  and  is  exposing  the 
wound  in  His  side;  three  elderly  disciples  in  the  background. 

Canvas:  Height,  -il^^  inches;  width,  49^^  inches. 

Purchased  from  M.  C.  Sedelmeyer,  Paris. 


TAD DEO  GADDI SCHOOL 

Italian 


266— Tiro    SAINTS 

Two  female  saints  in  red,  gold-embroidered  robes,  one  holding  pen 
and  book  and  the  other  a  small  box;  gold  background. 

Panel  zt'ith  double  archeJ  top:  Height,  55y^  'niches;  uidth,  2714  inches. 

Purchased  from  the  late  Mr.  Martin  Colnaghi,  London, 


DUTCH   SCHOOJ^ 

2Q7— ADORATION  OF  THE  MAGI 

Intekior  with  numerous  figures.  To  left  the  Virgin  in  red  dress 
trinmied  with  white,  and  flowing  blue  cloak,  is  holding  the  Infant 
towards  the  kneeling  figure  of  the  venerable-looking  leader  of  the 
Wise  Men;  behind  him  a  fair-haired  youth  and  three  men,  one  in  red 
cloak  and  white  turban,  the  two  others  in  armor ;  the  elderly  St.  Joseph 
is  seen  behind  the  Virgin. 

Canvas:  Height,  46  inches;  length,  50^2  inches. 

Purchased  from  Messrs.  Dowdeswell  ^  Dowdeswell. 

Esteemed  by  tlie  owner  as  one  of  the  finest  pictures  in  his  collection. 


PAOLO   VEKONESE  (Attributed  to) 


Italian 


208—^  LADY  HOLDING  A  MINIATURE 

Half-figure  of  a  lady  seated,  in  red  low-neck  dress,  edged  with  white 
lace;  a  jewel  case  on  her  lap,  and  holding  in  her  extended  hand  a 
locket  with  a  miniature  which  seems  to  awaken  tender  recollections. 


Canvas:  Height,  SQl/o  inches;  width,  40^  inches. 


(JEORGE  TIENRV  IIAREOAV 

English:   1787—1819 


2Q9—3IRS.  DUDLEY  RYDER   {nee  Nasmith) 

Three-quartek  length,  age  about  twenty-five,  standing,  looking  to 
left,  low-neck  white  dress  with  rosebuds,  pink  and  white  shawl,  pearl 
bracelet  and  earrings.  A  male  portrait — a  coiniJiiiiioii  |)i(tui-e — hangs 
in  tlic  Tiiilf  Museum  in  France. 

Canvas:  Heir/hf.  ryl  inclu's;  :dilt]i,  H-  inrlirx. 

From  till'  collfftioii  (if  lur  (/iiiiul-iiiccc.  Mis.s  Fdiujiiliaraon. 
I'liiclid.ifd  j'ruiii  the  lute  S.  /'.  Avtrij. 


siPt  MAiniN  Ai{(  iii:h  siike,  p.h.a. 

English:  1764—1850 


270— POKTEAIT  OF  MRS.  DILLINGHAM 

Three-quarter  leni>th,  standing  by  a  pillar  and  red  curtain,  black 
low-neck  dress,  witb  short  sleeves;  dark  hair  in  ringlets,  bound  with 
pearl  band,  brilliant  and  ruby  brooch  at  corsage,  brilliant  bracelet 
on  left  arm,  white  gloves;  landscape  to  left. 

Canvas:  Height,  55l^  inches;  width,  41  inches. 


SIR  PETER  PAUL   RUBERS 

Flemish:   1577—1640 


21\— VIRGIN  AND  CHILD 

The  Virgin,  in  red  dress  and  flowing  white  headdress,  seated  to  left 
holding  the  Infant  on  her  lap;  elderly  St.  Elizabeth  in  black  dress  and 
white  turban,  leading  St.  John  seated  on  a  lamb;  pillars  in  back- 
ground, sky  to  left. 

Canvas:  Height,  SCy^  inches;  width,  431/^  inches. 


Purchased  from  Messrs.  Dnrand-Iiuel. 


IL  TIN TOHF/nO 

(JACOI'O  ROBUSTI) 

Italian:  circa  1519—1594. 


272~TIIE  MARRIAGE  OF  ST.  CATHERINE 

Whole-length  figure  of  the  Virgin,  in  blue  and  red  draperies  and 
light  transparent  headdress;  she  is  holding  the  nearly  nude  Infant 
with  her  left  hand;  His  open  right  hand,  with  the  ring,  is  extended 
towards  the  young  St.  Catherine. 

Panel:  Height,  57  inches;  ■width,  45l^  inches. 
Purchased  from  Messrs.  Durand-Ruel. 


ANTONIO  PEJiEDA 

Spanish:   1599—1699 

21'6~THE  BREAKING  OF  BREAD 

Interior  with  tliree  figures  seated  at  a  white  carved  table.  Christ 
in  scarlet  cloak,  attended  by  two  Disciples,  is  holding  a  loaf  of  bread 
and  invoking  a  blessing. 

Canvas:  Height,  44I/2  inches;  length,  68I/2  inches. 
Purchased  from  Messrs.  Durand-Ruel. 


No.  274 

THE  MARRIAGE  OF  SAINT 
CATHERINE 

SCHOOL  OF  SIR  ANTON 
VAN  DYCK 


SCHOOL   OF  SIl?   ANTON    VAN   DYCK 

Flemish 

214— THE  MARRIAGE  OF  ST.  CATHERINE 

Whole-length  of  the  Virgin,  seated,  to  left,  in  brown  and  blue 
draperies ;  the  Infant  in  white,  seated  on  her  lap,  placing  the  ring  on 
the  finger  of  St.  Catherine,  who  is  in  red  and  brown  draperies  with 
long  auburn  hair,  and  is  kneeling  to  right ;  to  left  pillar,  curtain  over- 
head. 

Canvas:  Height,  571/2  inches;  length,  60  inches. 

Purchased  in  London  as  a  Van  Dyck  hy  the  late  T.  J.  Blakeslee. 


No.  275 
THE  DEAD  CHBIST 

BY 

TITIAN 


TITIAN 

(TIZIANO  vp:celli) 

Circa   1484.— 1576 

275~THE  DEAD  CHRIST 

Group  of  eight  life-size  figures.  The  dead  Christ  at  full  length  with 
white  drapery  extended  across  the  whole  length  of  the  picture,  the 
crown  of  thorns  on  floor  to  left;  the  background  occupied  by  seven 
male  and  female  saints  weeping,  one  to  right  holding  the  nails  drawn 
from  the  body  of  the  Chi-ist.  The  agony  of  grief  displayed  upon  the 
faces  of  the  attendant  figures  dis])lays  the  master  liaiid  and  wonder- 
ful conception  of  the  artist. 

Canvas:  Height,  551/.  incites;  length,  781/)  inches. 
Purchased  from  M.  ScJelmeijer,  Paris. 


ALLAN    KAMSAY 

English:  1713 — 1784 

276— GEORGE  THE  THIRD 

King  of  Great  Britain  and  Ireland;  bom  in  1738;  succeeded  to  the 
Throne  in  1760;  died  in  1820. 

Whole-len'gth.  life-size,  standing,  looking  to  left,  in  state  robes  with 
ermine  cloak,  gold  coat  and  breeches,  white  stockings  and  shoes  with 
gold  buckles:  pillar  and  pink  curtain  background. 

CaiKOi:  Height,  82  inchgi;  iridth.  -52  inches. 

Of  the  same  provenance  as  the  companion  portrait  of  Queen  Charlotte, 
No.  277. 


ALLAX    PiAMSAV 

EIxglish:  17ia— 1784 

'277  —QCEEX  CHARLOTTE 

Wife  of  Gieorge  the  Third,  bom  in  1744,  married  1761,  died  1818. 

Whole-lzxgth.  life  size,  standing  by  a  pillar,  in  state  robes  with 
ermine  cloak,  left  hand  on  crown  which  rests  on  green  cushion  to  right. 

In  the  original  carved  frame. 

Can-as:  Height.  82  inches:  tcidth,  52  inches. 

Presented  to  General  Lord  HUL  a  distinguished  officer  in  the  Peninsular  cam- 
paign, for  bravery. 

.Allan  Ramsay,  who  was  Portrait  Painter  to  George  III.  painted  a  large 
number  of  state  portraits  of  the  King  and  Queen. 


ALLAN  liA.MSAY 

English:  1713—1784. 

27Q— GEORGE  THE  THIRD 

King  of  Great  Hritaiii  and  Ireland;  horn  in  1738;  succeeded  to  the 
Throne  in  1760;  died  in  1820. 

Whole-length,  life-size,  standing,  looking  to  left,  in  state  robes  with 
ermine  cloak,  gold  coat  and  breeches,  white  stockings  and  shoes  with 
gold  buckles;  pillar  and  pink  cin-tain  background. 

Canvas:  Height,  82  inches;  width,  .52  inches. 

Of  the  same  provenance  as   tlie  companion   portrait   of   ^ueen  Cliarlotte, 
No.  277. 


ALLAN   KAMSAY 

English:  1713 — 1784 

277 —QUEEN  CHARLOTTE 

Wife  of  George  the  Tliird,  born  in  1744,  marrieil  1701,  died  1818. 


Whole-length,  life  size,  standing  by  a  pillar,  in  state  robes  with 
ermine  cloak,  left  hand  on 

In  the  original  carved  frame. 


ermine  cloak,  left  hand  on  crown  which  rests  on  green  cushion  to  right. 


Canvas:  Height,  82  inches;  width,  52  inches. 

Presented  to  Gencnd  Lord  Hill,  a  distinguished  officer  in  the  Peninsular  cam- 
paign, for  hraverij. 

Allan  Ramsay,  wiio  was  Portrait  Painter  to  George  III,  painted  a  large 
number  of  state  portraits  of  the  King  and  Queen. 


DANIEL  MYTENS 

Dutch:  —1656  (?) 
27  S— THE  MARQUESS  OF  HUNT  LET 

Gcoi'go   Gordon,   second   j\I<ir(jucss   of  Huntley,   a   firm    adliLrtnt    of 
Charles  I,  during  the  Rebellion,  and  beheaded  in  lO-ti). 

Whole-length,  life  size,  standing;  in  steel  breastplate,  yellow  coat 
with  open  sleeves  and  embroidered  with  silver,  white  lace  collar  and 
cuffs,  red  breeches  embroidered  with  silver,  yellow  leather  high  boots 
with  spurs;  left  hand  holding  hilt  of  sword,  baton  in  right;  helmet  on 
table  to  left;  long  black  hair;  pillar  and  green  curtain  background. 

Canvas:  Height,  85  inches;  width,  50  inches. 
Purchased  from  the  late  T.  J.  Blakeslee. 


FOURTH  AND  LAST  EVENING'S 

SALE 

THURSDAY,  FEBRUARY  24,  1916 

IN  THE  GRAND  BALLROOM  OF 

The  Plaza 

FIFTH  AVENUE,  58th  TO  59th  STREET 
BEGINNING  PROMPTLY  AT  8  O'CLOCK 


JOHN   COXSTAHLE,  ll.A. 

English:   1776 — 1837 

279— STUDY 

Open-air  study  on  llampstcad  Heath,  with  trees  and  stormy  cloud 
effects,  and  a  red-coated  man  in  a  boat. 

Canvas:  Height.  20l^>  inches;  length,  2i  inches. 

The  study  described  above  hung  for  many  years  in  the  studio  of  Jules 
Dupre. 


JAN   MIENHE  MOLENAEK 

Died  in  1668 

2m- MAN  DRINKING 

Bust  of  smiHng  man  in  brown  coat  and  large  hat,  holding  up  a  large 
earthenware  jug. 

Panel:  Height,  26^2  inches;  width,  191/^  inches. 

Signed  to  right. 

Purchased  from  Messrs.  Dowdeswcll  (§•  Dowde swell. 


JAN   VAN   GO  YEN 

Dutch:  1596—1666 


2S1~3IARINE 

View  of  seacoast  and  river,  a  double  tower  with  spires  and  other 
buildings  jjartly  in  ruins  to  right,  boats  and  figures  at  foot;  flat  land- 
scape in  the  distance. 

Paiul:  Height,  15^2  inches;  length,  20^/0  inches. 

Signed  with  initials  on  the  barrel  in  center  of  the  river. 


No.  282 
MADOXXA   .t\I>  CHILD 


BY 


GIROI.AMO  DA  SANTA  CROCE 


GIROLAMO    DA  SANTA  CROCE 

Italian:  circa  1519 — 1549 

2H2— MADONNA  AND  CHILD 

Small  half-figure  of  the  Virgin  enthroned,  in  blue,  red  and  white 
draperies,  nursing  the  Infant,  who  rests  on  a  white  cushion;  to  left 
elderly  bearded  saint  carrying  a  miniature  tower,  to  right  a  monk. 

Panel:  Height,  ITl/o   incites;  length,  2-tl/^  inches. 

Purchased  from  the  late  Mr.  Martin  Colnughi,  who  obtained  it  from  a  palace 
in  Rome. 


EAKLY   ITALIAN   SCHOOL 


283— TH^  MARBIAGE  OF  ST.  CATHERINE 

Small  whole-lengtli  figure  of  the  Virgin,  in  red,  blue  and  green 
draperies,  seated  in  the  open,  liokling  the  Infant  forward  towards 
St.  Catherine,  who  is  in  yellow  and  pink  draperies,  kneeling  and 
holding  a  palm  branch  in  left  hand;  overhead  two  youthful  angels 
holding  wreaths. 

Panel,  arched  top:  Height,  16l^  inches;  width,  11  inches. 


ADPtTAA:N  VAN  DER  A\  ERFF 

Dutch:  1659—1703 


2^4— THE  INCREDULITY  OF  ST.  THOMAS 

Interior  with  numerous  liighly  finished  figures  smaller  than  life; 
Christ  standing  to  right,  in  white  loin  drapery  and  red  loose  cloak; 
St.  Thomas  seated  to  left,  in  hrown  and  hlue  rohes,  holding  a  volume 
in  left  hand,  index  finger  of  right  on  the  woimd  in  the  Saviour's  side. 

Height,   21    iiiclu-s;    cddtli,    18    iiulic.i. 

Exhibited  at   the  British   Institution,   1818,  Xo.  IT,  /;//  //.   P.   Hope,   and  at 
Soutli  Kt-nsinc/fon  Mnscnni,  1891,  rcith  the  Hope  Collection. 

Catalogue  of  the  Ilojic  of   Drrpdcne  Collection,   1S!)8,  \o.   51,  7C'ith   illustra- 
tion. 

Bought  from  Mr.  A.   Werlheinier  of  London,  -tclio  jiurchased  the  Hope  Collec- 
tion en  bloc. 


IL  SASSOP^EERATO 

(GIOVANNI  BATTISTA  SALVI) 
Italian:   1605—1685 

2S5— MADONNA  PRAYING 

Bust  of  the  \"ir<>,iti  in  wliite  and  red  dress,  l)lne  eloak,  white  liead- 
dress,  fair  hair;  liaiids  joined  as  in  praj'er. 

Cinivds:  Height,   181  o   inches;   width,   15  inches. 


GIROLAMO  DA  TREVISO 

(GIROLAMO  DI  PIER-MARIA  PENNACCHI) 

Italian:   1497 — 1544 

2m~HOLV  FAMILY 

Sm.u.l  half -figure  of  the  Virgin  in  red  and  green  robes,  white  head- 
dress, standing  near  a  balcony,  on  which  the  Infant  is  seated  on  white 
drapery  and  holding  an  open  book;  St.  Joseph,  in  yellow  cloak  and 
with  staff,  is  behind  the  Virgin;  overhead  a  pink  curtain;  a  border 
of  green  leaves  bound  with  pink  ribbon  surrounds  the  group. 

Canvas:  Height,   24   inches;   width,    18l/o   inches. 

From  the  collections  of  the  Duke  of  Roxburglw  and  Henri/  Doetsch,  sold  at 
Christie's,  June,  1895,  No.  70. 


(  KSAKi:   DA  sKsro 

Italian:  circa  1480 — 1521 


'2S7—MADO.\XA  AND  CHILD 

Half-figure  of  the  Madonna  in  red  and  blue  draperies  and  with 
auburn  hair,  the  Infant  resting  His  arms  on  His  INIother's  neck; 
St.  Joseph  to  right,  in  red  dress  and  looking  over  his  shoulder  at 
spectator;  green  curtain  background.  This  picture  is  noted  as  the 
only  ]Madonna  whose  face  bears  a  resemblance  to  the  features  of 
Christ  as  portrayed  in  all  schools  of  art. 

Panel:  Height,  251/^   inclws;   width,  20   inches. 

From  the  collection  of  the  Marchexc  Marsiylia  of  Bologna. 


ANDREA  SAJ.AI 

Italian:  Boun   circa  1480 


288— MADONNA  AND  CHILD 

Half-figure  of  the  JNLidonna  in  red  and  blue  draperies,  seated  and 
nursing  the  Infant,  whom  she  liokls  with  both  hands. 

Panel:  Height,  25 Vo  inches;  width,  ^O',-  inches. 

From  the  collection  of  the  Uev.    W.  IL    Wtii/ne.  of   Will//   Hectorif,   liroseley, 
Salop. 

Exhibited  at  liuriuujton  House,  London,  in   18«2,  .\o.  'MO:  and  at   the  Nem 
Gallery  in  189J^,  \o.  200  {as  by  Andrea  Solario). 


TAULUS  MOPiEELSE 

Dutch:   1571—1638 


.^H 

.     .^jM^ 

"^'^^^K 

\ 

■■li^i^il 

^^fS^^^K 

.^••*1*** 

■«r 

ir 

'2H9~-nAliTIIOLOMEUS  VAN  SEGWAEBT, 

SHERIFF  OF  DOliDRECIIT,  1607 

Hai,f-fi(;ui!K  of  middle-aged  man  in  hlack  and  gray  dress,  and  elab- 
orate white  laee  eollar;  brown  liair,  mustache  and  chin-tuft. 

Paiul:  Hck/lit,  201^  iuchc:^:  rcifJth,  201/.  inches. 

Purcliancd  from  Mcftxru.   Diirinul-li iicl. 

Tile  (l:ifc   l(i2;5,  at    the   tiip  of   tlic   ])()i-h-ait,   is   |)rob:il)ly   tlic  yiur  of  van 
Seffwacrt's  dcatli. 


BARTHOLOMEl  S  TAN    DEli  HELST 

Dutch:   1611—1670 

290~PORTRAIT  OF  A  GENTLEMAN 

Head  and  shoulders  in  an  oval  of  an  elderly  man,  in  black  dress, 
plain  white  collar  with  tassels ;  long  black  curly  hair,  slight  mustache 
and  chin-tuft. 

Canvas:  Height,  27 Yj  i'lclics;   width,  211/2  inches. 
Signed  to  right. 


CORNELI8  JANSSENS   VAN  KEULEN 

Dutch:  circa  1590 — 1662 

291— PORTRAIT  OF  A  GENTLEMAN 

Half-figure  of  middle-aged  man  in  an  oval;  black  dress,  white 
circular  collar,  fair  hair  and  mustache. 

Panel:  Height,  281/0  inches;  width,  231/^  inches. 

Signed  with  initials  and  dated  1625  in  lower  right-hand  corner. 


sill  THOMAS   LA  WHENCE,  IMI.A. 

English:  1769—1830 


292— THE  SISTERS 

Half-figures  of  two  golden-haired  girls,  in  gray  and  white  dresses, 
in  a  landscaj^e,  holding  a  dove. 

Canvas:  Height,  281/)  inches;  width,  23^  inches. 
Purchased  from  Messrs.  T.  U'allis  ^-  Son,  London. 


i  I lOM A8   BAIJKEK 

(Known    as  BARKER  OF  RATI!) 
English:   1769— 1847 

293^TUE  OLD  MEliCIIANT 

Head  and  slKHilders  of  an  old  man  with  lonn'  ^ray  hair  and  l)eard, 
looking  at  the  spectator;  dark-colored  dress,  holding  with  left  hand 
the  leaf  of  an  ojjen  volume,  apparently  a  ledger. 

Canvas:  Height,  29  inches:  xcldih,  2\  inches. 

Purchased  in  London  through   the  late  T.  J.  Blakeslee. 

This  is  a  fine  exanii)Ic'  of  the  skill  with  whicli  Barker  of  Bath  so  cleverly 
imitated  Rembrandt  that  some  of  his  pictures  have  passed  as  genuine  works 
of  the  great  Dutch  master. 


SIK    PETEK    LELV 

English:   1617— 1G80 

294~TIIE  DUCHESS  OF  LEICESTER 

Half-figuke  of  young  lady,  in  an  oval,  directed  to  right  and  looking 
at  spectator ;  hrown  and  white  low-neck  dress  with  short  sleeves,  gar- 
nished with  pearls  and  precious  stones,  pearl  necklace;  fair  curly  hair 
falling  over  shoulders  and  hound  with  pearls. 

Canvas:  Height,  US)  inches;  zcidth,  2-i  inches. 

Purchased  from  Messrs.  Arthur  Tooth  i^-  Son. 


JAN  VAN   RAVESTEYN 

1572—1657 


295— POKTK  A  IT  OF  A  LADY 

Hai.f-length  of  a  young  lady  of  quality,  in  dark-colored  dress  em- 
broidered with  gold,  large  white  gauffered  collar,  four-row  pearl  neck- 
lace, white  lace  cap,  pearl  earrings;  left  hand  gloved  and  holding 
glove  of  right. 

Canvas:  Height,  291/0  inches;  undth,  241/0  inches. 
Purchased  from  M.  C.  Sedelmeyer,  Paris. 


JAMES   WAIJI),    H.A. 

Enci.ish:   1769—1859 


29Q~POIiTliAIT  OF  A  GEXTLEMAN 

H.vLF-FiGURK  of  Rii  elderly,  fresh-eolored  man  in  jj'reen  coat  with 
white  shirt  and  front,  scant  gray  hair  and  side  whiskers. 


Canvas:  Height,  29y^   incites;   width,  'i-J-l/ij  inches. 


Purchased  in  London. 


SIR  THOMAS  lawim:xci:,  imj.a.  (V) 

English:   1760—1830 


297— FORTH  AIT  OF  A  LADY 

A  FINE  and  most  attractive  picture.  Half-figure  of  young  woman 
seated,  looking  at  spectator,  in  deep  red  dress  cut  to  V-shape,  white 
collar,  dark  curiy  liair  falling  over  ears,  large  red  hat  lined  with  white 
and  black  feather. 

Canvas:  Height,  291  ^  inches:  width,  25  inches. 


CORNELIS  JANSSENS  VAN  KEULEN 

Dutch:  circa  1590 — 1662 


2m—POHTliAIT  OF  A  GENTLEMAN 

Half-length  of  middle-aged  man,  in  gold  studded  armor,  yellow 
sash,  white  lace  collar;  long  dark  hair,  slight  mustache  and  chin-tuft. 

Canvas:  Height,  291/2  inches;  width,  2-il/^>  inches. 

Purchased  from  M.  C.  Sedclmeyer,  Paris. 


SIK  JOHN   WATSON   GORDON,  R.A. 

English:   1790—1864. 

299— PORTRAIT  OF  A  LADY 

Hai.f-figure,  seated,  of  a  lady  about  thirty  years  of  age,  in  red, 
low-neck  dress  trimmed  with  white,  jeweled  pendant  at  center  of 
corsage,  blue  cloak  across  shoulders,  end  held  by  left  hand;  straw 
hat  with  pink  feather,  dark  hair. 

Canvas:  Height,  291/4  inches;  width,  25  inches. 

Purchased  by  Mr.   Lambert  in  Edinburgh. 


JAN    VEH8PH()X(  K 

Dutch:   1597—1662 


300~POKTIiAIT  OF  MYNHEER  TEN  EYCK 

Half-figure  of  an  elderly  man  with  rubicund  face,  seated;  in  black 
dress  and  large  black  hat,  white  muslin  collar,  brown  mustache  and 
chin-tuft. 

Canvas:  Height,  291/0  inches;  width,  251/0  inches. 

From  the  T.  Humphrij  Waiil  Collection. 
Purchased  from  Messrs.  Dowdeswell  8f  Dowdeswell. 


SIK  JOSTTl  A    RKYXOLDS,  P.K.A. 

English:   1732—1792 


301— PORTRAIT  OF  31 RS.  BENNETT 

HAI.F-FIGURE  of  elderly  lady,  white  dress,  red  and  gold  corsage 
trinmied  with  blue  ribbon,  white  crossover,  blue  ribbon  bow  at  neck, 
white  lace  cap,  gray  hair. 

Canvas:  Height,  30  inches;  width,  25  inches. 

Purchased  from  Mr.  Thomas  McLean,  London. 

Painted  about  1760,  and  jirobahly  the  picture  sold  with  that  of  Mr.  Ben- 
nett at  Greenwood's  auction  rooms  in  London,  April  14,  1796,  No.  24.  As 
in  many  of  Sir  Joshua's  pictures  the  colors  have  somewhat  faded. 


Slli  W1LLIA]M  BEECIIEY,   P..A. 

English:   1753 — 1839 

302~FOliTRAIT  OF  MRS.  N  OS  WORTHY 

Half-figure  of  a  young  lady  seated  at  a  balcony,  in  white  low-neck 
dress,  with  short  sleeves;  lace  collar,  fair  curly  hair  falling  over  fore- 
head, gold  earrings;  left  elbow  resting  on  red-covered  table,  yellow 
gloves,  fan  in  left  hand ;  trees  in  distance  to  right. 

Canvas:  Height.  30  iiiclws;   width,  25  inches. 
Purchased  from  Messrs.   Arthur  Tooth   c^-  Sons. 


FHAXC  IS   C  DIES,    IJ.A. 

English:   1720—1770 

303—77/7;  COUNTESS  OF  MEXBOROUGH 

Sarali  Delaval,  married  first  in  1760  Lord  Pollingtoii,  afhrwards 
Earl  of  Mexborougli ;  and  secondly,  in  1780,  the  Kev.  S.  Hardcastle ; 
died  in  1821. 

Hai.f-figure  of  middle-aged  lad}',  in  red  low-neck  dress  garnished 
with  pearl  ornaments,  short  sleeves  trimmed  with  white,  dark  hair, 
of  which  a  plait  falls  over  right  shoulder;  red  curtain  to  right. 

Canvas:  Height.  30  incites;  rcidth.  25  inches. 
Purchased  from  the  late  T.  J .  lilakeslee. 


JOHN   IlOPPXEPv,  R.A. 

English:  1758—1810 


304— POUT  HA  IT  OF  A  LADY 

Hai,i<'-figure  of  a  inlddle-aged  lady,  .standing;  in  white  low-neck 
di-ess,  white  lace  head-dress,  the  ends  of  which  fall  over  shoulders; 
yellow  waistband,  white  shawl  with  black  pattern  and  edged  with  red. 

Canvas:  Height,  30  inches;  width,  25  inches. 

Purchased  from  M.  C.  Sedelmeyer,  Paris. 


WILLIAM  OWEN,  R.A. 

English:  1769—1825 


S05~PORTRAIT  OF  A  GENTLEMAN 

Half-figure  of  a  stout  elderly  man,  painted  in  the  manner  of  Rae- 
burn,  with  rubicund  face  and  brown  hair,  seated  in  a  red  chair;  in 
blue  coat  with  large  collar,  yellow  waistcoat  and  white  stock. 

Canvas:  Height,  30  inches;  width,  25  inches. 

Purchased  ■from  the  late  T.  J .  Blakeslee. 


No.  ;iofi 

I.ISDSCAPE 

BY 

THOMAS  GAINSBOROUGH,  R.A. 


THOMAS  GAIXSBOROl  GH,  R.A. 

English:   1727—1788 

306  —LA  NDSCA  PE 

On  the  right  a  river  with  numerous  boats  and  figures,  on  the  left 
trees  and  field  of  grain;  a  windmill  in  the  distance  near  the  center 
of  the  picture. 

Canvas:  Height,  211/2  inches;  length,  33  inches. 

Purchased  from  Messrs.  Arthur  Tooth  4-  Sons. 


AERT   VAN   DER   NEER 

Dutch:   1604—1677 

307— RirER  SCENE 

Moonlight  scene  on  a  broad  river,  with  boats,  figures  and  ducks 
swimming ;  houses,  trees  and  figures,  with  buildings,  a  church  spire  and 
a  windmill,  are  seen  on  either  side. 

Canvas:  Height,  201/2  inches;  length,  321^^  inches. 

Signed  xiith  initials  in  loxcer  rightlian/l  corner. 


BERNARD  VAN    ORLEY 

14.91—1.54.2 

SOS— r I RGIN  AND  CHILD 

Half-length  of  the  Virgin  seated  in  a  carved  niche,  in  blue  and  white 
draperies,  white  transparent  headdress;  the  nude  Infant,  seated  on 
her  lap  on  white  draper}',  is  taking  a  fig  from  his  Mother;  conven- 
tional landscape  to  right  and  left. 

Panel:  Height,  29  inches;  width,  25  inches. 

Purchased  from  Messrs.  Durand-Kuel. 


JAKOIJ   VAN   BUY8DAEL 

Dutch:  circa  1630—1682 

309— LANDSCAPE 

Landscape  with  evening  effects ;  an  old  cottage  and  trees  on  the  brow 
of  a  liill ;  a  rustic  wood  bridge  over  a  stream,  througli  which  a  man  is 
driving  a  flock  of  sheep. 

Panel:  Height,  2414  inches;  length,  33  inches. 

Signed  in  lozcer  left-hand  coiner. 
Purchased  from  Messrs.  Durand-Ruel. 


No.  ^10 
ON  THE  HIVER 


BY 


JAN   \  AN   GOYEN 


JAN    VAN   GOYEN 

Dutch:   1596—1666 

310— OiV  THE  RIVER 

A  BROAD  river  with  numerous  boats,  some  fully  rigged  and  flying 
pennants,  figures  rowing  and  fishing  on  the  left;  ancient  building 
and  landing  stage,  from  \\\w\\  a  man  is  fishing  with  a  line,  to  rifflit. 

Height,    27    inches;    length,    38    inches. 
Signed  with  initials  on  stern  of  boat  to  left. 
From  the  San  Donato  Collection  of  Prince  Demidoff. 
Purchased  from  Messrs.  Dnrand-Iiuel. 


No.  311 
GROUP  OF   WORSHIPPERS 
EARLY  GERMAN  SCHOOL 


EAKI.V   GEIIMAN    SCHOOL 

3U— GROUP  OF  WORSHIPPERS 

A  GROUP  of  four  figures.  Three  female  saints,  one  (perhaps  St.  Bar- 
bara) in  blue  and  red  draperies  holding  a  cross  in  her  right  hand,  and 
a  miniature  carved  tower  in  her  left,  in  conversation  with  a  companion 
in  bluish  white  dress  and  red  headdress;  the  third  saint,  in  red  and 
blue,  holds  an  open  book;  to  left  a  Pope  holding  a  crozier,  and  point- 
ing with  finger  to  right ;  gold  background. 

Panel:  Height,  26l/o  hiches;  length,  30  inches. 

Purchased  from  the  hitr  If.  O.  Watson. 


JAN  BRUEGHEL 

Flemish:   1568—1625 

312— THE  RAISING  OF  LAZARUS 

A.  CROWDED  and  animated  scene  in  the  open  with  numerous  men  and 
women  in  brilliant  costumes,  Christ  in  scarlet  robes  appearing  from 
the  right  and  pointing  towards  Lazarus,  who  is  in  loin  cloth  and  white 
head  bandage ;  evening  effects. 

Panel:  Height,  24  inches;  length,  39  inches. 


TL  PAIIMIGIANO 

(FRANCESCO  MAZZUOLA) 
Italian:  1504—1540 

313— //OLF  FAMILY 

The  Virgin  seated  in  red  and  blue  robes,  holding  the  Infant,  who  is 
stretching  forth  His  right  hand  towards  an  inscribed  scroll  held  by  the 
child  St.  John;  elderly  St.  Joseph  to  right. 

Pan^l:  Height,  35  inches;  width,  26  inches. 


AL\  isi:  \  n  AiUM 

Italian:  circa  14-i6 — 1502 

3i  4— 31 A  BONN  A  AND  CHILD 

Small  wliole-length  figure  of  the  Madonna  enthroned,  in  red  dress 
and  blue  gold-enibroidered  cloak  and  headdress,  lily  branch  in  right 
hand ;  the  Infant  in  yellow  dress  and  blue  sash,  on  her  lap ;  two  male 
saints  holding  cross  and  staff,  to  left;  a  male  and  female  saint,  the 
former  holding  sword  and  book,  to  right;  gold  background. 

Panel,  circular  top:  Hcighi,  yjj  inches;  width,  18  inches. 
From  the  Borghcsc  I'alacc,  Home. 


No.  315 
.ST.  FUAXCLS  OF  ASS  LSI 


liV 


EL  GRECO 


EL  GlIECO 

( DOMKNICO  THEOTOCOPULI) 

Si'Axi.sii :   circa   15-18 — IGl-i 

315— *VT.  FEAXCIS  OF  AS  SIS  I 

St.  Francis  of  Assisi  in  the  costume  of  his  order  kneehng  and  hold- 
ing a  skull  with  hoth  hands ;  to  left  a  young  monk,  also  in  Franciscan 
dress,  his  hands  clasped,  gazing  at  the  ohject  held  by  his  companion. 

Canvas:  Height,  '.Mi  inches;  icidfJi,  -5l/o  inches. 

Purchased  from  M.  C.  Sedelmeyer,  Paris. 

A  version  of  the  pictui-e  in  tlio  Colegio  de  Donccllas  at  Toledo,  described 
by  Cossio,  "El  Greco,"  1908,  p.  587,  and  illustrated  on  Plate  102. 


No.  316 
MADONNA   AM)  CHILD 


BY 


ANDREA  DEL  SARTO 


ANDPvEA  DEL  SAKTO 

(ANDREA  D'AGNOLO) 

Italian:   14.87—1531 

31G~MADONNA  AND  CHILD 

Hai.f  figure  of  the  Virgin  in  red  and  blue  robes,  and  brown  headdress, 
supporting  the  Infant  who  is  seated  on  table  to  right;  he  is  smiling  at 
St.  John,  who,  on  tlie  left  of  the  composition,  is  holding  a  cross;  dis- 
tant landscape. 

Cativa/i:  Height  3.51/)  ivchea;  width,  27  inches. 

Purchased  from  the  late  II.  0.  Watson. 


BERXAPil)   VAN   ORLEY 

1^91—154.2 


317— THE  ADORATION  OF  THE  MAGI 

The  Virgin  seated,  holding  the  Infant,  to  whom  one  (Caspar)  of  the 
richly  attired  Wise  JNIen  is  offering  a  gold  casket,  his  companions  car- 
rying other  presents;  the  Ethiopian  and  attendants  to  right;  St.  Jo- 
seph in  red  in  the  hackground ;  distant  landscape  seen  hetween  pillars. 

Panel:  Height,  IJO  inches;   rcidth,   3i  inches. 

Passmore  Edwards  Collection;  seals  with  coats-of-arms  on  back  of  panel. 


TNNOCEXZO   DA  TMOLA 

(INNOCENZO    FRANCACCI) 
Italian:   1494—1550 

318— /^/7?C;7.V  AND  CHILD  WITH  SAINTS 

Virgin  in  red  draperies  and  white  headdress,  seated  in  center  convers- 
ing with  a  crowned  female  saint,  and  holding  the  Infant  towards  St. 
John,  who  is  standing  on  a  cradle  and  who  holds  a  cross  in  his  hand; 
female  saint  with  left  hand  upraised  to  right. 

Pand:  Height,  39 V-  inches;  -.ciilfh,  311/o  inches. 

From  fJie  demnJished  church  of  the  Misercordia  Pontii  CdstigUone,  Bologna. 
I'nreliiisciJ  from  Mr.  Eugene  Fisehhof.  I'aris. 


SIU  THOMAS    l.AWKEXC  E,  P.H.A. 

Excn.isii:   1709—1830 

SW—POliTIiAIT  OF  MHS.  INGIJS 

Three-quarteu  length  figure  of  a  young  lady,  seated  to  front  beneath 
trees,  and  looking  up  to  right;  white  low-neck  dress  with  high  waist 
and  short  sleeves,  white  lace  shawl  flowing  across  shoulders,  gold 
waistband  and  arndets ;  curly  auburn  hair  falling  over  ears  and  tem- 
ple; left  hand  raised  to  shoulder,  right  arm  hanging  down  by  side 

(hand  not  seen). 

Ciin7-a.i:  Height,  30  inelies;  7citltli,  27  indies. 

I'urchased  from  the  late  S.  P.  Averij. 


MICHEL   WOLGEMIIT  (Attributed  to) 

1434—1519 


320— THE  HOLY  FAMILY 

The  Virgin  entiii-oned  on  a  green  patterned  and  jeweled  chair,  in 
green,  red  and  white  draperies,  and  long  flowing  headdress;  she  is 
holding  an  open  JNlissal,  and  above  her  is  the  emblem  of  the  Holy 
Spirit;  to  right  a  female  saint  (probabh'  St.  Elizabeth),  in  white, 
green  and  gold,  is  holding  the  Infant;  He  is  reaching  up  to  a  red 
apple  held  by  St.  Joseph,  who  is  seated  to  right,  in  red  and  gold  dress; 
beneath,  numerous  figures  of  cherubs,  one  of  whom  holds  a  rose  and 
another  an  apple;  to  left  a  soldier;  gold  background,  castellated  build- 
ing to  right. 

Pniifl:  Height,  40  inches;  width,  22  inches. 

rurchnsed  from  the  late  H.  O.   ]]'(it.snn. 


THOMAS  DE  KEYSEli 

Dutch:   1596—1667 

S21— THE  PARKER  FAMILY  OF  AMSTERDAM 

Group  of  seven  small  whole-length  figures,  the  father,  mother  and  five 
children  in  the  open,  near  a  plaster  cast  of  a  classical  figure  of  a  man 
crowned  with  bay  leaves;  all  in  dark-colored  dresses  and  white  plain 
collars,  except  the  youngest  child,  who  is  in  brown  dress  and  who 
holds  a  pail  of  flowers ;  trees  in  background,  a  brown  curtain,  form- 
ing a  tent,  suspended  from  the  trees. 

Panel:  Height,  27^/2  inches;  length.  35  inches. 

Purchased  of  M.  Durand-Ruel.  rcho  obtained  it  direct  from  the  family. 

Note:  The  Parker  family  was  long  prominent  in  Holland,  and  portraits 
of  a  number  of  them  are  now  in  the  Rijks  Museum  at  Amsterdam. 


1JAKT1IOI.OMEU8   VAX   DKll   IIKI.ST 

Dutch:    1011  —  1(570 


322— PORTRAIT  OF  A  GENTLEMAN 

Three-quarter-length  portrait  of  a  stout  middle-aged  man,  seated 
on  a  red  chair;  in  dark  dress  with  large  white  sleeves,  white  necker- 
chief; brown  hair  falling  over  shoulders,  slight  mustache;  right  arm 
resting  on  Ijack  of  chair. 

Canvas:  Height,  44^/2  i'lclies;  reiclth,  321.4  inches. 
Purchased  from  M.  C.  Sedelmeyer,  Paris. 


KEMUKANDT    IIARMEN8Z   VAN   RUN 

Dutch:  circa  1603—1669 

323— PORTRAIT  OF  A  RABBI 

Thkee-quarter-length  fifi-ure  of  an  elderly  man,  seated  to  front 
looking  at  spectator  full  face;  dark-colored  dress  with  red  sleeves, 
edged  with  white  f m-  and  trimmed  with  brown ;  gold  neck-chain,  gray 
hair  and  beard,  flat  l)lack  hat,  the  brim  throwing  a  shadow  over  the 
upper  part  of  face;  right  arm  resting  on  elbow  of  chair,  left  hand 
holding  edge  of  cloak. 

Canvns:  Height,  37 V^  inches;   width,  30  inches. 

This  very  fine  portrait  is  a  version  of  tliat  in  the  Kaiser  Friedrich 
Museum,  Berlin,  signed  and  tlated  164.5,  described  by  Dr.  Bode,  No.  297,  and 
illustrated  in  the  "Klassiker  der  Kunst"  volume  on  Rembrandt,  p.  359. 

Note:  This  painting  teas  purchased  mun/i  years  ago  by  Mr.  Lambert 
from  Messrs.  Durand-liiiel  as  a  work  of  the  School  of  liembrandt.  Since 
then  it  has  been  seen  by  numerous  connoisseurs  and  persons  of  authority  who 
have  judged  the  picture  as  being  by  the  great  master  and  many  flattering 
offers  for  its  purchase  have  been  made.  Very  recently  in  cleaning  the  picture 
the  signature  and  date  have  appeared. 

In  view  of  these  facts  Mr.  Lambert  feels  justified  in  accepting  the  picture 
as  an  example  of  Rembrandt,  l>ut  he  does  not,  however,  desire  to  assume  the 
position  of  an  infallible  expert,  and  therefore  places  the  picture  before  the 
public  for  it  to  determine  whether  or  not  it  is  an  example  of  the  greatest  of 
Dutch   masters. 


No.  323 
PORTRAIT  OF  A  RABBI 

BY 

RKMRRANDT  HARMENSZ  VAN  RUN 


* 


8S8  .o7i 

\aaksi  k  ^10  T\kftTftO°t 


KEM1U^\XD1    HARMENSZ  VAN   RUN 

Di  kh:  circa  1603— 1669 

32S—P01iTRAIT  OF  A  RABBI 

Three-quaktkk-length  figure  of  an  elderly  man,  seated  to  front 
looking  at  spectator  full  face;  dark-colored  dress  with  red  sleeves, 
edged  with  white  fur  and  trimmed  with  brown;  gold  neck-chain,  gray 
hair  and  Ijeard,  t)at  black  hat,  the  brim  throwing  a  shadow  over  the 
upper  part  of  fat;-:  right  arm  resting  on  elbow  of  chair,  left  hand 
holding  edge  of  .  loak. 

Canvas:  Height,  371^  inches;  width,  30  inches. 

This  very  fine  portrait  is  a  version  of  that  in  the  Kaiser  Friedrich 
Museum,  Berlin,  signed  and  dated  1645,  described  by  Dr.  Bode,  No.  297,  and 
illustrated  in  tlie  "Klassikev  der  Kunst"  volume  on  Rembrandt,  p.  359. 

Note:  This  painting  wa*  purchased  many  years  ago  by  Mr.  Lambert 
from  Messrs.  Durand-Ruel  as  a  work  of  the  School  of  Rembrandt.  Since 
then  it  has  been  seen  by  numerous  connoisseurs  and  persons  of  authority  who 
have  judged  the  picture  as  being  by  the  great  master  and  many  flattering 
offers  for  its  purchase  have  been  made.  Very  recently  in  cleaning  the  picture 
the  signature  and  date  have  apptnred. 

In  view  of  these  facts  Mr.  Lambert  fecU  justified  in  accepting  the  picture 
as  an  example  of  Rembrandt,  but  he  does  not,  however,  desire  to  assume  the 
position  of  an  infallible  expert,  and  therefore  places  the  picture  before  the 
public  for  it  to  determine  whether  or  not  it  is  :ut  example  of  the  greatest  of 
Dutch  masters. 


No.  324 

PORTRAIT  OF  A  RABBI 

REMBRANDT  SCHOOL 


KiLM  uPtAN j:>t  school 

Dutch 

?>2\— POUT U AIT  OF  A  liAlilil 

Hai,1'-1'iguiie  of  a  venerable-looking-  old  man,  seated,  in  red  and  gold 
robes,  broad  jeweled  belt,  blaek  bat  witb  pearl  and  jeweled  band,  gray 
beard;  fingers  of  rigbt  band  partly  under  belt. 

Canvas:  Height,  -JyVl;  'iiflicn;  icldtJi.  ''W\-2  inches. 

Purchased  from  Messrs.  Dnraiid-Riwl,  about  1900. 

The  scIr'iiic  of  anil  iiioilcl  for  this  portrait  arc  similar  to  M.  JuU's  Pougcs' 
picture  described  by  Dr.  IJode,  No.  292,  and  illustrated  in  tlie  "Klassikcr  der 
Kunst"  volume  on  Kemhraiidt,  p.  353. 


REMBliANDT  SCHOOL 


Dutch 


325— PORTRAIT  OF  AN  OLD  GENTLEMAN  READING 


Three-quarter  length  of  an  old  man  looking  up  to  left,  dark  dress 
and  skull  cap ;  left  hand,  holding  an  eyeglass,  resting  on  an  open  vol- 
ume inscrihed  "Ego  sum  resurrectio,"  etc.;  to  right  table  witli  writing 
materials,  lamp  and  open  letter. 

Canvas:  Height,  411/2  inches;  width,  34  inches. 

Purchased  from  M.  Eugene  Fischhof. 


MARC  GEERAERTS  THE  YOUNGER 

17th   Century 

326— LADY  KENEL3I  DIGBY 

Venetia,  younger  dauglitur  and  co-heir  of  Sir  Edward  Stanley,  K.B., 
of  Tong  Castle;  born  in  1600,  married  Sir  Kenelni  Digbj,  author  and 
naval  commander;  died  in  1633. 

Three-quarter-length  of  a  j'oung  lady  seated  in  hioli-baeked  cliair; 
in  black  dress,  large  white  gauffered  collar,  black  high-crowned  hat, 
white  cuffs,  three-row  pearl  necklace  with  jeweled  miniature  of  elderly 
man,  jjcarl  bracelet;  to  left  table  with  writing  materials,  right  hand 
holding  pen,  which  rests  on  open  jjaper ;  green  curtain. 

Canvas:  Height,  -lOl/o  inches;  icidih,  31-  inches. 

Purchased  from  Messrs.  Dowdeswell  S,-  Dowdesztell. 

This  distinguished  lady,  who  was  commemorated  in  elegies  by  Ben  Jon- 
son  and  others,  sat  to  many  artists  for  her  ])ortrait,  the  best  known  of 
which  is  by  Sir  A.  A'an  Dyck  at  Windsor  Castle.  Except  that  he  studied 
under  Lucas  de  Heere,  little  is  known  of  Marc  Geeraerts.  Apart  from  the 
great  picture  of  the  "Spanish  Ambassadors"  in  the  I^ondon  National  Por- 
trait Gallery,  and  the  signed  ("]\I.  G.  F.")  portrait  of  Queen  Elizabeth 
at  Welbeck  Abbey,  ascriptions  to  him  are  largely  a  matter  of  conjecture. 


REMBRANDT  SCHOOL 


^^'ll— PORTRAIT  OF  A  LADY 

Three-quarter  figure  of  a  middle-aged  woman,  seated;  in  dark- 
colored  dress,  white  gauffered  collar  and  lace  cuffs;  brown  hair  and 
close-fitting  black  cap. 

Canvas:  Height,  36^  inches;  zeriJth,  281/2  inches. 


Inscription  on  the  upper  left  corner,  ^TATIS  •  S^E  •  62,  1635. 
Purchased  from  Messrs.  Dowdeswell  4-  DowdesweU  as  a  Franz  Hals. 


ANDREA  DEL  8ARiO 

(ANDREA  D'AGNOLO) 
Italian:  1487—1531 

32H— THE  HOLY  FAMILY 

A  GROUP  of  five  figures.  The  Virgin  seated,  in  yellowisii  and  scarlet 
robes,  lidding  on  her  lap  the  nude  Infant  Christ,  who  is  leaning  for- 
ward and  embracing  the  child  St.  John;  the  latter  is  in  pinkish  dress 
edged  with  white  fur,  and  by  his  side  is  a  cross  with  scroll  inscribed 
"Ecce  Agnus  Dei";  to  the  left  is  a  youthful  figure  (possibly  intended 
to  represent  St.  Joseph)  in  green  robes  with  pearl  and  gold  pendant 
of  a  winged  angel-face;  to  right  St.  Elizabeth  in  scarlet  and  white 
robes,  smiling  at  the  two  children. 

Panel:  Height,  49^/.  inches:  'width.  3S1  •_.  incliea. 

This  excccdiiifrly  important  picture  was  acquired  by  tlie  late  Mr.  IMartin 
Colnaghi,  who  intended  it  for  liis  private  collection,  which  he  bequeatlied  to  the 
National  Gallery,  London,  but  he  was  prevailed  u])on  by  Mr.  I^ambert  to  sell 
it.  The  same  model  for  the  Virgin  appears  in  the  Budapest  group,  1516,  and 
the  same  model  for  the  St.  Elizabeth  figures  in  the  Holy  Family  at  Munich, 
which  dates  from  1515-151(5.  Tiie  same  St.  John  appears  in  se\eral  of  Andrea 
del  Sarto's  pictures  of  the  Holy  Family.  The  smiling  Child-Christ  is  char- 
acteristic of  the  Master. 

(See  Frontispiece) 


No.  329 
MADONNA   AND  CHILD 

BY 

SANDRO  BOTTICELLI 


SANDRO  BOTTICELLI 

(ALESSANDRO  FILIPEPI) 

Italian:   14.47—1510 

229— MADONNA  AND  CHILD 

Small  three-quarter-length  figure  of  the  Virgin,  seated  to  right,  in 
blue,  scarlet  and  white  draperies,  her  head  inclined  to  the  left,  eyes 
nearly  closed;  she  holds  the  Infant  on  her  lap  with  both  hands,  His 
arms  are  around  her  neck,  and  His  face  is  pressed  close  to  hers ;  He 
is  lightly  clad  in  a  red  garment  and  is  earnestly  gazing  at  His  mother. 
On  the  left  is  a  youthful  saint,  in  white  robes  and  red  bands  and 
sleeves,  and  with  long  hair,  holding  open  towards  the  Virgin  and 
Child  an  open  volume  with  the  Magnificat;  blue  and  gray  back- 
ground. 

Pancel,    circle,    37    inches. 

Purchased  by  a  private  collector  in  Italy,  and  sold  to  Messrs.  T.  Agnew  ^• 
Sons  of  London,  from  whom  it  was  obtained  in  1902. 

The  central  figures  of  the  Virgin  and  Child  are  ahnost  identical  with  those 
in  the  Virgin  and  Child  with  St.  John  and  Angels  in  the  Pitti  Palace,  Florence. 


\\ 


M. 


SANi  ^-v 


6S8  .oYi 

A^ijaoiTToa  ofia>iA8 


SANDRO  BOTTICELLI 

(ALESSANDRO  FILIPEPI) 
Italian:  1447—1510 

329— M^DOiViV^  AISIB  CHILD 

Small  three-quarter-length  figure  of  the  Virgin,  seated  to  right,  in 
blue,  scarlet  and  white  draperies,  her  head  hiclined  to  the  left,  ej'^es 
nearly  closed;  she  holds  the  Infant  on  her  lap  with  both  hands.  His 
arms  are  around  her  neck,  and  His  face  is  pressed  close  to  hers ;  He 
is  lightly  clad  in  a  red  garment  and  is  earnestly  gazing  at  His  mother. 
On  the  left  is  a  youthful  saint,  in  white  robes  and  red  bands  and 
sleeves,  and  with  long  hair,  holding  open  towards  the  Virgin  and 
Child  an  open  volume  with  the  Magnificat;  blue  and  gray  back- 
ground. 

Pancel,    circle,    37    inches. 

Purchased  by  a  private  collector  in  Italy,  and  sold  to  Messrs.  T.  Agnew  <§• 
Sons  of  London,  from  whom  it  was  obtained  in  1902. 

The  central  figures  of  the  Virgin  and  Child  are  almost  identical  with  those 
in  the  Virgin  and  Child  with  St.  John  and  Angels  in  the  Pitti  Palace,  Florence. 


a5rir-:i:i^j^-rdri:^^  '^  q-* 


^■M^w>gjii!SBHw*»aiPi»»B»tfiJgt^<gw^  ,*' 


-^^.i>&:^ 


:^':i  c:  a-^'.-.jic-t^i.'.  .■■'4.  cici^^i;  A::^^'i- 


FEKJ)INAND  150L 

Dutch:  1611—1681 
{Pupil  of  Rembrandt) 


330— REM nii AN DTS  MOTHER 

Half-length  of  an  elderly  woman,  to  front,  in  deep  red  dress 
trimmed  with  fur,  pearl  necklace,  reading  in  an  open  book,  hair 
dressed  with  flowers  and  white  feather. 

Canvas:  Height,  43  indies;  width,  381/2  inches. 
Purchased  from  the  late  T.  J.  Blakeslee. 


ANGELICA  KAUFFMANN,  R.A. 

English:  1741—1807 


3m—iM()TIIIJH  AND  CHILD 

Half-length  figure  of  a  young  lady  standing  in  the  oi)en,  in  white 

and  gold  low-neck  dress,  brown  hair  with  white  headdress  and  pearls, 

pearl  necklace,  left  hand  on  a  child  sleeping  on  a  red  sofa;  circular 

temple  to  right. 

Canvas:  Height,  45  inches;  width,  331  ^  inches. 

This  has  been  described  as  "Queen  Catlicrinc  Awakeninfr  tlic  Spirit  of 
the  Arts,"  but  it  is  not  the  picture  with  a  similar  title  engraved  by  T. 
Burke  in  1772.  When  Mr.  Lambert  purchased  the  picture  the  figure  of  the 
sleeping  child  had  been  painted  over. 


COKNELIS  JANSSENS  VAN   KEULEN 

Dutch:  circa  1590 — 1662 


332— PFINCESS  ELIZABETH,  QUEEN  OF  BOHEMIA 

Eldest  daughter  of  Jaiiics  I.  of  England;  born  1596;  married, 
1618,  Fretlerick  V.,  Elector  Palatine,  afterwards  King  of  Bohemia; 
died  1622. 


Small  whole-length  of  a  child  seven  or  eight  years  of  age,  in  long 
green  dress  embroidered  with  white,  starched  white  high  collar  and 
reflexed  cuffs ;  brown  hair  with  pearls  and  white  feather,  fan  of  white 
feathers  by  side,  small  red-covered  volume  in  right  hand. 

Canvas:  Height,  47  inches;  width,  34  inches. 

From  the  collection  of  the  Duke  of  Fife,  June  7,  1907,  No.  60. 
Purchased  from  the  late  Stanford  White. 


MICHAEL  MIEREVELT 

Dutch:  1567—1641 


SS3—PIETER  BE  SCHILDE,  COUNCILOR  OF 

BRABANT 

(Born  1584) 

Three-quarter-length  figure  of  a  middle-aged  man,  seated;  in  dark 
fur-lined  robes,  white  gauffered  ruff,  white  cuffs  and  black  skull  cap ; 
dark  hair,  mustache  and  chin-tuft,  hands  resting  on  arms  of  chair. 
Coat-of-arms  to  right. 

Canvas:  Height,  48  inches;  width,  35  inches. 

From  the  colU'ction  of  the  late  Marius  Vlierhoom  Van  Hohoken.  Amsterdam. 


SIR  THOMAS  LAWRENCE,  P.R.A. 

English:   1769—1830 

334— 3IOTHER  AND  DAUGHTER 

The  elder  lady  seated  in  red  chair  to  right,  in  low-neck  black  dress, 
short  sleeves  edged  with  white,  long  gold  chain  and  bracelets,  dark 
curly  hair,  flower  in  left  hand;  younger  woman  standing  to  left,  in 
white  low-neck  dress  with  green  cloak,  brown  curly  hair;  red  curtain 
background. 

Canvas:  Height,  48  inches;  width,  371/2  inches. 

Purchased  from  Messrs.  Durand-Ruel. 

These   two    figures    are   said   to    represent    the   wife   and   daughter    of   a 
Spanish  Ambassador  to  London. 


GEORGE  HENRY   HARLOW 

English:  1787—1819 

335— PORTRAIT  OF  SHERIFF  JOHN  JOHNSON 

Three-quarter  length,  seated  in  red  chair,  in  robes  and  chain  as 
Sheriff'  of  London ;  black  hair,  white  lace  cravat  and  cuffs,  right  hand 
holding  paper  inscribed,  "That  the  thanks  of  the  Corporation  be  given 
to  John  Johnson,  Esq.     Sheriff  of  London,  1817." 

Canvas:  Height,  -iQ  inches;  width,  391/2  inches. 

Purchased  from  the  late  T.  J.  Blakeslee. 


TIIOMA8  GAIN8BOKOI  GH,  R.A. 

English:   1727 — 1788 


S3Q— PORTRAIT  OF  GENERAL  JOHXSON 

Probably  tlic  ^liijor,  afterwards  General,  "Johnston"  of  Hawlcy's 
Dragoons,  mentioned  on  p.  270  of  Sir  Walter  Armstrong's  "Gains- 
borough," 1904. 


TiiREK-QUARTEK-i.EXGTii  figure  of  an  elderly  man.  seated  in  red  chair, 
blue  dress  embroidered  with  gold,  white  neelvereiiiet"  and  euft's;  gray 
wig. 

Caiiras:  Height,  I'O  inches;  width,  391/^  inches. 

Purchased  from  Messrs.  Arthur  Tooth  i^-  Son. 


NI(()LAi:S  .MAi:s 

Dutch:   1632—169:3 


'SS7— PORTRAIT  OF  A  LADY 

Portrait  of  a  lady  standing  by  a  pillar;  in  white  satin  low-neck  dress 
with  short  sleeves,  edged  with  gold,  blue  shawl  over  shoulder;  pearl 
rope  and  pendant  at  corsage,  pearl  necklace  and  earrings ;  graj^  wig. 

Canvas:  Height,  491/o  inches;   xmdth,  42  inches. 

Signed  at  the  left  and  dated  1672. 


JOIIX   CKOME 

English:   1769—1821 

33H~THE  OLD  WINDMILL 

An  ancient  windmill,  witli  tall  spindly  trees,  a  red-capped  man  seated 
at  foot  of  bridge:  moonlight  effects. 

Canvas:  Height,  391/2   inches;  length,  49  inches. 

Purchased  from  Messrs.  Dowdeswell  Sj-  Dowdeszcell. 


DUTCH   SCHOOL 

18th  Ckntury 

3SHA—SCENE  IN  HOLLAND 

A  WELL-WOODED  dell  with  peasants  working  in  a  roughly  constructed 
woodshed  beneath  trees;  to  right  a  group  of  rustics  playing  cards,  to 
left  winding  road,  windmill,  and  church  in  the  distance ;  masses  of  gray 
clouds. 

Panel:  Height,  351/2  inches;  length,  52^  inches. 

Purchased  from  the  late  H.  0.  Watson. 


liKIlAHl)    WILSON,   H.A. 

English:  171 J-— 1782 
339— THE  BRIDGE:  SCENE  NEAR  TLVOLI 


A  MOUNTAINOUS  sccne  with  stone  bridge  over  a  river;  boat  with  fig- 
ures and  trees  to  left,  brushwood  to  right. 


Canvas:  Hciglit,  38  inches;  length,  521/0  inches. 
Purchased  from  the  late  T.  ./.  Blakeslce. 


No.  340 
LANDSCAPE 

BY 

JAMES  STARK 


JAMES  STARK 

(Norwich  School) 

English:   1794—1859 

S-^0— LANDSCAPE 

An  early  summer  view  over  a  flat,  well-wooded  landscape,  with 
masses  of  trees  to  left,  to  wliich  a  peasant  and  dog  are  approaching; 
cottages  and  figures  in  the  distance;  in  the  center  foreground  a  road- 
way, to  right  trees  and  rustic  cottage  with  figures;  masses  of  white 
clouds  and  blue  sky. 

C/nn'(i.i:  Height,  •391{>  inrlirx;  Iciir/th.  r>'2  incJief!. 

Purchased  from  Messrs.   Dowdeswell  S,-   Doivdesicell. 


,"^Jv 


,:li^. 


yj^^PyW^ 

1 

iW 

'''i^IhB£I^^9b 

SHilk    ^^^m 

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No.  341 
PASTORAL  SCENE 


BY 


DAVID  TENTERS,  THE  ELDER 


DAA  11)  TKNIEKS,  TTIi:    KLDEIJ 

Flemish:   1582—1649 

34^1— PASTORAL  SCEXE 

Broad  view  of  undulating  country,  with  shepherds  guarding  flocks  of 
sheep  and  cattle;  cottages  on  hills  to  right;  masses  of  overhanging 
rocks  to  left;  effects  of  bi-iglit  sunshine  partially  obscured  by  dark 
clouds. 

Canvas:  Height,   I'.')   iiuhf.t;   length,   58   iiiehes. 

Pnrchdsed  from  M.  Sedelmei/er. 


No.  342 
INTERIOR  OF  A   CATHEDRAL 

BY 

ANTON  DELORME 


No.  342 
INTERIOR  OF  A   CATHEDRAL 


BY 


ANTON  DELORME 


Dutch:  circa    1631—1666 

342— INTERIOR  OF  A  CATHEDRAL 

The  central  aisle  of  a  Cathedral  in  Flanders,  with  massive  marble 
pillars  and  other  elaborate  architectural  details;  puljjit  to  right,  and 
in  various  niches  full-length  casts  emblematical  of  Justice  and  other 
virtues;  numerous  figures  jjassing  over  the  gray  and  white  slated  floor, 
on  which  may  be  distinguished  two  vaults  with  the  names  and  dates 
of  the  personages  interred.     The  figures  are  by  Palamedes. 

Panel:  Height,  46  inches;   length,  61  l/G  inches. 

Signed  to  left,  and  dated  1631. 

Purchased  from  Messrs.   Dowdeswell   !$•  Dowdeswell. 

One  of  the  earliest  pictures  known  of  tliis  rare  master. 


sill  AL  GUSTl  8  W.  CALLCOTT,  K.A. 

English:   1779—184-1 

■U3— ENGLISH  LAN  DSC  A  PE 

Gkoup  of  country  cottages  amid  tall  trees,  numerous  cows  pasturing 
and  watering;  to  left  a  peasant  girl  in  red  dress  carrying  pitcher,  and 
a  kneeling  boy;  the  whole  of  the  forei)art  of  the  picture  is  taken  up 
with  a  lake,  with  ducks  and  dead  tree;  early  morning  effect. 

Cnnvas:  Hc'ujlit,   ■151/.   inches;   length,   GOl/.   inches. 

From  the  collection  of  Sir  Kdiciii  Lanclsecr,  U.A.,  M(uj  !),  1874',  Xo.  841. 


WILLIAM  D0B80N 

English:  1610—1646 


344— JAMES,  FIRST  DUKE  OF  HAMILTON 

The  Royalist,  born  in   1606,  behcadud   in   161S). 

Three-quarter  length,  standing  near  a  pillar;  dark-colored  dress, 
lace  collar  and  cuffs,  blue  ril)bon  from  which  is  susjjended  an  Order, 
Star  of  the  Order  of  the  Garter  on  shoulder;  long  brown  hair,  mus- 
tache and  chin-tuft,  right  hand  hanging  down  by  side. 

Canvax:  Height,  50  inches;  li'idth,  40  inches. 

Purchased  from  the  late  T.  J .  Blakcslce. 


No.  345 
THE  LARGILLIERE  FAMILY 

BY 

NICOLAS  DE  LARGILLIERE 


NIC  O LAS  DE  LARGILLIERE 

French:  1656 — 174'6 

345— THE  LARGILLIERE  FAMILY 

Three  richly-attired  half-length  figures  of  the  artist,  his  wife  and  son. 
The  artist  is  seated  to  the  left  in  pink  and  white  embroidered  dress, 
trimmed  with  lace,  graj'  long  wig,  and  bluish  cloak  across  his  shoul- 
ders. To  right  his  wife,  seated,  in  pink  and  white  low  dress,  a  blue 
cloak  across  her  shoulders,  and  a  gray  curly  wig  or  powdered  hair. 
Their  j'oung  son,  a  youth,  is  standing  in  the  center,  in  gold  dress  with 
white  lace  cuffs  and  collar. 

Canvns:  Height,  -l^l^  iiiclic.i;  length,  57  inches. 

A  group  of  tlio  artist,  liinisclf  aiul  their  daugliter,  on  a  larger  canvas 
(59x79)  is  in  tlie  Louvre,  and  another  group  of  liiniself  and  family,  a  composi- 
tion with  eight  figures,  is  at  \'ersailles. 


ANTOINE   PE8XE 

French:   circa   168-1 — 1757 

346~CHARLES  ALEXANDER  OF  LORRAINE 

Governor  General  of  the  Netherlands,  and  a  distinguislied  officer; 
born  at  Luneville  in  December,  1712;  married  the  Archduchess  Maria 
Anna  and  appointed  Governor  of  the  Netherlands  in  174'4,  in  which 
year  he  drove  the  Prussians  out  of  Bohemia;  died  near  Brussels 
in  July,  1780.  His  portrait  was  also  painted  by  Nattier,  by  J.  le 
Gendre,  Martin  de  Mytens  and  others. 

Theee-quarter-length  figure  of  a  niiddle-aged  man,  standing,  in 
yellow  and  gold-embroidered  coat,  white  neckerchief  and  cuff,  red 
fur-lined  cloak,  red  neck  ribbon  with  an  order  as  pendant;  baton  in 
outstretched  right  hand,  and  pointing  to  equestrian  figures  in  the 

distance. 

Canvas:  Height,  57J/>  inches;  length,  -il  inches. 

Purchased  from  the  late  H.  0.  Watson. 


WILLIAM!   HOGAinil 

English:   1697 — 176-i 

347— THE  PRICE  FAMILY 

Group  of  fourteen  figures  in  eighteenth  century  English  costumes. 
Uvedale  T.  Price,  Esq.  (he  died  in  1764),  of  Foxley,  Herefordshire, 
assisting  his  cousin.  Miss  Rodd,  from  a  boat;  his  son,  Robert  (1717- 
1761 ) ,  leading  another  cousin.  Miss  Greville,  her  sister  Hester  feed- 
ing swans.  Their  brother,  called  Jockey  Greville,  fondling  a  grey- 
hound; other  relations  and  attendants  around. 

Canvas:  Height,  40  inch-es;  length,  62  inches. 

From  the  collection  of  T.   Price,  Esq.,  of  The  Albany.     Sold  at   Christie's 
Maij  6,  1893,  xYo.  49. 

Austin  Dobson's  "Hogarth,"  1907,  p.  219, 


ANTOINE  PESXE 

French:  circa  1684 — 1757 


34H—PORTEAIT  OF  A  LADY 

Nkauj.v  wliolc-lcnutli  of  a  lady,  .staiuliiiL>'  in  the  oijcii,  in  hliic  and 
white  eiiihi-oideird  (hx-ss  with  short  slrevcs  triiniiicd  with  lace,  hiee 
collar;  powdered  hair  with  white  and  blue  lace  cap,  large  earrings 
and  three-row  pearl  bracelet;  she  is  holding  a  black  and  white  toy 
dog  with  red  neck-ribbon  under  her  right  arm. 

Canvas:  HeUjlit,  58 '/o  tnclicn;  ic'ulth,  -15  inches. 


1  RAN(  TABIGIC) 

(FRANCESCO  BIGI) 
Italian:  1482—1525 

M9—HOLV  FAMILY 

Whole-length  figure  of  kneeling  JNIadonna  in  bright  red  dress 
and  brown  waistband,  fair  hair  in  plaits  over  neck;  she  leans  towards 
the  Infant  St.  John  and  looks  down  at  the  Child  Christ  who  is  seated 
on  the  floor  and  looks  up  at  His  ]\Iother;  to  left  St.  Joseph  in  yel- 
low dress,  kneeling,  chin  resting  on  his  left  arm. 

PdiicI:  Height,  471/.  inches;  width,  39l/o  inchex. 

Exhibited  at  Leeds,  1868,  hii  F.    W.  Cosciis,  Esq..  hut  apparently  too  late 
to  be  included  in  the  Catalogue. 

From  the  collections  of  the  late  S.  J.  Harrison,  Esq.,  of  Haughleij  House, 
Suffolk,  and  W.  W.  Hasler,  Esq.,  of  Aldingbourne  House,  Chichester. 

Purchased  from  Messrs.  Dowdeswell  ^  Dowdeswell. 


GIOVANNI  BATTISTA  TIEPOLO 

Italian:   1696—1770 

350— ASCENSION  OF  ST.  31 A  RG A  RET 

Whole-length  figure  of  St.  Margaret  surrounded  by  youthful  an- 
gels, one  of  whom  holds  a  crozier ;  to  left  a  table  with  book  and  carved 
ivory  figure  of  Christ  crucified,  to  right  a  flower  urn. 

Camas:  Height,  ^ll/j  inches;  length,  49^/2  inches. 

Parchascd  from   tlic  Bishop  of   York. 


No.  .351 
THE  ASCENSION 

I)Y 

ANTONIO  PEREDA 


AN  TON  I  ( )   VFA I KDA 

Spanish  :    15!)!)— KUii) 

35\—THE  ASCENSION 

Whole-length  of  the  Virgin  standing  to  front,  in  pink  and  blue 
robes,  and  with  long  flowing  auburn  hair,  looking  upwards,  and  hold- 
ing in  her  right  hand  the  symbol  of  the  Sacred  Heart;  she  is  accom- 
panied by  four  angels  in  pink  and  blue  flowing  draperies. 

Canvus:  Height,  58VL'  inches;  widtli,  i7  inches. 


No.  351 


THE  ASCENSION 

I)V 

ANTONIO  PEREDA 


fc.C  .oVI 
7.e>\?.7/A':)?.k  AWT 

Yll 


ANTONIO  PEUEDA 

Spanish:    1599— 1GG9 

^5 1  —THE  ASCENSION 

Whole-length  of  the  Virgin  standing  to  front,  in  pink  and  blue 
robes,  and  with  long  flowing  auburn  hair,  looking  upwards,  and  hold- 
ing in  her  right  hand  the  symbol  of  the  Sacred  Heart;  she  is  accom- 
panied by  four  angels  in  pink  and  blue  flowing  draperies. 

Canvas:  Height,  58^/.  inches;  width,  47  inches. 


JAKOB  JORDAENS 

DrTrn:   1593—1678 


352— D.EDALUS  FASTENING  THE  WINGS 

ON  ICARUS 

Life-size  nearly  whole-length  figures;  Da?dalus  is  fixing  the  left 
wing  on  Icaius ;  the  latter  is  in  red  drapery,  and  occupies  the  center 
of  the  picture;  he  is  holding  the  other  wing  in  his  right  hand. 


Canvas:  Height,  (i'i  inches;  width,  46^/o  inches. 


Purchased  in   London. 


The   same   subject   is   dealt   witji   by   Jordacns   in   a   picture   now    in   the 
Stuttgart  ]\Iuscum. 


BARTOLOME  ESTEBAX  MURILLO 

(Attributed   to) 

■  Spanish:   1617—1682 

S5S—THE  MADONNA  WITH  THE  ROSARY 

Whole-length  Madonna  of  the  dark-haired  Spanish  type  seated  to 
front  and  looking  at  spectator,  in  red  and  hkie  draperies,  white  head- 
dress or  mantilla,  rosary  in  right  hand;  the  fair-haired  Child  in  pink 
dress  holding  up  in  right  hand  the  small  cross  attached  to  the  rosary 
with  pink  ribbon;  angels'  heads  at  top  to  right  and  left. 

Canvas:  Height,  63  inches;  xeidth,  44I/2  inches. 

Murillo  painted  a  number  of  pictures  known  as  "Our  Lady  of  the 
Rosary,"  the  more  important  examples  being  in  the  Prado,  Louvre  and 
Duhvich  Galleries  and  in  the  Northbrook  Collection.  They  all  differ  in  de- 
tails, and  are  described  by  C.  B.  Curtis  in  "Velasquez  and  Murillo,"  1883. 

Purchased  from  Messrs.  Durand-Ruel. 


No.  354 
ASCEXSIOX  OF  THE  VIRGIX 


BY 


FRANCISCO  OSOIIIO  MENESES 


FBANCISCX)  OSOIIIO   AfENESES 

Spanish:   1630—1705 
{Pupil  of  Murillo) 

354— ASCENSION  OF  THE  VIRGIN 

Whole-length  of  the  Virgin  on  clouds,  in  white  and  hkie  draperies, 
looking  ujiwards,  right  hand  on  Ijreast,  left  extended;  she  is  sur- 
rounded hy  cheruhs,  one  of  whom  holds  a  hranch  of  white  lilies. 

Canvas:  Height,  63^/.   inches;  zcidth,  45  inches. 

Purchased  from  Messrs.  Durand-liuel. 


No.  355 

ST.  JOHX  THE  BAPTIST  LHIDIXG 
HEROD 


BY 


FERDINAND  BOL 


FEKDINAND   BOL 

Dutch:   IGl  1—1681 
(Pupil    of    licmhraiidt) 

S5^~ST.  JOHN  THE  BAPTIST  CHIDING  HEROD 

Group  of  four  figures.  In  the  center  Herod,  a  black-bearded  middle- 
aged  man  in  red  dress,  white  jeweled  turban  and  gold  necklace,  liold- 
ing  a  dagger  in  his  left  hand ;  near  him  a  middle-aged  woman  in  black 
dress  with  gold  chain,  })earl  necklace  and  black  jeweled  hat,  looking 
towards  the  partly-draped  St.  John,  who  holds  a  staff  and  whose 
right  hand  is  extended;  to  left  the  figure  of  a  child  is  seen;  in  back- 
ground a  hill  and  a  glimpse  of  sky  at  the  left. 

Canvas:  Height,  5-^  inches;  length,  07 V^  inches. 

Purchased  from  Messrs.  Dowdeswell  Sf  Dowdeswell. 


No.  356 
ADORATION  OF  THE  MAGI 

BY 

GERAKU  \  Ax\  HOXTHORST 


GERAKD    \  AX   IIONTIIOIiST 

Dutch:   1590—1656 

35Q— ADORATION  OF  THE  MAGI 

The  Virgin  in  blue  and  red  robes  to  left,  holding  up  wliite  drapery 
on  which  rests  the  Child,  with  long  golden  curly  hair ;  a  richly  attired 
Wise  man  (Caspar)  from  the  East  is  kneeling  and  offering  a  golden 
casket  to  the  Child;  he  is  attended  by  another  man  ( IMelchior ) ,  and  a 
negro  (Balthasar)  with  red  turban;  behind  the  Virgin  is  a  bare-legged 
Flemish  peasant  as  St.  Joseph. 

Canvas:  Height,  58  inches;  length,  72  inches. 

From  on  anonymous  sale  at  Christie's,  February  1,  1902,  No.  77. 
Purchased  from  Messrs.  Dowdeswell  6)-  Dowdeswell  by  the  late  H.  0.    Wat- 


son. 


No.  357 

POET  BAIT    OF    THE    DAUGHTER    OF 
VELASQUEZ 

BY 

FRANCISCO  PACHECO 


Fl{ AN  CISCO  I'ACIIECO 

Spanish:   1571 — 1654< 

357—POETnAIT  OF  THE  DAUGHTER 

OF  VELASQUEZ 

Nearly  wliole-length  of  a  young  ladj',  in  j)ink  dress  embroidered 
with  white,  black  and  white  bows  at  center  of  corsage  and  sleeves, 
which  are  lined  with  white  lace,  white  lace-edged  collar,  pearl  neck- 
lace, long  brown  curly  hair  bound  with  ribbon ;  yellow  gloves  in  left 
hand,  right  hand  on  back  of  chair  on  which  a  toy  dog  is  seated;  to 
right  pillar  and  silver  flower-urn. 

Canvas:  Height,  00  iuclic!;  ic'idth,  -l-ilo  inches. 

Purchased  from  ^fessrs.  Dowdeswell  (§•  Dowdcswell. 


No.  358 
LADY  ARABELLA  STUART 

BY 

MARC   GEERAERTS   THE   YOTTNGER 


MARC  GEEKAEIiTS  THE  YOUNGEK 

17th  Century 

35S—LADr  ARABELLA  STUART 

Diiiitrliter  of  Cliarles  K.iil  of  Lennox,  next  heir  to  tlie  Eiif^lish 
throne  after  James  I.;  born  in  1575,  married  secretl3'  to  Sir  Wil- 
liam Seymour;  died  in  the  Tower  of  London,  1G15. 

Whole-length  figure  when  young,  standing,  directed  to  front;  in 
gray  and  gold  i)atterned  dress  garnished  with  precious  stones,  jjcarl 
necklace,  white  high  collar,  white  lace  headdress;  hrown  hair  dressed 
high,  with  jeweled  ornament;  hrown  curtain. 

Canvas:  Height,  ()7  inches;  -cidth,  'ill  inches. 

From  the  collection  of  Lad//  Penelope  Gage,  Hengrave  Hall,  Suffolk. 

Several  portraits  exist  in  English  collections  of  this  unfortunate  ladv> 
mostly  by  unidentified  artists  of  foreign  origin  who  were  working  in  Eng- 
land during  the  Tudor  and  early  Stuart  periods.  They  differ  considerably 
from  one  another.  One  of  the  earliest,  which  represents  her  at  the  age 
of  thirteen,  belongs  to  the  Duke  of  Portland,  and  was  formerly  attributed 
to  Zucchero,  but  that  artist  was  not  in  England  as  late  as  1589. 


KEMJUiANJJT  SCHOOL 

Dutch 


359— JOSEPH  RELATING  HIS  DREAM 

The  youthful  Joseph  in  gold-patterned  dress  standing  to  left  relat- 
ing his  dream  to  his  father  Jacoh,  who  is  seated  to  right  in  red  robes, 
white  turban  and  with  long  gray  beard;  three  brothers  in  eonversation 
to  left,  girl  in  rich  dress  to  right. 

Canvas:  Height,  67  inches;  zcidth,  G5  inches. 

Purchased  from  Messrs.  Dowcleswell  ^-  Dowdeswell. 

Thf  above  desc-ribfd  ])icturc  was  purchased  by  .Mr.  Lambert  some  fif- 
teen or  twenty  years  ago  from  Messrs.  Dowdeswell  &  Dowdeswell  of  London 
as  a  work  of  Jan  Victors,  a  pupil  of  Rembrandt.  Many  English  cx{)erts  have 
declared  tlie  work  to  be  an  examjile  of  the  great  master,  and  Mr.  Lambert, 
after  a  long  study  of  the  picture,  is  also  of  the  opinion  tliat  the  work  is  by 
Rembrandt. 


SCHOOJ.  OF  SIR  ANTON   VAN  DYCK 

Flemish:   1599—1641 


i  i^QO— VENUS  AND  CUPID 

Whole-length  of  an  uiiidealized  Flemish  woman  as  Venus,  stand- 
ing to  front  in  .'•jli<>lit  white  drapery  and  a  brown  fur  cloak,  jeweled 
arndet,  dark  curly  Iiair  with  pearl  rope;  l)y  lier  side,  Cui)id,  with  blue 
drajjeries,  holding  her  cloak;  to  left  piidv  high-heeled  shoes  and  carved 
figure  of  a  lion's  head. 

Ca/nvas:  Height,  69  inches;  xcidth,  45  inches. 


JUAN    C  ARREXO    1)E   :MiriAXDA 

Spanish:  lf>14— 1685 


m\—THE  ASSUMPTION  OF  THE  VIRGIN 

Whole-length  figure  of  the  youthful  Virgin  on  clouds  in  gold  and 
blue  draperies,  looking  up  towards  the  Dove;  hands  joined;  cherubs' 
heads  at  foot  and  above.  Below  is  a  landscape  with  the  sea  in  tlie 
distance,  vessels,  coast  with  buildings,  and  a  castle  to  right. 

Canvas,  circular  top:  Height,  70  inches;  uddth,  461/2  inches. 

Purchased  from  Messrs.  Durand-Ruel. 


FRANCISCO  OSOlirO  .MENESES 

Spanish:   1630—1705 
(Pupil  of  MurUlo) 

362— THE  ASSU3IPTIOX  OF  THE  VIRGIN 

The  Virgin  in  white,  pink  and  blue  draperies,  and  with  long  flowing 
auburn  hair,  on  clouds,  surrounded  at  foot  by  a  group  of  cherubs,  one 
of  whom  holds  a  mirror  and  another  a  spray  of  roses;  other  cherubs' 
heads  are  distinguishable  in  the  clouds  above. 

Canvas:  Height,  70  inches;  width,  50  inches. 

From  the  collection  of  Cardinal  AntonelU  (1806-1876). 


\o.   3(53 
THE  ELEVATIOX  OF  THE  HOST 

BY 

FRANCISCO  DE  RIBAI/rA 


FRANCISCO    I)E  RIBALTA 

Spanish:  circa   1550 — 1628 

SQ3—THE  ELEVATION  OF  THE  HOST 

A  GRAND  altar-piece  with  mmierous  candles;  two  kneeling  priests  and 
an  attendant,  one  holdin<>  a  medallion  of  the  Crucifixion,  the  nnde 
half-figm'e  of  Christ  revealed  by  angels  holding  white  draperies 
apart;  above  the  figure  of  Christ  are  the  Dove  and  the  First  Person 
of  the  Trinity,  giving  a  blessing. 

Cainns:  Height,  Hy^  inches;  width,  50  inches. 
Purchased  from  Messrs.  Durand-liuel. 


No.  3G4 

ST.   CHRISTOPHER  AND  THE  CHRIST 
CHILD 


ALOXZO  CANO 


ALONZO  CANO 

Spanish:  1601—1667 

364— ;^r.  CHRISTOPHER  AND  THE  CHRIST  CHILD 

Whole-length  life-size  figure  of  St.  Christopher  in  richly  embroid- 
ered robes,  walking  over  a  flower-strewn  floor;  staff',  crowned  bj'  a 
dove  and  roses,  in  left  hand,  leading  with  right  hand  the  richly-dressed 
Christ  Child;  youthful  cherubs  above,  to  right  and  left. 

Canvas:  Height,  80  inches;  width,  58  inches. 
Signed. 
Purchased  in  London  from  a  Danish  banker  'tcho  sold  it  for  a  client. 


No.  ,364 

.V7'.  CHRISrOPHER  AX  J)  THE 
CHRIST  CHILD 


i'BS  .oVI 


OVIAO  OSVIO.IA 


ALONZO  CANO 

Spanish:  1601—1667 

364—ST.  CHRISTOPHER  AND  THE  CHRIST  CHILD 

Whole-length  life-size  figui-e  of  St.  Christopher  in  richly  embroid- 
ered robes,  walking  over  a  flower-strewn  floor;  staff,  crowned  by  a 
dove  and  roses,  in  left  hand,  leading  with  right  hand  the  richly-dressed 
Christ  Child;  youthful  cherubs  above,  to  right  and  left. 

Canvas:  Height,  80  inches;  rcidth,  58  inches. 
Signed. 
Purchased  in  London  from  a  Danish  hanker  who  sold  it  for  a  client. 


No.  365 
THE  MADOXXA  ENTHRONED 


BY 


BERNARDINO  LUINI 


BERXAKDIXO  JAUXI 

Italian:  circa   1460 — 1530 

365— THi;  MADOXNA  ENTHRONED 

Whole-length  figure  of  the  Virgin  enthroned  on  a  carved  wood  and 
red  jjlusli  chair ;  in  blue  robe  and  red  mantle,  holding  the  Infant  who 
stands  on  elbow  of  seat ;  on  either  side  a  youthful  angel  in  blue  drapery 
is  playing  a  guitar;  at  foot  three  angels  are  playing  flutes  and  fife; 
two  angels  above. 

Panel:  Height,  94>  inches;  width,  5-1  inches. 

From  a  private  collection  in  North  Cuviherland,  where  it  had  been  for  over 
a  century,  purchased  by  Sir  WiUiam  Agnew,  who  ranked  this  painting  as 
one  of  the  three  greatest  Madonnas  in  the  world,  the  other  two  being  Mr. 
Morgan's  Raphael  and  the  Blenheim  Palace  Raphael  now  in  the  National 
Gallery,  London. 


No.  :m\ 

MOTHER  JXD  CHILI) 

BY 

CLAUDIO  COELLO 


CL AUDIO  COEJ.LO 

Spanish:   1621—1093 

^QQ— MOTHER  AND  CHILD 

Whole-length  figure  of  a  young  lady  seated  to  right ;  in  dark  dress, 
elaborate  white  lace  collar  with  pearls,  brown  hair  with  pearl  orna- 
ment, pearl  earrings;  white  cuffs,  left  hand  holding  partly-opened 
book,  right  on  child's  shoulder;  to  left  child  in  black  dress  embroid- 
ered with  silver,  white  lace  collar  and  cuffs;  red  curtain  background. 

Canvas:  Height,  72  incites;  zvidth,  -i^l/o  inches. 

From   the   collection   of  Forster   M.   Alleyne,   Esq.,    of   Porters,   Barbadoes, 
December  12,  1903,  No.  129. 

Purchased  from  the  late  T.  J.  Blakcslee. 


^31^ 


No.  367 
AUIXGDUX  OX   THE   THAMES 


BY 


GEORGE   BURRELL   WILLCOCK 


UEOHGE   lU  IMJKLL   WILLCOCK 

English:   1811—1852 

S67~ABINGDON  ON  THE  THAMES 

Wkli.-woodej)  view  of  the  Thames,  with  hoats,  numerous  figures  and 
the  spire  of  church  and  graceful  trees  to  left,  towpath  in  center  with 
figures;  golden  clouds. 

Purchased  in  London  throngh   the  late  T.  J.  lilakcslce. 


No.  .308 
AT  THE  OPENING  OF  THE  GATE 

BY 

Sm  THOMAS  LAWRENCE,  P.R.A. 


SIPt   TPIO^rAS    LAWRENCE,  1M?.A. 

English:   1769—1830 

368— .IT  THE  OPENING  OF  THE  GATE 

A  GROUP  of  three  whole-length  figures  of  young  ladies  in  a  richly 
wooded  park.  Tlie  eldest,  to  the  right,  in  gold  low  dress  with  hrown 
shawl,  is  leading  a  donkey,  on  which  is  seated  the  youngest  of  the 
party,  in  yello^v  dress  and  white  lace  collar;  the  second  sister,  to  the 
left,  in  red  low  dress,  is  ojjening  the  rustic  gate. 

Camas:  Hi'ight,  95  iiiclics;   xc'tdth,   82   inch-es. 

Purcliascd  in  London  from  a  picture-restorer  wlio  liad  it  in  his  possession 
for  twenty-five  years  and  who  obtained  it  from  tlie  family.  It  was  then  stated 
that  the  tliree  young  ladies  were  members  of  a  now  extinct  branch  of  the 
Marquess  of  Londonderry  family. 

This  fine  and  im])osin<r  group  lias  been  accepted  as  by  Sir  Thomas  Law- 
rence, and  the  fact  that  he  ])ainted  a  large  number  of  the  members  of  the 
Londondeirv  family  lends  color  to  that  claim.  No  trace  has  been  found  to 
substantiate  the  Lawrence  attribution;  and  it  is  (juite  certain  that  there  would 
have  been  some  record  of  a  ])icture  of  tiiis  si/e  and  im])ortance  if  Lawrence  had 
painted  it.  Tlu'  probability  is  that  it  is  the  work  of  Lawrence's  assistant,  an 
extremely  able  ])ortrait-])ainter  who  exhibited  at  the  Royal  Academy  from 
1807  to  18-t.'},  who  was  for  many  years  em])loye(l  by  Lawrence  in  ])ainting  the 
accessories  of  his  jiictiircs  and  in  making  copies,  and  wliose  woi-k  often  comes  so 
close  to  Lawrence's  manner  tjiat  it  has  fi-e(|urntlv  been  mistaken  for  his. 


MARBLE   STATUARY 

TO   BE   SOLD 
AT  THE  AMERICAN   ART   GALLERIES 

ON 

WEDNESDAY  AFTERNOON,  FEBRUARY  23,1916 

BEGINNING   AT   2.30   O'CLOCK 


NOTE:  The  pieces  of  statuary  marked  with  an  asterisk  may  be  in- 
spected at  the  Belle  Vista  Castle,  Paterson,  N.  J.  These  pieces  will  be 
sold  under  the  condition  that  the  purchaser  remove  the  same  from  the 
Castle  at  his  risk  and  expense. 


UNKNOWN 

869— .1  SLEEPING  CHILD 

Statuette  of  a  little  child  lying  at  length  asleep. 

White  marble:  Height,  ITiVo  inches;  length,  32  inches. 


P1U)I  KSSOK   UJ.ISSK   C  A:N[liI 

1807—1895 

^70~WOMAN  READING 

Half-figure  of  a  lady  in  medieval  costume  with  flat  cap,  holding 
to  her  breast  a  volume  lettered  "Fianmietta." 

White  marble,  27  inches  high;  on  pedestal,  31/^  inches  high. 


FKOM   THE   ANTIQI  E 

371  —CESAR 
BusT^  with  mailed  vest  carved  with  a  mask. 

White  marble,  31  inches  high. 


ZxVRAII   MALCOLM   FriEEBOENP] 

1861—1906 

372— RECLINING  VENUS 

Small  whole-length  figure  of  Venus,  reclining  on  a  bridge  over  a 
stream,  and  holding  a  bunch  of  Arum  leaves. 

Dated  Florence,  1893. 

White  marhJc.  "28  inches  high  by  31  inches  long. 


ZARAH  MALOOL^Nf  FREEBORXE 

1861—1906 

313— DEBORAH 

Small  whole-length  figure  of  a  woman,  seated,  in  long  robe  and  with 
flowing  headdress.  On  the  side  of  the  seat  is  a  panel  with  a  Hebrew 
inscription,  and  at  the  back  an  inscription  in  Latin. 

Dated  Florence,  1894. 

White  marble,  31  inches  high  by  26  inches  long. 


CHALNCEY  B.   IVES 

American:   1810—1894 

374— ^^A^V  SOU  CI 

Whole-length  figure  of  a  child,  holding  a  book  in  her  left  hand, 
seated  on  the  trunk  of  a  tree  carved  with  ivy. 

White  marble,  3(5  inches  high  by  22  inches  long. 


N.  BARIZANLI 

(of  Florence) 


375~CROUCHING  VENUS 

Whole-length  figure,  seated  on  an  overturned  vase,  kneeling  on 
her  right  knee,  her  right  hand  raised. 

White  marble,  34  inches  high. 


G.  B.  LOMBARDl 

Italian:  Contemporary 

?>7Q— SUSANNAH 

Whole-length  crouching  figure  of  Susannah  with  draperies  around 
her  waist,  and  hair  flowing  over  her  back. 

White  marble,   37   inches   high;    on   colored   marble   pedestal,   35 
inches  high. 

{Illustrated) 


CHAUNCEY  B.  IVES 

American:  1810—1894 

*S77 —THE  JEWISH  31 A I  DEN 

Whole-length  seated  figure  in  classical  draperies  with  turban,  and 
sandalled  feet,  leaning  on  a  harp. 

Dated  Rome,  1888. 

White   marble,    51    inches   high;    on   green    marble    pedestal,    30 
inches  high. 

[Illustrated) 


G.  B.  LOMBARDI 

Italian  :  Contemporary 

37^— RUTH 

Small  whole-length  of  Ruth,  seated,  holding  a  sheaf  of  corn  with 
both  hands. 

White   marble,    37    inches    high;    on    marble   pedestal,    35    inches 
high. 

This  is  presumably  the  "Ruth"  once  in  the  collection  of  Mr.  Marshall 
Woods  of  Providence,  and  mentioned  in  Edward  Strachan's  "Art  Treasures 
of  America,"  Vol.  II,  p.  97. 

{Illustrated) 


S-v* 


■-■'T 


=  f"    '         -^ 


■.rx 


No.  376 


No.  377 


No.  378 


IN KNOWN 

im)~Louis  xri 

Bust,  in  robes  and  wi<T. 

White  marble,  27  inches  high;  on  mottled  marble  pedestal,  il^/^ 
inches  high. 

UNKNOWN 

?,m~MA  RIE  A  NTOINETTE 

Bust,  in  low  dress,  pearl  band  in  hair. 

White  marble,  27   inches   high;   on   green    marble  pedestal,   421/2 
inches  high. 

CIIArNCEY   H.  ivi:s 

A.MKKRAx:    1810—181)4. 

3HI— MODESTY 

Bust  of  a  partly-draped  woman  with  jjlaited  hair,  looking  down- 
wards. 


Dated  1866. 


White    marble,    L'O   inches   liigh;    on    mottled    vtarble   pedestal,    46 
inches  high. 


CIIAl  NCEY    H.   IV Eh 

American  :   1810—1894 

'6%2— VANITY 

Bust  of  a  smiling  woman,  partly  draped,  and  wearing  a  pearl  neck- 
lace; hair  elaborately  dressed,  head  inclined  over  left  shoulder. 

White  marble,   31    inches   high;    on   mottled  marble  pedestal,   46 
inches  high. 


LELIO  TORELLI 

Italian  :  Contemporary 

*3S3—THE  YOUTHFUL  TASSO 

Whole-length  life-size  figure  of  a  youth  standing,  his  jacket  em- 
broidered with  a  coat-of-arnis,  broad  collar;  partly  opened  book  in 
right  hand,  the  left  resting  on  a  carved  column. 

White   marble,   67^/2   inches   high. 
{Illustrated) 


PKOFESSOli  PASQUALE   liOMANEJ.Ll 

Italian:  Contemporary 

384—^  STRUGGLE  FOR  BREAKFAST 

Group  of  a  child  seated  and  struggling  against  the  attacks  on  its 
plate  by  a  cat  on  one  side  and  a  fowl  on  the  other,  his  spoon  raised 
in  right  hand  to  strike  the  latter. 

White  marble,   36  irichcs  high;   on   pedestal,   40   inches  high. 
(Illustrated) 


UNKNOWN 

*3H5— REBECCA  AT  THE  WELL 

Small  whole-length  figure  of  Rebecca  in  Oriental  dress,  standing, 
holding  a  pitcher  to  whicli  a  rope  is  attached. 

White  marble,  48  inches  high;  on  black  and  rchitc  marble  pedestal, 
39  inches  high. 

Note:  Little  finger  on  left  liand  cracked,  and  pedestal  .slightly  damaged. 

(Illustrated) 


V. 


/. 


n 

CO 

05 


Nos.   386-387-388 
ILLUSTRATED 


\ 


ANTOXIO  TANTAl^DIXl 

fece  Milano,  1867 

*386— .J  GIRL  READING 

Small  whole-length  of  young  lady,  standing,  holding  dress  in  left 
hand  and  book  in  right. 

Dated  Milan,  1867. 

White  marble,  48  inches  high;   on  white  marble  pedestal  carved 
with  festoons  of  roses. 

Note:  Top  of  index  finger  and  a  portion  of  tlie  hook  missing. 

{Illustrated) 


PlIOFESSOli  PASQUALE   llOMANEELl 

Italian  :  Contemporary 

*3S7— THE  ROSE  OF  SHARON 

Whole-length  figure,  resting  on  her  left  knee,  with  draperies  held 
up  by  her  riglit  hand,  sliawl  over  her  head,  left  hand  holding  rose. 

Dated  Florence,  1871. 

Exhibited  at  the  Paris  Exposition  of  1878. 

White  marble,  43  incites  high;   on  green  marble  pedestal  carved 
with  flowers,  39  inches  high. 
(Illustrated) 


GAETANO  TRENTANO\ E 

Italian:  Contemporary 

^m—BIANCA  CAFELLO 

Small  whole-length  figure  in  medieval  costume,  right  hand  resting 
on  a  pillar  carved  with  ivy  leaves. 

Dated  1880. 

White   marble,    44    inches   high;    on   green     marble    pedestal,   31 
inches  high. 

(^Illustrated) 


No.  3Ht) 


No.  387 


No.  388 


Nos.  389-390-391-392 
ILLUSTRATED 


UNKNOWN 

*3S9— SPRING 

Bust  of  female  figure,  partly  draped. 

White  marble,  35  inches  high;  on  yellowish  marble  pedestal,  51 
inches  high. 

(^Illustrated) 

UNKNOWN 

*m{)— SUMMER 

Bust  of  a  female  figure,  with  roses  in  her  hair. 

White    marble,   36   inches   high;    on   brownish    pedestal,   51    inches 
high. 

(Illustrated) 

UNKNOWN 

*?,9\— AUTUMN 
Bust  of  a  female  figure,  hair  entwined  with  grapes  and  vine  leaves. 

White  marble,  34  inches  high;   on  brownish   marble  pedestal,  51 
incites  high. 

(Illustrated) 

UNKNOWN 

*392— WINTER 

Bust  of  an  old  man  with  long  beard,  a  cloak  over  his  shoulders  and 

head. 

White  marble,  34  inches  high;  on  brownish   marble  pedestal,  51 
inches  high. 

(Illustrated) 


No.  391 


No.  392 


Nos.  394-395-396 
ILLUSTRATED 


UNKNOWN 


S93— BUST  OF  A  LADY 


Bust  of  a  lady,  her  head  and  shoulders  in  white  marble,  bodice  in 
yellowish  marble,   and  spray  of  roses  over  left  shoulder  in  white 

marble. 

32  inches  high;  on  mottled  marble  pedestal,  45  inches  high. 


HIIIAM   POWERS 

American:  1805—1873 

*394— HIAWATHA 

Whole-length  figure,  in  the  attitude  of  running,  dressed  in  Indian 
skirt  and  moccasins,  her  hair  plaited  in  one  strand. 

White  marhle,  66  inches  high;  on  white  and  yellow  marble  pedes- 
tal, 25  inches  high. 

Note  :  One  finger  missing. 

(^Illustrated) 


FROM  THE  ANTIQUE 

*395—C.Ji:SAR 

Bust,  with  wlaite  marble  head  and  flowing  robes  in  brown  marble. 

42  inches  high;  on  mottled  marble  pedestal,  54  inches  high. 
{^Illustrated) 


No.  394 


No.  395 


No.  396 


Nos.  397-398-399 
ILLUSTRATED 


CHAUNCEY  B.  IVES 

American:   1810— 1894 

*39Q— NIGHT 

Whole-length  female  figure  in  slight  draperies  and  with  flowing 
hair,  holding  a  torch  in  her  raised  right  hand. 

White  marble,  52  inches  high;  on  pedestal,  31   inches  high. 

Note:  Slight  damage  in  fold  of  dress  and  left  foot. 

{Illustrated) 

A.  E.  M.  WOLFF 

*S97— THE  YOUNG  APOLLO 

Whole-length  figure,  standing,  slightly  draped,  holding  a  torch  in 
his  right  hand;  an  overturned  ancient  jug  at  foot. 

Signed,  executed  in  Rome. 

White  marble,   67   inches  high;   on  grained  marble  pedestal,   31 
inches  high. 

(Illustrated) 


CHAUNCEY  B.  lYES 

American:   1810—1894 

*S9S— PANDORA 

Whole-length  nude  figure  with  draperies  on  her  left  arm,  stand- 
ing, and  holding  Pandora's  box  in  her  left  hand. 

Executed  in  Rome. 

White   marble,    67    inches   high;    on    marble   pedestal,    26    inches 
high. 

{Illustrated) 


No.  397 


No.  398 


No.  399 


GIUI.IO,lTADOLlNI 

(Borne  in  Rome  in  1849.) 

*S99— CUPID  AND  PSYCHE 

Whole-length,  .standing  figure  of  a  winged  Psyche,  with  hght  drap- 
eries over  her  left  arm,  left  liand  holding  a  small  bowl,  right  hand 
upraised;  Cupid  seated  below  with  a  basket  of  arrows. 

White  marble,  53  inches  high;  on  pedestal,  38  inches  high. 

Note  :  Wing  of  Psyche  damaged. 

{Illustrated) 


LJNKXOWN 

*400~DIANA  OF  THE  EPHESIANS 

Life-size,  whole-length  of  the  traditional  figure  of  the  Ephesian 
Diana,  with  face,  hands  and  feet  of  black  marble;  the  body  of  yel- 
low marble,  banded  muimny-wise,  and  carved  with  numerous  breasts 
and  other  symbols,  which  signify  the  earth. 

67  inches  higli;   the  pedestal,  .58  incites  high,  elaborately  can-ed 
with  winged  monsters,  masks,  fruit  and  ■flowers. 

Note  :  Finger  of  right-liand  missing  and  sleeve  slightly  damaged. 

The  statue  of  Diana  of  E])hesus  is  said  to  have  fallen  from  heaven. 
Minucius  says  it  was  a  wooden  statue,  but  Pliny  described  it  as  made  of 
ebony.  There  are  eight  or  nine  antique  statues  of  Diana  of  Ephesus,  all 
differing  somewliat.  Tlie  present  version  agrees  with  those  in  the  Sciarra 
Collection  and  at  the  Earl  of  Pembroke's,  Wilton  House,  England.  These 
are  respectively  figured  in  I^a  Chasse,  "Romanum  Museum,"  1746,  Vol.  II, 
and  in  Michaelis,  "Ancient  Marbles  in  Great  Britain,"  1882. 


AMERICAN  ART  ASSOCIATION, 

Managers. 
THOMAS  E.  KIRBY, 

Auctioneer. 


LIST  OF  ARTISTS  REPRESENTED  AND 
THEIR  WORKS 


LIST  OF  ARTISTS  REPRESENTED  AND 
THEIR  WORKS 


CATALOGUE 

NUMBER 


ALBERTINELLI,  INIariotto 

Holy  Family  202 

ANAS  T  AS  I,  AuGusTE  Paul  Charles 

Landscape  o 

ANCIENT  DUTCH  SCHOOL 

Interior  of  a  Cathedral  81 

BARBIERI,  Giovanni  Francesco 

The  Doubting  St.  Thomas  265 

BARGUE,  Charles 

Peasant  Boy  of  the  Apennines  31 

BARKER,  Thomas   (BARKER  OF  BATH) 

The  Old  Merchant  293 

BEECHEY,  Sir  William,  R.A. 

Portrait  of  a  Lady  222 

Portrait  of  INIrs.  Nosworthy  302 

BIGG,  Willia.ai  Redmore,  R.A. 

Saturday  JMorning;  or.  Favorite  Chickens  Going  to 

Market  Ug 

BISSOLO,  Pier  Francesco 

Madonna  and  Child  195 

BLAKE  LOCK,  Ralph  Alhert,  A.X.A. 

Landscape  and  JNIoonlight  15 

Landscape  Ig 

JMoonrise  44 

Landscape  45 


CATALOGUE 
NUMBER 

BLAKELOCK,  Rai.ph  Ai^bert,  A.N. A.   (Cont.) 

Landscape 
Landscape 
Landscape 
Landscape 
Sunset 

46 
103 
104 
105 
139 

Landscape 
Moonlight 

140 

182 

BOGERT,  George  H.,  A.N.A. 

Scene  in  Holland  143 

BOGGS,  Frank  M. 

In  the  Harbor  79 

BOKS,  Evert  Jan 

Casus  Belli  7 

BOL,  Ferdinand 

Portrait  of  Rembrandt  211 

Portrait  of  a  Lady  239 

Rembrandt's  IMother  330 

St.  John  the  Baptist  Chiding  Herod  355 

BOTTICELLI,  Sandro 

Madonna  and  Child  329 

BOUDIN,  Eugene  Louis 

Trouville  98A 

The  Shore  at  Portrieux  108 

Cattle  in  Pasture  166 

BRONZING   (CRISTOFANO  ALLORI) 

Portrait  of  Leonora  de  Toledo  240 

BROWN,  John  Lewis 

Chevaux  au  Bord  de  la  Mer  10 

The  Meet  21 

La  Baignade  des  Chevaux  29 

Soldats  au  Bord  de  la  Mer                                          ,  129 


CATALOGUE 

NUMBER 


BRUEGHEL,  Jan 

The  Raising  of  Lazarus  312 

CALLCOTT,  Sir  Augustus  W.,  R.A. 

Landscape  j53 

English  Landscape  343 

CANO,  Alonzo 

St.  Christopher  and  the  Christ  Child  364 

CARIANI,  Giovanni  Busi 

Holy  Family  213 

CARRACCI,  LoDOvico     {Ascribed  to) 

Madonna  and  Child  235 

CARRENO  DE  MIRANDA,  Juan 

Portrait  of  a  Spanish  Princess  259 

The  Assumption  of  the  Virgin  361 

CESARE  DA  SESTO 

Madonna  and  Child  287 

CIMABUE   (School  of) 

Madonna  and  Child  191 

CIMA  DA  CONEGLIANO 

Madonna  and  Child  204 

CIPRIANI,  Giovanni  Battista,  R.A. 

Women  Bathing  87 

COELLO,  Claudio 

Mother  and  Child  36g 


CONSTABLE,  John,  R.A. 
Study 


4 


Study  279 


CATALOGUE 

NUMBER 

COROT,  Jean  Baptiste  Camille 

On  the  Riverside  120 

Evening  125 

COTES,  Francis,  R.A. 

Marchioness  of  Rockingham  262 

The  Countess  of  JNIexborough  303 

COURBET,  GusTAVE 

Marine  109 

The  Castle  of  Chillon  168 

Pare  des  Cretes  171 

CROME,  John 

The  Old  Windmill  338 

CROME,  John  Bernay 

Village  on  the  Yare  77 

CROME,  William  H. 

Landscape  56 

CUYP,  Aelbert     {Attributed  to) 

The  Game  of  Cards  155 

DAUBIGNY,  Charles  Francois 

Landscape  in  France  121 

The  Apple  Orchard  126 

DELACROIX,  Ferdinand  Victor  Eugene 

Lion  Feeding  123 

Portrait  of  Alexandre  Julie  de  la  Boutraye,  Coni- 

tesse  Raymond  du  Tillet  128 

DELORME,  Anton 

Interior  of  a  Cathedral  342 

DP:SB0UTINS,  Marcellin  Gilbert 

L'Homme  a  I'Epee  172 


DIAZ  DE  LA  PEXA,  Nakcisse  Virgile 
In  the  Park 


CATALOGUE 
NUMBER 


169 


DOBSON,  AViLLiAM 

Philip,  Fifth  Earl  of  Pembroke 
Portrait  of  a  Gentleman 
James,  Fii-st  Duke  of  Hamilton 


224 
229 
34.4 


DROUAIS,  Fran(,^ois  Hubert     {Period  of) 
An  Aunt  of  Kin<r  I^ouis  XVI  of  France 
An  Aunt  of  King  Louis  XVI  of  France 

DU  JARDIN,  Karel 

Portrait  of  a  Gentleman 


207 

208 


247 


DUPRE,  Jules 

Caught  in  the  Storm 
Landscape 


124 
127 


DUTCH  SCHOOL 

Adoration  of  the  Magi 
Scene  in  Holland 


267 
338A 


EARLY  FLEMISH 

The  Crucifixion 


193 


EARLY  GERMAN  SCPIOOL 

Adoration  of  the  JNIagi 
Group  of  Worshippers 

EARLY  ITALIAN  SCHOOL 

Head  of  a  3Ionk 

Nativity  of  Christ 

Christ  Rising  From  the  Sepulclire 

The  Marriage  of  St.  Catherine 

EECKHOUT,  Gerbkand  van  den 
The  Tribute  JMoney 


253 
311 


192 
196 
231 
283 


256 


CATALOGUE 
NUMBER 

EL  GRECO   (DOMENICO  THEOTOCOPULI) 

St.  Francis  of  Assisi  315 

ENGLISH  SCHOOL 

Landscape  54 

FLINCK,  GOV.VERT 

King  Lear  258 

FRANCIABIGIO   (FRANCESCO  BIGI) 

Holy  Family  349 

FRANZEN,  August,  A.N. A. 

A  Vista  in  France  23 

Head  of  a  Girl  28 

GADDI,  Taddeo     {School  of) 

Two  Saints  266 

GAINSBOROUGH,  Thomas,  E.A. 

Landscajie  306 

Portrait  of  General  Johnston  336 

C;EDDES,  Andeew,  A.R.A. 

Head  of  an  Elderly  Man  223 

GEERAERTS.  the  younger,  Marc 

Lady  Kenelm  Digby  326 

Lady  Arabella  Stuart  358 

GILBERT,  Sir  John,  R.A. 

The  Herald  of  the  Tower  27 

GIROLAMO  DA  SANTA  CROCE 

Madonna  and  Child  282 

GIROLAMO  DA  TREVISO 

Holy  Family  286 

GORDON,  Sir  John  Watson,  R.A. 

Portrait  of  a  Ladv  299 


CATALOGUE 
NUMBER 

GOUBIE,  Jean  Richard 

The  Ride  74 

GRANDI,  Ercole  di  Roberto 

The  INIarriage  of  St.  Catherine  264 

GREUZE,  Jean  Baptiste 

The  Death  of  the  Grandfather  179 

GROS,  Lucien  Alphonse 

The  Persecution  of  the  Huguenots  88 

HAJMILTON,  Hamilton 

Summertime  18o 

HARLOW,  George  Henry 

Portrait  of  John  Phihp  Kemble  218 

Portrait  of  a  Lady  228 

Mrs.  Dudley  Ryder  {nee  Nfesmitli)  269 

Portrait  of  Sheriff  John  Johnson  335 

HAS  SAM,  Childe,  N.A. 

A  Roof  Garden  184 

# 

HEFFNER,  Professor  Karl 

Landscape  85 

HELST,  Bartholomeus  van  der 

Portrait  of  a  Gentleman  290 

Portrait  of  a  Gentleman  322 

HELST,  Lodewijk  van  der 

Portrait  of  a  Lady  257 

HENRY,  Edward  Lamson,  N.A. 

Uninvited  Guests  '  26 

HOGARTH,  William 

The  Price  Family  347 


CATALOGUE 
NUMBER 

HOPPNER,  John,  R.A. 

Portrait  of  a  Ijady  3()i 

HUGUET,  Victor  Pierre 

The  Arrival  20 

Oriental  Scene  4,0 

A  Passing  Call  98 

IL  PARMIGIAXO    (FRANCESCO  JMAZZUOLA) 

Holy  Family  313 

IL    SASSOFERRATO    (GIOVANNI    BATTISTA    SALVI) 

Madonna  Praying  285 

IL  TINTORETTO    (JACOPO  ROBUSTI) 

The  Marriage  of  St.  Catherine  272 

INNESS,  George,  N.A. 

Landscajje  142 

INNOCENZO  DA   I3IOLA    (INNOCENZO   FRANCACCI) 

Virgin  and  Child  with  Saints  318 

ITALIAN  SCHOOL 

The  Holy  Family  23G 

Portrait  of  Pojje  Jnlius  II  250 

JORDAENS,  Jakob 

Daedalus  Fastening  the  Wings  on  Icarus  352 

KAUFFMANN,  Angelica,  R.A. 

Mother  and  Child  331 

KEYSER,  Thomas  de 

The  Parker  Family  of  Amsterdam  321 

KNAUS,  I'roeessor  Ludwig 

Landscape  and  Pigs  8 


CATALOGUE 

NUMBER 


KNEI.LER,  Sir  Godfrey 

Family  Group  210 

Portrait  of  a  Lady  261 

KOST,    P^REDKRICK    \V.,    N.A. 

Moonrise  ^0 

LAHGILLIERE,  Nicolas  de 

The  Lar<^illiere  Family  345 

LAWRENCE.  Sir  Thomas,  P.R.A. 

Portrait  of  a  Gentleman  226 

The  Sisters  292 

Portrait  of  a  Lady  297 

Portrait  of  JNIrs.  Inglis  319 

Mother  and  Daughter  334, 

At  the  Oi)ening  of  the  Gate  368 

LAWRENCE,  Sir  Thomas.  PH. A.     {School  of) 

JMrs.  Juliana  Dine  242 

LEADER,  Benjamin  Williams,  E.A. 

English  Landscape  55 

LELY,  Sir  Peter 

Portrait  of  a  Gentleman  216 

The  Duchess  of  Leicester  294 

LEPINE,  Stanislas 

River  Scene  >                              5 

JNIoonlight  22 

Street  Scene  30 

LINDENSCIIIMIT,  Wilhelm  von 

Luther  and  the  Reformers  at  Marburg,  1.329  93 

LOOTEN,  Jan 

The  Sign-Post  94 


CATALOGUE 
NUMBER 


liUINI,  Bernardino 

Head  of  St.  John  the  Baptist  212 

The  ]SIadonna  Enthroned  365 

MADRAZO,  Raimundo  de 

Confidences  72 

MAES,  NicoLAES 

Portrait  of  a  Lady  260 

Portrait  of  a  Lady  337 

MATSYS   (or  METSYS),  Quentin 

Virgin  at  Prayer  201 

McCORD,  George  Herbert,  A.N. A. 

Windsor  Castle  82 

MENESES,  Francisco  Osorio 

Ascension  of  the  Virgin  354 
The  Assumption  of  the  Virgin                                                .    362 

IMETSU,  Gabriel 

The  Toast  244 

METZ   (of  Cologne),  Johann  Martin 

Flower  Piece  58 

Flower  Piece  59 

MICHEL,  Georges 

Landscape  17 

Landscape  with  Castle                                                     .  18 

Landscape  with  Trees  19 

Landscape  37 

Landscape  with  Windmill  38 

Landscape  39 

Landscape  51 

The  Ruined  Chateau  52 

Landscape  58 

I^andscape  60 


CATALOGUE 
NUMBER 


MICHEL,  Georges   (Conf.) 

Seacoast  with  Boats  and  Figures  61 

The  Oaks  106 

A  Seaport  107 

Landscape  145 

The  Churcli  on  the  Hill  146 

The  Cascade  147 

The  Waterfall  148 

Landscape  170 

MIEREVELT,  Michael 

Pieter  de  Schilde,  Councilor  of  Brabant  333 

MIGNARD,  Pierre 

Portrait  of  a  Gentleman  198 

MILLET,  rRAN(;ois,  fils 

Feeding  the  Chickens  122 

MOLENAER,  Jan 

The  Village  Fete  76 

MOLENAER,  Jan  Miense 

Man  Drinking  280 

MOLENAER,  Klaes 

Dutch  Landscape  111 

MONET,  Claude 

On  the  Coast  of  Normandy  63 

The  Lake  66 

View  of  Argenteuil  136 

Sea  and  Land  150 

Marine  158 

The  River  159 

MONTENARD,  Frederic 

A  View  in  the  Midi  41 

On  the  Road  to  the  Monastery  68 


CATALOGUE 
NUMBER 

MONTICELLI,  Adolphe 

Lady  with  a  Fan  11 

The  Cavalier  12 

Faust  and  JMarguerite  13 

Flower  Piece  14 

The  Griffin  32 

The  Cavalcade  33 

On  the  Terrace  34 

Feedin"'  the  Chickens  35 

Samson  and  Delilah  36 

Three  Ladies  47 

The  Arrival  of  Cupid  48 

A  Lady's  Portrait  49 

The  Poultry  Yard  50 

Two  Dogs  99 

Group  in  a  Park  100 

Marriage  Scene  101 

Group  of  Ladies  102 

In  the  Forest  130 

The  Necklace  131 

The  Cavaliers  132 

A  Castle  in  Ruins  133 

The  Chateau  Kitchen  134 

A  Concert  in  the  Forest  161 

A  Woodland  Fete  162 

Floral  Festival  163 

Autumn  164 

Cupid's  Offering  165 

A  Group  of  Ladies  180 

Ladies  and  Children  181 


JSIOKEAU,  AnRiEN 

Une  Repetition  dc  la  Tragedie  "Mirame"  chez  le 

Cardinal  Richelieu  89 


MOREELSE,  Paulus 

Bartholomeus  vnu   Segwaert,   Sheriff  of  Dordrecht, 

1607  28'J 


ISIOKLAND,  George 

Gamekeeper  and  Dog 
Feeding  Pigs 

MUKILI.O,  Bartolome  Esteban      {Attributed  to) 
The  ]Madoinia  with  the  Rosary 

MYTEXS,  D.^^iEL 

The  Marquess  of  Huntley 

NEEFFS,  PiETER 

Interior  of  a  Cathedral 

OWEX,  Wjeliam,  Jl.A. 

Portrait  of  a  Gentleman 

PACHECO,  FuANcisco 

Portrait  of  the  Daughter  of  Velasquez 

PAGLIANO,  Eleuterio 

Napoleon  Bidding  Farewell  to  the  Empress  Josepliine 
in  the  Palaee  of  Fontainebleau 

PANNINI,  Giovanni  Paolo 
Italian  Ruins 

PARTON,  Arthur,  N.A. 
Landscajje  and  Cattle 

PEREDA,  Antonio 

The  Breaking  of  Bread 
The  Ascension 

PEREZ.  Antonio 

The  Consecration  of  a  Bishop 

PESNE,  Antoine 

Charles  Alexander  of  Lorraine 
Portrait  of  a  Lad}' 

PIOaiBO,  Sebastiano  del 
JNIadonna  and  Child 


CATALOGUE 
NUMBER 


154, 


3.53 


84 


30.} 


3.57 


90 


174 


144 


273 
3.51 


340 

348 

203 


CATALOGUE 

NUMBER 

PISSARRO,  Camiixe 

On  the  Highway  43 

The  Carrefour  67 

Scene  d'Hiver  112 

Pontoise  115 

Environs  of  Pontoise  135 

The  Church  Tower,  Eragny,  Bazincourt  (Oise)  138 

Woman  in  a  Courtyard  151 

POURBUS  THE  YOUNGER,  Francis 

Head  of  a  Child  197 

Portrait  of  a  Young  Lady  217 

PREVITALI,  Andrea 

The  Annunciation  251 

PUVIS  DE  CHAVANNES,  Pierre  Cecile 

Autumn  167 
The  Meeting  of  Saint  Germain  and  Sainte  Genevieve, 

in  Her  Childhood,  at  Nanterre  186 

Frieze  1^7 

QUARTLEY,  Arthur,  N.A. 

Marine  24 

RAEBURN,  Sir  Henry,  K.A.     {Period  of) 

Portrait  of  a  Lady  230 

RAMSAY,  Allan 

George  the  Third  276 

Queen  Charlotte  277 

READ,  Catherine 

Child  and  Parrot  241 

REHN,  Frank  Knox  Morton,  N.A. 

Landscape  *-5 

Marine  "0 

Marine  141 


CATALOGUE 
NUMBER 

REMBRANDT  HARMENSZ  VAN  RUN 

Portrait  of  a  Rabbi  323 

REMBRANDT      (After) 

Portrait  of  a  Lady  209 

REMBRANDT  SCHOOL 

Woman  at  Prayer  {Rembraiidt's  Moiher)  199 

An  Apostle   {Rembrandt's  Father)  200 

Portrait  of  a  Lady  with  a  Fan  243 

Portrait  of  a  Rabbi  246 

Portrait  of  a  Rabbi  324 

Portrait  of  an  Old  Gentleman  Reading  325 

Portrait  of  a  Lady  327 

Joseph  Relating  His  Dream  3.59 

RENOIR,  Pierre  Auguste 

Oliviers  de  I'Estaque,  Marseilles  64 

Rochers  de  TEstaque  114 

Portrait  of  a  Child  117 

Girl  Knitting  152 

REYNOLDS.  Sir  Joshua,  P.R.A. 

Richard  Yeo,  R.A.  221 

Portrait  of  Himself  225 

Portrait  of  JMrs.  Bennett  301 

RIBALTA,  Francisco  de 

The  Elevation  of  the  Host  363 

RICO,  Martin 

On  the  Riverside  6 

RITTER,  Louis 

The  Villa  Castellani  83 

RIX,  Julian 

A  Devonshire  Farmhouse  78 


CATALOGUE 
NUMBER 

ROMNEY,  George 

Portrait  of  a  Lady  219 

William  Herschel,  Esq.  227 

ROUSSEAU,  Philippe 

Two  Dot>-,s  118 

ROUSSEAU,  Theodoke  Pierre  Etienne 

Landscape  110 

ROYBET,    FERDIN.VND 

The  Sultan's  Favorite  73 

RUBENS,  Sir  Peter  Paul 

Virgin  and  Child  271 

RUSSELL,  John,  R.A. 

Portrait  of  a  Young  Gentleman  245 

RUSSIAN  ICON 

JNIadonna  and  Child  194 

SALAI,  Andrea 

IMadonna  and  Child  288 

SAMANO,  Guiliamo 

Virgin  and  Child  215 

SANTI,  Giovanni 

Holy  Family  252 

SARTO,  Andrea  del 

Madonna  and  Child  31(5 

The  Holy  Family  328 

SARTO,  Andrea  del     (Attributed  to) 

Madonna  and  Child  238 

SCHIDONE,  Bartolommeo 

Madonna  and  Child  203 


CATALOOUE 
NUMBER 


SHAYKK,  AViLi.iAM,  tcitli  Eowakd  Chaklks  Williams 

English  I^andscape  I73 

SHEE,  Sir  Martin  Archer,  P.K.J. 

Portrait  of  Mrs.  Dillingham  270 

SIMONS,  P.  Marcius 

A  Dream  of  Youth  183 

S IRANI,  Eijsabetta 

Holy  Family  233 

SISLEY,  Alfred 

On  the  Seine  42 

Louveciennes  62 

Landscape  6,5 

Le  Barrage  de  St.  Mammes  11, '3 

Apres-midi  de  JMai  a  Bry  1,37 

A  Winter  Day  149 

La  Plaine  de  Verveux  I57 

Landscape  100 

SPANISH  SCHOOL 

St.  Mark  214 

STANNARD,  Joseph 

An  Old  IMill.  Norwich  75 

STARK,  James 

Landscape  340 

TENIERS,  David   (The  Elder) 

Pastoral  Scene  34 1 

TIEPOLO,  Giovanni  Battista 

Holy  Family  205 

Ascension  of  St.  JMargaret  350 

TITIAN    (TIZIANO  VECELLI) 

The  Dead  Christ  27.5 


CATALOGUE 
NUMBER 

TITIAN   (School  of) 

The  JNIarriage  of  St.  Catherine  234 

TROYON,  Constant 

In  Pasture  H^ 

TURNER,  Joseph  Maixord  William,  R.J. 

Classical  Scene  ^'^'^ 

UNKNOWN  ARTIST 

Last  Supper  ^"^ 

UNKNOWN  FLEMISH  ARTIST 

Portrait  of  a  Lady  as  a  Nun  254 

VAN  DER  NEER,  Aert 

Early  Morning  3 

River  Scene  307 

VAN  DER  WERP  F,  Adrl\an 

The  Incredulity  of  St.  Thomas  284 

VAN  DE  VELDE,  Auriaen 

A  Scene  in  the  Netherlands  HO 

VAN  DYCK,  Sir  Anton      {Period  of) 

Portrait  of  a  Gentleman  247 

Portrait  of  a  Gentleman  248 

VAN  DYCK,  Sir  Anton      [School  of) 

The  JNIarriage  of  St.  Catherine  274 

Venus  and  Cupid  360 

VAN  GOYEN,  Jan 

Marine  281 

On  the  River  310 

VAN  HONTIiORST,  Gerard 

Adoration  of  the  Magi  356 


CATALOGUE 

NUMBER 


VAN  HUYSUM,  Jan 

Flowers  95 

VAN  KEULEN,  Cornelis  Janssens 

Portrait  of  a  Gentleman  291 

Portrait  of  a  Gentleman  298 

Princess  Elizabeth,  Queen  of  Bohemia  332 

VAN  ORLEY,  Bernard 

Madonna  and  Child  237 

Virgin  and  Child  308 

The  Adoration  of  the  Magi  317 

VAN  OSTADE,  Isaak 

Landscape  91 

VAN  RAVESTEYN,  Jan 

Portrait  of  a  Lady  295 

VAN  RAVESTEYN,  Jan     {Attributed  to) 

Portrait  of  a  Gentleman  206 

VAN  RUYSDAEL,  Jakob 

Landscape  309 

VAN  RUYSDAEL,  Solomon 

Dordrecht  90 

VAN  RUYSDAEL,   (School  of) 

Landscape  and  Watermill  86 

VERESTCHAGIN,  Vasili  Vasilievich 

The  Cave  of  Endor  1 

The  Stable  of  the  Nativity  2 

The  Pearl  Mosque  at  Agra  188 

The  Kremlin,  Moscow  189 

VERONESE,  Paolo     {Attributed  to) 

A  Lady  Holding  a  JMiniature  268 


CATALOGUE 
NUMBER 


VERSPRONCK,  Jan 

Portrait  of  JNIynheer  Ten  Eyck  300 

VINCENT,  George 

Landscape  57 

VIVARINI,  Alvise 

jNIadonna  and  Child  314 

VOS,    COKNELIS    DE 

Lady  and  Child  249 

WAHLBERG,  Aifred 

Landscape  71 

WARD,  James,  R.A. 

Portrait  of  a  Gentleman  296 

WIGGINS,  Cakeeton,  N.A. 

A  Frosty  JMorning  69 

WILLCOCK,  George  Burrell 

Abingdon  on  the  Thames  367 

WILLIAMS,  Edward  Charles,  mth  William  Shayer 

English  Landscape  173 

WILSON,  Richard,  R.A. 

Lake  All)ano  and  INIonastery  175 

Waterfall  near  TivoH  178 

The  Bridge:  Scene  near  Tivoli  339 

WINTERHALTER,  Franz  Xaat:r 

Susannah  and  tlie  Elders  92 

WOLGEMUT,  Michel     (Atfrlhiitcd  to) 

The  Holy  Family  320 

ZURBARAN,  Francisco 

Portrait  of  a  Syrian  Bishop  232 


MARBLE   STATUARY 


ANTIQUE   (FROM  THE) 

Ca?sar 
CjEsar 


Night 
Pandora 


Ruth 


TADOLINI,  GiuLio 

Cupid  and  Psyche 

TANTARDINI,  Antonio 
A  Girl  Reading 


CATALOGUE 
NUMBER 


371 
395 


BARIZANLI.  N. 

Crouching  Venus  375 

CAMBI,  Professor  Ulisse 

Woman  Reading  g^Q 


372 
373 


FREEBORNE,  Zarah  Malcolm 
Ret'Hning  Venus 
Deborah 

IVES,  Chauncey  B. 

Sans  Souci  gr- • 

The  Jewish  JNIaiden  377 

JModesty  gj^i 

Vanity  oq.^ 

39G 
398 


LOMBARDI,  G.  B. 

Susannah  g-j-g 


378 


POWERS,  Hiram 

Hiawatha  ggj, 

ROMANELLI,  Professor  Pasquale 

A  Struggle  for  Breakfast  384 

The  Rose  of  Sharon  g87 


399 


386 


CATALOGUE 
NUMBER 


TORELLI,  Lelio 

The  Youthful  Tasso  383 

TRENTANOVE,  Gaetano 

Bianca  Capello  388 

UNKNOWN 

A  Sleeping  Child  369 

Louis  XVI  379 

Marie  Antoinette  380 

Rebecca  at  the  Well  385 

Spring  ^^^ 

Summer  390 

Autumn  ^^^ 

Winter  ^^'^ 

Bust  of  a  Lady  393 

Diana  of  the  Ephesians  ^.00 

WOLFF,  A.  E.  M. 

The  Young  Apollo  397 


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